Showing posts with label rocks. Show all posts
Showing posts with label rocks. Show all posts

Monday, September 04, 2017

Newfoundland Wrapup (#7)

It's taken me longer than I thought to get to this post, my apologies, loyal readers! And I probably should have split this into two posts, but as long as I was writing...

I spent 3 days in the Cape St. Mary area in the vain hope that the fog would dissipate and I'd be able to return to the Gannet rock. The port in St. Brides, which I could have seen from my motel had it not been foggy was quiet but a few boats came in to unload their catch of cod, guided by the plaintive call of the foghorn every 30 seconds. It is a small port, boats ganged up 2 by 2 on the pier, manned by hard men and brash teenage lads, some of whom captained their own boats. All of whom took the time to share a friendly moment with a photographer "from away", in typical Newfoundlander fashion.




The young lad in the blue shirt captains the black boat in the previous picture. It must be a family thing because a lot of boats had "Dohey's" in the name 



Crowded port. These boats docked with inches to spare. 



Room for 3 more boats on this side of the pier 



Cod fishing is still a "thing" in Newfoundland but quotas are restrictive for commercial boats, and strictly enforced. The Ministry of Fisheries is present when the catch is weighed in 

I shot a couple of abstracts while waiting for the weather to clear





With the winds in Newfoundland, drying clothes is a breeze. I'll bet very few houses boast a clothes dryer! 





In the afternoon, I took a drive. For groceries, if nothing else: there's nothing in St. Brides. You swoop along pothole-strewn Route 100 up hills above the clouds and back down in the fog to isolated sea-level coves, each with an name like "Ship Cove" or "Great Barasway", some of them boasting several houses but most with just one or two. Topping a last rise you come into the surprisingly large town of Placentia.



The newly renovated Sir Ambrose Shea lift bridge is raised about 2400 times per year to allow boats access through the "Gut" to the safe Northeast Arm. There's lots of signage and stories about the cable and mechanically drawn ferries that used to be the only way to cross this dangerous channel. Colourful buildings dot the landscape as usual. 



 The whole lower side of that town is built at sea level and back half a century ago, there was a huge storm that caused a huge amount of flooding. Afterward, the city built a large walkway cum seawall, probably several kilometers long. People told me they're going to get inundated one day anyway, and they couldn't understand how major companies like Canadian Tire and Loblaws would build facilities on a flood plain!



...and of course they love their churches on the Rock. This is actually a Roman Catholic one. Probably because although Placentia was probably founded by Basque fishermen in the 16th century, the French took it over in the mid-17th century and the remnants of their culture is still strong.

This too, by the way, would be under water on occasion if it wasn't for the extensive seawall. 





Nearing the end of my Newfoundland trip I started to feel a little burned out. But I had planned the last days so I could go back and revisit the Cape St. George peninsula, since when I saw it originally on Day 1 I had rushed around it in order to get to Twillingate for the night.

My plan was to drive from Cape St. Mary to Stephenville where I had booked a couple of nights at the interesting-sounding "Dreamcatcher Motel". Although it was a long drive, I allowed myself a couple of stops on the way.





The Heritage Warplane Museum in Gander had some nice flowers planted around it.  Some interesting planes too but nothing I haven't shot before.


I took the time to stop in a town called King's Point just to see what was there. It was another picturesque fishing town. They promised whales but they lied!




Just before the thunderstorms I had been playing tag with all day caught up to me.  


Stephenville is an interesting larger town right on the ocean. There's a long, flat beach along the Western edge where people camp – in Newfoundland you can basically camp anywhere you want – so there were a number of motorhomes and RV's set up.





Gathering firewood at dusk, then at the fire an hour later. These folks toasted me, "may ye be in Heaven before the Devil knows yer dead". There's a lot of Irish heritage here. 


If you looked at a map you would see that the "Port au Port" peninsula extends from Stephenville into the Gulf of the St. Lawrence. The edges of the peninsula are rugged eroded cliff faces until you reach the western end where it's really just flats dotted with small fishing villages.



Most of the beaches consist of rocks polished smooth by the endless tumbling action of the North Atlantic waters 



On the very tip of the Port au Port peninsula is Cape St. George. From the park high on the point you look down on the crashing waters. Seabirds are ever-present, from murrs to cormorants, all varieties of gulls, terns and Northern Gannets that nest further up the coast. 


There were some sandy areas as well, in protected coves 




I wanted to stick with it but it was time to go home. I was heading for the ferry at Port aux Basques but I had some hours to kill, so I took a random turnoff from the TCH and ended up in an area called "Codroy". Little did I know it is a well-known birding area!



Here's a Willet getting quite vocal! 



