Tales from Gales

Again, the last blog was some time ago. Life has a way of getting in the way sometimes! As a retired old guy, I can't claim I've been too busy, but as age slows you down, somehow you achieve less and less every day! So what's new and exciting?

As I said last time, Subaru is being really accommodating! My new engine is going in in a few weeks, the appointment is scheduled for the first week of December. When that's done, I think I'm going to find someone to do a detail job on the interior of the car... it's showing its 200K km age and I haven't been one to get it cleaned regularly. Almost like getting a new car!

My D800 is back in the shop. Something is wrong with how it recognizes the connection with a "D" lens (you're supposed to set it to minimum aperture when mounting. It's giving me an error and won't let me shoot with it).  Sun Camera, again: they're very good and very accommodating. I should get it back next week when I come in for Ron Goodlin's Antarctica presentation in Thornhill. If you're in the area, you should come!

Boat's safely tucked away in the garage, ATV is prepped for winter (except I haven't mounted the plow yet), sump pump line is freshly repaired, firewood is stacked and ready... bring it on. For those of you hating me right now, hey! We live in Canada. If we didn't love winter we wouldn't live here. Right? Right?

You'd think this was a picture from last year... but you'd be wrong! Keep reading. 

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I have a list of subscribers to this blog. Whenever I put up a new post, I send them a heads-up email via MailChimp. In that email I always include a photo that I have not posted anywhere before. So they get to see stuff nobody else sees.

You can get on this list by clicking the "Newsletter" button over on the top right of the blog. No spam, and you can unsubscribe with one click at any time.

 Here's the picture I sent them last week:

I was sitting at the computer composing the MailChimp email on October 19 when I looked up and saw this AMAZING sunset. I grabbed the only camera within reach (my iPhone) and ran out to the dock. It took me about 3 minutes to get there and the sunset had DEGRADED to this. I shot a pano, uploaded it to LR and then opened it in Topaz Studio. I applied the "van Gogh" preset in Impression, dialed back the effect a little and this was the result.

People ask me why I live up here...

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The big thing is the successful conclusion of the Gales of November 2017 workshop up in Wawa. With travel and some other appointments along the way, it was a bit more than a week's trip for me. I came back with a head cold which slowed me down a bit last week, but I'm back in the swing.

I promised the group, "there will be weather". There was. Not what we expected, mind you. No wind, no waves, but we got SNOW! Interestingly, it's as if someone drew a line about halfway between the Soo and Wawa: snow to the north, none to the south. The photo above was taken on the way home on Sunday.

I can't say enough about David and the staff at Rock Island Lodge. They made it comfortable and friendly for everyone. And Judy shared her recipe for her homemade granola which I made a few days ago with some success!

Smallish batch in a big mixing bowl. I have some idea now about how to make it, so I'll play more with the next batch. More dried fruit and seeds for one thing! Someone called me "Mr. Suzy Homemaker", but hey, I like to eat!

Since we had more people than the lodge could accommodate, many of us stayed at High Falls Cabins which was a great place to stay as well. Anna and Zen really know the area too!

What I didn't talk about yet is Ben Eby. He came up and joined me as co-instructor. As ever I'm impressed by his talents and knowledge. He brought with him a set of complementary teaching skills: while I claim to be "right-brained" I realize that I'm really not, but he is! I know he spent a lot of time biting his tongue listening to me go on and on, and then he turned it around to easy learning sessions for people. And he has the energy of a younger man...

So we agreed that next year, Gales is going the be the "Ben" show, not the "Glenn" show. Hopefully health and other things will let me come up and be his assistant in 2018.  Bookmark www.photography.to/gales for a heads-up on next year's encore!

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I didn't shoot a lot of pictures, my role was to facilitate the workshop not take pictures for myself. Here are a few... admittedly there are more I haven't gone through yet, watch for them here or on my Facebook page (you're my friend, right? facebook.com/faczen is where you'll find me. Oh, and a special offer for those interested in Gales if you're a subscriber to this blog.