Spotted Sandpiper posing for his portrait 


I walked out on a flat at low tide. I discovered that the terns were nesting in an embankment there, and they REALLY didn't want me there. I came under attack! Fortunately I had chosen to wear my Tilley hat and a Cabela's jacket because they attack with a vengeance! High speed assaults to within a few inches of you and they are extremely accurate with their primary weapon, bird poop! First things to hit the laundry when I got home!





This guy actually threw that fish at me. Hit me right in the hat! 

Across the road was a sand beach and it was marked as a protected Piping Plover nesting area



 
With my 600mm lens and cropped sensor body, I didn't need to get close to get good pictures. I tried not to disturb them much but you could tell that papa plover was trying to lure me away from the nesting area.



With good reason. These chicks couldn't have been more than a couple of days old! I watched one of them running around, constantly stumbling and falling down!



 

This has to be the definition of "cute"! 


Closing shot of the day. My regular followers would also know that I did an oil painting on canvas based on this shot.  I'll post it in the next edition of the blog so if you want to be sure to see it, click on the newsletter link in the upper right corner of this blog. No spam will come your way.






With that, I boarded the ferry and left my island paradise in the North Atlantic. I really hope to get back there and maybe even acquire a property there for summer use (I was going to say something about winter, but no offence to my Newfoundland friends, you have to be mad to spend winters there!).

After a month on the Rock, the seascapes of Cape Breton and the Cabot trail held little attraction for me. After a cursory look at the Inverness beach and a stop at the Glen Breton Scotch Whisky distillery (they now have a 25-year old. It's only $750 for a bottle!), I turned West and headed for home. 


Inverness, Nova Scotia.
That was the last shot before home. One other notable thing was the best chocolate milkshake I've had in 50 years, at a truck stop restaurant attached to an Irving gas station near the airport in Fredericton, NB. Almost worth driving 1000 miles back there!

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Monday, November 07, 2016

Gales of November


Please forgive my long hiatus. I've been dealing with some serious family medical issues that have kept me away for the last month. Frankly, I wasn't motivated to pick up the camera even once in that time, except for my trip up to Wawa but I did keep up with my Facebook friends and enjoyed the pictures and stories, especially those in Algonquin Park. I'm so jealous of all those great moose pictures!

 Fall colours this year are outstanding. I missed it in the Park but came home in time to get some shots here in the Highlands. I used this one as my Facebook header photo:








RAW vs. JPEG

Try this analogy: JPEG is like going to the store and buying a jar of pasta sauce. You can get it home and add some stuff to it to change it a bit but it's still store bought pasta sauce. RAW is like making it from scratch with tomatoes you lovingly grew yourself and garlic and spices and onions and other ingredients from your own garden. Much more work but if you know what you're doing... it can be much better than the store bought stuff. Using a preset in LR or a plug-in is like looking up a recipe and following it, not using one is like making it the way your mother taught you years ago, a pinch of this, a teaspoon of that, but it has a lot more of "you" in it. Let me add one more thing to the analogy: if you buy a jar of pasta sauce you can prepare it just by tossing it in the microwave. But if you make it from scratch, you need to have a real stove and pots and pans and knives to chop with and a spoon to mix with... in other words if you shoot RAW you need to have the tools – like LR or PS – to make those ingredients into sauce. Make sense?







While chasing fall colours, I ended up at Bob Lake just West of Minden around sunset. I saw this and HAD to stop to take this picture. 

I worked hard for this shot. This is one of those examples of "working the scene" to find the shot that made me stop. I had to climb down to get the proper angle, I tried different positions until I found the perspective I wanted. By the time I was ready to take it, the sun was long gone, but there was enough light left to do a 5-shot HDR burst. The middle shot was 4 seconds @ f/16, ISO 1100, for what it's worth.





GALES OF NOVEMBER

The Gales of November workshop on October 20-23 was attended by nine very talented photographers. I had said that I promised them "weather" but didn't specify what kind... it turned out that it was much more benign than I had hoped. No "gales"! 


Group photo courtesy of Jim Camelford. I just did a tiny amount of LR tweaking.Shot with his Olympus E-M1 mirrorless camera. Very tempting... 

My rôle was to facilitate. I chose some venues that had different challenges and tried to ensure that the participants had some knowledge of the techniques needed for each: an easy job because everyone was so experienced! For example we had scheduled a short lecture on using Neutral Density filters and long exposures. Ron (who was leading that one) asked, "who is not familiar with using ND filters?". Everyone said they were, so that was the shortest lecture ever!

I tried to challenge the group by focusing on the concept of pre-visualization. The intent was to highlight a technique that was probably in their toolbox but which can add to the way they approach their photography. I plan to create a mini-workshop on this topic for photographers of all experience levels soon. 

What I found fascinating was how differently everyone approached each venue. For example, there was a tree, reflected in a pool of water (I think in Katherine Cove), and I looked at it and failed to see anything interesting; yet at least four of the participants disagreed and got some outstanding shots. I'm hoping we can put together a slide show presentation of a compilation of their best shots and I'll link to it here. Also in the works is a Blurb book.

I shot a lot of "people" pictures. Sadly, I haven't gotten around to processing them yet, so you'll have to wait to see them. But here's a selection of landscape images I took that weekend. Most of them post-processed in my usual impressionistic style. 


Spectacular Fall colours! I took this shot with my iPhone on the way up. Just off Highway 69, south of the French River. Although it lack some of the quality of a similar shot I took with the D800, I think I like it better! Picture postcard perfect!



I took this shot a few minutes later with the D800. It's rendered using Topaz Impression with my favourite "Impasto" preset. 



Next day, en route between Sault Ste. Marie and Wawa. Although the colours aren't as eye-searingly brilliant as those further South, the scenery on the shores of Lake Superior is incredible. I was thinking of renting a cabin up there for the month of October next year, just to explore and photograph this 200 km stretch of highway. Who's with me? 



One of the spots I scouted for the group was this blueberry field on the way to High Falls. I was really taken by the textures in the vegetation. 



We went to the beach on the Michipicoten First Nations Reserve where I did this impression looking out over the Michipicoten Bay. Because it was so calm, I felt the need to add these textures to make it match my vision. I used pre-visualization techniques to compose and render this shot.





This was shot on the last morning as I drove to the Lodge. It's one of my favourite pictures of the trip. I knew it the moment I saw it. This one will be printed for sure! 


Where to stop! It's such a spectacular area. I'm planning to do this again next year, if you want to come along, drop me a line and I'll put you on the list of people I keep in the loop!

To close this blog, here's an image I took in front of the Rock Island Lodge. 





I think it was Jim's idea to drag these Muskoka chairs down to the beach but it was someone ELSE's idea to provide this awesome lighting just after sunrise! Textures added in Impression.


OK, one more! 




Shoreline rocks worn smooth by millions of years of Lake Superior wave action. Pastel colours and textures enhanced in Topaz Impression. It reminds me of a Microsoft screensaver, only better! 


So many others! I've added these and other images on my 500px site (just getting that under way) where they are available for purchase. I'll be updating my RedBubble and Fine Art America portfolios as well. They provide prints and other products at very reasonable prices. 

More to come!

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Friday, May 01, 2015

I wasn't going to do it!

Why use Lightroom?

I just wrote the following in response to one of our club members' question about why use LR when you already have Elements.
As far as editing is concerned, all three: Lightroom, Photoshop and Elements share the same processing engine, known as Adobe Camera Raw or ACR. But each program does other things outside that function.
■ Photoshop contains all the tools you'll ever need to manipulate a photo. You can edit right down to a single pixel with precision, if you can imagine it, you can do it in Photoshop. Twelve different ways, I might add. If you have the time and patience, that's the program to use. It has a steep learning curve, but you don't HAVE to use all the tools if you don't want to.
■ Elements contains a subset of the most commonly used, the more simple tools in Photoshop. And it's presented in such a way that you don't have to be as schooled to understand them. You can pretty well get to where you want to go but it might take some time to get there. Using Elements is sort of like using your camera on "Automatic", it's a 'Point-and-Shoot' editing program.
■ The downside of both of these programs is that they are designed to work on one picture at a time. Lightroom is designed to help you work with multiple images. Its forté is organizing your images and workflow by letting you import, file and flag and label a card full of images, edit them, let you switch out to PS to adjust them if you need more in depth manipulation, then you can export them for whatever purpose you have in mind, whether it's for print, for the web, for a slideshow, whatever. 
The point of Lightroom is that it takes a fraction of the time to process images compared to the others. I can import 200 pictures, mark and select which ones to work on, do basic editing on those and get them ready for export in 30 minutes: which is about the same amount of time it takes to manipulate one single image in the other programs. It's a workflow machine.
What it DOESN'T do is work with layers or combine multiple images (except for the new HDR and Pano functions in LR 6/CC). Personally I spend 85% of my post-processing effort in LR and only go out to PS when I need to go above and beyond.
Make sense?

Speaking of Lightroom

I told everyone I wasn't going to upgrade to LR CC (Lightroom 6) until I could see what kind of experience others were having with it. I gave in. I actually held out for... oh, I don't know, 8 hours? LOL. I downloaded and installed it on one machine that night.

First problem I had was getting it to run. To make a long story short, it wouldn't work – wouldn't even open – until I logged out of the Creative Cloud and logged back in. Then it worked seamlessly.
One weird thing: it decided that my F: drive – my external master image storage drive – should henceforth be known as the G: drive, which messed up a bunch of relationships! I simply renamed it and was back in business.
The first thing I did, after making sure everything was still there (and it was), was to do an HDR merge using the new function in Lightroom 6. Here's the first image I processed:



Two clicks made this image. Well actually I had to adjust some sliders afterwards, but really basic stuff like exposure and black and white levels and shadows. From zero to done in two minutes flat.