Without further ado, some pictures, but these are just the ones before the weekend workshop! We traveled up a day early to do some scouting and for a chance to enjoy the splendour of Lake Superior's North Shore.

Ben and Dave and Amin and I were convoying up on Wednesday and we all had to stop for this shot. Do you wonder why I like to spend the better part of a day getting from the Soo to Wawa? 

another stop at a little beach just North of Agawa. I like to add a sketch texture to these rock pictures but this is really how they looked to my mental eye. 

Pretty well the only waves we saw the whole weekend. Also at that little rocky beach

Same spot. Ben, Amin and Dave, from near to far. 

If you stop at Katherine Cove and take the little trail through the woods to the next cove south, you might see this...

We stopped at a few other places, like the Sand River and Chippewa Falls, but I don't want to take the fun out of finding these views yourself and discouraging people from coming up to the Algoma District.

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During the weekend itself we modified the schedule to try to take advantage of the weather and lighting conditions. For instance, we headed over to the badlands a day early because of the heavy snowfall, figuring it would lead to some interesting textures and landscapes.

A winter wonderland? I think if I posted this a few weeks from now (or you're reading it and it's getting closer to Christmas), this picture wouldn't have the appeal it does now. Later, I expect people to think, "I hate winter"! But since this was the first snowfall of the year... this was taken on the way out of the Badlands.

Pretty well everyone took pictures of these snow-covered berries. The only spot of colour anywhere
 

Faced with a monochromatic landscape, what do you shoot? Karen Young contemplating that very question!

Here's what I shot. Not distant mountains, snow-covered piles of rock with trees in the background, not sky. I liked it enough to use it as the header on this blog. 

The next day we headed out to High Falls. They had turned off the water (closed the dam) but there were still some spectacular cascades down the rock face.

 

Later in the day we found a bald eagle but he was quite distant (I saw eagles three times during this trip. I got pictures but nothing worth sharing). Later, we went up to White Sand beach on the First Nations Reserve. 

I did a high resolution pano of this island then decided to paint it with an impressionist vision. 

The sun peeked out at sunset but I used Topaz to enhance the colours and add the star effect on the light. (PS: I had to include this photo of "The most photographed Michipicoten River Light in the world"!)

In the evening, we shot burning steel wool. This image by Amin Shivji was so different from the usual 'ring of fire' shot that I asked his permission to reproduce it here.  

Unexpectedly, the stars came out for a short visit later. I did a short seminar on how to shoot it, then a number of us went outside to try our luck. Ben Eby was particularly good at coaching people and from what I saw on the backs of cameras and on our dedicated Facebook page, many had considerable success. 

Here's my view of the lodge from the beach down below. At least two other people had similar shots (Dave and Ben) because we were all standing in the same spot! 

On the way home I stopped in the Agawa Bay area and found this image of leaves frozen in a puddle skimmed with ice. 

Gales this year was challenging. We were hoping for wind and waves and got none of that, but each and every one of our participants told us that they succeeded in finding ways to express their creativity and find quality images. A dozen people in a sharing and learning and catered environment. That's what it was all about. For some, it was their first exposure to Lake Superior's North Shore and several echoed the same sentiment: "we'll be back"!

As I said above, if you're interested in perhaps joining us, bookmark the web page or email me or Ben and we'll give you more information when the dates are firmed up for 2018.

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Gales of November

Please forgive my long hiatus. I've been dealing with some serious family medical issues that have kept me away for the last month. Frankly, I wasn't motivated to pick up the camera even once in that time, except for my trip up to Wawa but I did keep up with my Facebook friends and enjoyed the pictures and stories, especially those in Algonquin Park. I'm so jealous of all those great moose pictures!