The resulting image in Lightroom is a natural, not heavily manipulated picture, that even people who say "I Hate HDR" can't find fault with. But the best part is, different from all the other HDR programs I have, the merged file is a RAW file (DNG) with a virtually infinite scope of what I can do with it afterwards. I understand the new Pano function is similar but I don't have any test images to try it on right now*.
* Now I do! See below.
The main advantage of the upgraded program is supposed to be an order-of-magnitude improvement in speed. Apparently they worked hard at optimizing how it processes images. Time will tell.

The other big thing they're touting for LR6/CC is Facial Recognition. Not something I care about since I'm primarily a landscape shooter, but you never know. The other thing is seamless integration with Lightroom Mobile that allows you to edit images on portable devices. But if I want to edit images I want to do it on my 26" monitor with my Wacom stylus in hand and an i7 quad-core processor slaving away in the background, so it's not for me. By the way, I have limited internet speed and bandwidth so I don't use any kind of cloud storage.

So far Lightroom 6 seems to be a seamless upgrade. We'll see...

Lightroom 6 Pano function

It's brilliant. Almost seamless. Check this out:



This is a giant pano. It's made up of 12 images automatically stitched together by Lightroom. Each image is 36Mp and the finished composite is almost 300Mp in size! Go ahead, click it. You still can't see it in all its glory! It's 32,273 pixels wide! Why? Look at this: 



This is a tight crop out of the pano above. I've shot large format: 4x5, 8x10... I think digital just caught up.  

Lightroom also automatically created this pano merge:



I shot this upper left, upper right, lower left, lower right. Lightroom AUTOMATICALLY put them together in the right way. It's a 120Mp file. I'm impressed.

By the way, this is my latest painting. It's Ritchie Falls, as you saw in last week's blog.  

New Header




I created the new header for the blog using the pano feature in Lightroom 6/CC. It's a bit taller than I usually use, wish I didn't have to cut the top off that tree! By the way, it's 20 merged images: I merged four 5-shot HDR's, then put them together as a pano. And there's a little touch of Topaz Impression, Rembrandt 1 preset in there.

You win some...

I had high hopes for these images. But they didn't go where I wanted them. I'm posting this as a reminder that sometimes what you see in your mind is not what you can capture with the camera or even produce in post-processing.

I was practicing what I preach. As I drove past this hillside on a rainy Monday, the little water rill caught my eye. I was on my way back from my painting class, without my camera in the car (OK, that part I didn't do as I say...) so I marked the spot, drove home, picked up the camera and came back. Here's what I originally saw:



This is straight out of the camera except for a minor exposure adjustment. 

I liked the colour palette. Something I'm paying more and more attention to these days (I'm finally catching on, Rosa, if you're still reading my stuff!). The beech and oak leaves still hanging on the trees added a brilliance to the scene. And of course, the rushing water... you can probably see what made me stop. But when I got it home, I wasn't excited.

I did shoot a 5-shot bracket so the first thing I did was to merge them to HDR. Really a waste of time: this is NOT a high-dynamic-range scene, it was overcast and raining. And if you looked at the histogram, there was nothing blown out or filled in. But the HDR merge did increase the detail level some. Then I increased saturation and got this:



I thought vertical worked better.  
My next thought was, "too much going on". So I tried to lose some detail, using various tools like Topaz Simplify, negative clarity... nah. Another attempt, using Topaz Impression with an impasto preset (but multiplied in to enhance the tone of the shadows, not so much the texture):





Now I ran "Simplify" on the image again, and masked out the river and the yellow tree, and here's the image closer to what I envisioned:



Not really what I was after, and not my favourite image ever, but it has its points!

I looked around before getting back in the car. "Working the Scene". I shot a closeup of some weeds, but didn't get much (I really have to get a macro lens!). Then about 100m to the right, I saw the scene below. Again, the colour palette was what attracted me and also, I had just spent a couple of hours learning how to paint rocks on canvas with oil paint, and I thought this scene had potential:



When I paint it (and I am planning to!) I can leave out some of the distracting brush in the foreground and get rid of that green leaf at right. I know I don't have the painting skill to make this come out the way I want, but it's worth a try. Wish me luck!


One more...

I took this picture yesterday, after coming out of the endodontist's office. I'd just had a root canal (doin' fine, thanks for asking!). I'm pretty sure this is his car... he did great work and deserves to be well paid! Well, maybe not THIS well...


This is a Tesla Model "S", P-85. All electric. Look it up! Over $100 Grand...

5-shot HDR, processed with Photomatix, tweaked with Lightroom 6/CC. 

Next week: images from the Carden Plain. The new header picture comes from there.

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