 Fall colours this year are outstanding. I missed it in the Park but came home in time to get some shots here in the Highlands. I used this one as my Facebook header photo:

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RAW vs. JPEG

Try this analogy: JPEG is like going to the store and buying a jar of pasta sauce. You can get it home and add some stuff to it to change it a bit but it's still store bought pasta sauce. RAW is like making it from scratch with tomatoes you lovingly grew yourself and garlic and spices and onions and other ingredients from your own garden. Much more work but if you know what you're doing... it can be much better than the store bought stuff. Using a preset in LR or a plug-in is like looking up a recipe and following it, not using one is like making it the way your mother taught you years ago, a pinch of this, a teaspoon of that, but it has a lot more of "you" in it. Let me add one more thing to the analogy: if you buy a jar of pasta sauce you can prepare it just by tossing it in the microwave. But if you make it from scratch, you need to have a real stove and pots and pans and knives to chop with and a spoon to mix with... in other words if you shoot RAW you need to have the tools – like LR or PS – to make those ingredients into sauce. Make sense?

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While chasing fall colours, I ended up at Bob Lake just West of Minden around sunset. I saw this and HAD to stop to take this picture. 

I worked hard for this shot. This is one of those examples of "working the scene" to find the shot that made me stop. I had to climb down to get the proper angle, I tried different positions until I found the perspective I wanted. By the time I was ready to take it, the sun was long gone, but there was enough light left to do a 5-shot HDR burst. The middle shot was 4 seconds @ f/16, ISO 1100, for what it's worth.

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GALES OF NOVEMBER

The Gales of November workshop on October 20-23 was attended by nine very talented photographers. I had said that I promised them "weather" but didn't specify what kind... it turned out that it was much more benign than I had hoped. No "gales"! 

Group photo courtesy of Jim Camelford. I just did a tiny amount of LR tweaking.Shot with his Olympus E-M1 mirrorless camera. Very tempting... 

My rôle was to facilitate. I chose some venues that had different challenges and tried to ensure that the participants had some knowledge of the techniques needed for each: an easy job because everyone was so experienced! For example we had scheduled a short lecture on using Neutral Density filters and long exposures. Ron (who was leading that one) asked, "who is not familiar with using ND filters?". Everyone said they were, so that was the shortest lecture ever!

I tried to challenge the group by focusing on the concept of pre-visualization. The intent was to highlight a technique that was probably in their toolbox but which can add to the way they approach their photography. I plan to create a mini-workshop on this topic for photographers of all experience levels soon. 

What I found fascinating was how differently everyone approached each venue. For example, there was a tree, reflected in a pool of water (I think in Katherine Cove), and I looked at it and failed to see anything interesting; yet at least four of the participants disagreed and got some outstanding shots. I'm hoping we can put together a slide show presentation of a compilation of their best shots and I'll link to it here. Also in the works is a Blurb book.

I shot a lot of "people" pictures. Sadly, I haven't gotten around to processing them yet, so you'll have to wait to see them. But here's a selection of landscape images I took that weekend. Most of them post-processed in my usual impressionistic style. 

Spectacular Fall colours! I took this shot with my iPhone on the way up. Just off Highway 69, south of the French River. Although it lack some of the quality of a similar shot I took with the D800, I think I like it better! Picture postcard perfect!

I took this shot a few minutes later with the D800. It's rendered using Topaz Impression with my favourite "Impasto" preset. 

Next day, en route between Sault Ste. Marie and Wawa. Although the colours aren't as eye-searingly brilliant as those further South, the scenery on the shores of Lake Superior is incredible. I was thinking of renting a cabin up there for the month of October next year, just to explore and photograph this 200 km stretch of highway. Who's with me? 

One of the spots I scouted for the group was this blueberry field on the way to High Falls. I was really taken by the textures in the vegetation. 

We went to the beach on the Michipicoten First Nations Reserve where I did this impression looking out over the Michipicoten Bay. Because it was so calm, I felt the need to add these textures to make it match my vision. I used pre-visualization techniques to compose and render this shot.

This was shot on the last morning as I drove to the Lodge. It's one of my favourite pictures of the trip. I knew it the moment I saw it. This one will be printed for sure! 

Where to stop! It's such a spectacular area. I'm planning to do this again next year, if you want to come along, drop me a line and I'll put you on the list of people I keep in the loop!

To close this blog, here's an image I took in front of the Rock Island Lodge. 

I think it was Jim's idea to drag these Muskoka chairs down to the beach but it was someone ELSE's idea to provide this awesome lighting just after sunrise! Textures added in Impression.

OK, one more! 

Shoreline rocks worn smooth by millions of years of Lake Superior wave action. Pastel colours and textures enhanced in Topaz Impression. It reminds me of a Microsoft screensaver, only better! 

So many others! I've added these and other images on my 500px site (just getting that under way) where they are available for purchase. I'll be updating my RedBubble and Fine Art America portfolios as well. They provide prints and other products at very reasonable prices. 

More to come!

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The Gales of November site is LIVE!

The Gales of November site is LIVE!

We've settled on the weekend of October 20th, 2016. There's room for a dozen photographers and as I write this, I know of 5 who have already booked, and Rock Island Lodge implied that there are a couple of others they haven't told me about yet.

So if you want to attend, you'd best hop to it. First come, first served.

 (I COULD do a second weekend if enough people want me to.)

Here's the link: check it out!

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Revised Banner shot
If you check out the banner picture at the top of the blog, it's an abstract rendering of a shot I was trying to make on New Year's Eve but then I experimented after the fact in Photoshop. The original was an attempt to isolate the dead tree against the snowy background... it was "OK", but needed something.

Here's the old blog banner that I replaced (I post the old ones in the blog so they don't disappear forever):

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Haven't tried it yet...

I mentioned a few weeks ago that when doing timelapses using my iphone to drive the camera through TriggerTrap, the phone battery was the limiting factor. I could only do about an hour and a half, the camera battery lasted longer. So I searched eBay for an external battery pack and paid the princely sum of $5.88 US including shipping for this one:

not my picture. Screen capture from the eBay page. 

The specs say it's got about 3x the capacity of the regular iPhone battery so it should do. Now I need to wait for some clear skies for a chance to give it a try. It was a little confusing at first because the cable didn't match the new "Lightning" connector on the phone (which I like because you don't have to worry about which way around it is, it plugs in both ways, but I dislike it because none of my old charging cables will fit!). Then I realized you use the regular iPhone charging cable and plug it into the USB connector on the power pack.

If I want to do serious day-long timelapses, I'll have to look into external power for the camera too. On the list...

It comes in various colours. I was going to buy pink but then I though...

I wrote that a few days ago. I have tried it now and it works... but I haven't pushed it to see how much power it's providing. I ran about 200 images for a timelapse and had 93% power left on the iPhone. I'll do more later.

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More Pine Marten pictures!

They're so deceivingly cute. I went up to Algonquin Park yesterday with Ron Goodlin and Rob Kline in search of wildlife, and I'm glad they weren't disappointed! Neither of them had seen Pine Martens before and the machine gun sound of Ron's D4 at 11 fps or whatever was more or less continuous!

I commented to someone that I was tired of seeing someone's endless cat pictures (s/he shall remain nameless). Cute enough, if you like cats – which I don't – but the're all the same. The response was, "yeah, should we talk about Pine Martens"? Guilty as charged!

Frankly, I don't understand how he does it. I went with the pressure and when I got home, discovered that I had shot 340 images. But as I culled and rated them there were so many identical. It was hard to decide which to keep and which to discard. I ended up throwing out about 200 shots. That said, there was one sequence where s/he opened and closed his or her mouth and I might have missed this shot if I hadn't been shooting in burst (my D800 only does about 4 fps — enough for me!).

I opined that these animals (Pine Martens are members of the weasel family. They may look cute but they're really mean like minks and fishers. They're carnivores, but these particular ones have become too accustomed to humans and our garbage.

Still, they make fine photo subjects, so here are a few more shots.

I suspect these are siblings from this year's litter. I posted this image on FB with the caption, "OK, here's the plan, sis. I'm going to run that way and stop and pose for the cameras every now and then. You go the other way and see if you can pick up some food for us without them spotting you. Ready? On 3...."

I think this is my favourite from this batch. I've long known that wide angle shots which include more of the environment tell a story better than closeups. I took some artistic liberties with the background to make it stand out less.

By the way, some people preferred to shoot other things. To each his own...

Ten feet away from where the Pine Martens were playing, this was set up to photograph chickadees. Sorry, I don't get it! There are a million of these around everyone's bird feeders, why go to Algonquin and ignore the martens to shoot these. Bird photographers are quirky! 

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Nikon D5/D500

Nikon has announced the new D5 ($6500 US) and D500 ($2000 US, same processor and sensor, but DX not FX and "Prosumer" not professional build. It's the successor to the D300). Available in March. OUTRAGEOUS ISO capability: ISO 3,480,000 and 1,280,000 respectively. I remember thinking you could shoot 1/1,000,000 sec at f/16 in the dark!

I haven't yet seen any images posted of any high-ISO shots, other than a sneak peek someone caught of an LCD at the Consumer Electronics Show. But I'm just imagining the noise performance at more "normal" levels like ISO 6400 or 12,800. I think these cameras are going to mitigate the need for big aperture lenses for certain applications – I'm thinking about those $15000 monster telephotos. You'll be able to shoot at f/8 all day.

We live in interesting times!

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...speaking of Snowy Owls...

We were, right? My bad, I guess not! 

Only one I've seen so far this year  

When I came across this ladybird, there was a group of conservation types hanging around. They were there, banding the owls. I asked how! They use traps baited with pigeons. I hung around for a while (until it was too dark!) hoping they would capture one so I could photograph the affair: that would be awesome! Too bad they didn't.

While I was waiting, the setting sun illuminated these greenhouses behind me. Check it out!

It actually looked even BETTER through the viewfinder but this was the best I could do, with a multi-shot HDR and Topaz software.

One for the road.

Snowflakes are TOUGH! There's quite a bit of post-processing work in this one and I haven't yet really nailed the focus. Thought I'd share anyway! 

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Announcing the NEW "Gales of November" Workshop!

The Gales of November

One of the longest running photography workshops around has been the "Gales of November" at the Rock Island Lodge in Wawa, on the shores of Lake Superior or 'Gitchigumi' as the natives call it. The area offers the most outstanding and spectacular landscape and outdoor photography in the Province. It has run for some 10 years under the expert tutelage of Rob Stimpson.

Due to some other commitments, particularly his trips to Antarctica, Rob has been forced to give it up and I have accepted the responsibility of facilitating this stellar photo-op and workshop opportunity.

Sunset view from the Rock Island Lodge 

Last year, the workshop was re-named, "The Gales of November Come Early" because it was scheduled for October! (That's like Oktoberfest in Munich: it's held in September because they can't wait!). The reasoning is to allow the lodge to close for the winter a bit earlier. We're still working out the details, but we're looking at one of two weekend dates, either October 8th or October 22nd, 2016. I'd like to do the earlier one because I think there will be fall colours in evidence at that time (who knows? This year was weird...) however that is Thanksgiving weekend in Canada and I don't know if that's going to be a plus or a minus.

A small corner of High Falls on the Magpie River 

I might even do a Spring 2016 session up there if enough people are interested.

The basic premises for the workshop are as follows:

• 3 nights at the superb Rock Island Lodge, great accommodations, all-inclusive
• Inexpensive. The final price hasn't been set yet but it will be affordable.
• Limited to about a dozen photographers. There are some nearby accommodations also available when the Lodge itself fills up.
• This is for experienced photographers who already know their cameras and basic post-processing. Depending on demand, we may make a separate session for those who need more guidance.
• Some physical limitations are not a problem, although there is ample opportunity for those more active to explore more challenging venues by hiking or kayaking or canoeing, etc.
• Limited teaching: I plan to set some challenges and assignments so people can step up to a new level. But Rob told me the following: "I found for the most part the last few years, people were looking to shoot and edit with like minded people - take them to places they otherwise would never get to".

One of the rooms in the Lodge 

There's a web page in progress (Link here). I would ask my gentle readers to go there and give me some feedback: I need to choose dates, etc. For now, there's a two-minute survey there, please respond if there's even a remote chance you might be able to join us!

I'm really excited about this. Some think it might be just an excuse for me to get back up there again... maybe a germ of truth in that! I absolutely love this area.

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New Banner

When I put a new banner up top, I post the old one in the body of the blog so it doesn't disappear entirely. The new banner is an impression of the steel wool shoot in Haliburton last week. Here's the previous one:

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Sharing a laugh

When my Nikon SB-600 flash died, I bought a Yongnuo YN568EX to replace it. It seems to have excellent specs, it costs about 30% of the price of the Nikon equivalent (it's available at B&H for $100 US here). The only downside is that my Gary Fong diffuser doesn't fit because the head is larger than the SB-600.

FREE! First person to request it gets it for free (just the cost of the shipping). Email me.

Here's the laugh part. This is what it says in the instruction manual:

FAST CURRENT-RETURN SYSTEM The time for full gloss output current-return will only take you 3 seconds; you can get fast current-return experience even without brand-new batteries, which will only take you 4~5 seconds.

Here's another example. This is from the "Quick Start" page:

Press [MODE] button to select TTL/M/Multi mode, holding [ZOOM} for a while to select remote trigger model, and then press [MODE] again to select Sn/Sc/S1/S2.

Nowhere in the manual does it explain what Sn/Sc/S1/S2 are. Does "n" stand for "Nikon" and "C" for "Canon"? That's my best guess. Oh, wait. I found a paragraph on "S1" mode:

It will work with the first work of the master flash synchronously with the result consistent with the use of radio slave. To use this mode correctly, the master flash should be set at manual flash and the TTL flash system with preflight function and the red-reduction function with multiple functions should not be used.

OK, folks. I've used off-camera speedlites before so I'm pretty sure I'll eventually figure this out but I wonder if someone who has never done off-camera would be able to do it! It also says it will do fast sync up to 1/8000 sec (interesting, the D800 says 1/320 sec maximum...). Anyone who has used one of these, please email me!

You would think that a company – even a Chinese one – who are a major supplier to the North American market, would be able to afford a translator who is not transliterating from the Chinese.

It is to laugh...

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I'm pretty good at Lightroom and Photoshop

On Facebook, frustrated people post questions they're stumped on. Sometimes I'll watch for a while and see that nobody else seems to know the answer, even though it's obvious to me. Or people put up stupid and flat-out wrong information. That frustrates me, so I take the time to respond. The best example is "Should I output the picture at 72 dpi or 300 dpi if it's going to be printed"? (DPI doesn't matter, it's the number of pixels). Or "should I convert my pictures to CMYK to send them to the printer", or "I deleted all my pictures from the computer but I kept them in Lightroom, how come I can't output them anymore?".

I try to help out by answering many questions (but not the ones like, "which is better, Photoshop or Lightroom"?). Not blowing my own horn, but I guess I know the right answer to 95% of 'normal' questions, on either program.

I'm not pretending to be something I'm not... I certainly don't have the chops to be a Lightroom or Photoshop ACE (Adobe Certified Expert). To pass that, you have to be familiar with everything in the programs and I'm not. For instance, I've never done 3D or worked on a storyboard or tried to do a web page with slices. I don't use the print module in Lightroom, never even looked at the Map module. You have to know all that stuff to pass the ACE. But I certainly know my way around the normal (normal for me!) stuff. And I know where to look when I need to learn something new.

Maybe it's the way I'm built (wide and low to the ground?), but generally you only have to show me how to do things once, or I see them or try them once, and it sticks. Must be the fact that I was left-brained for half a century before I discovered the other side. I owe my Lightroom start to Jim Camelford who put me on the right track when I got Lightroom 1.

I love to share. And teach. Nothing turns me on more than watching the lightbulb come on, seeing someone 'getting it' (well... let's not go there!). Right now I'm doing a two-session Lightroom workshop. Session 1 is on organizing and importing images, Session 2 is on editing and exporting, because these are the things people have to do in LR and if they can do more, it's gravy. Once they can do those things, they are on the right track.

I'm also pretty good at general photography. Same thing: if I've tried it, I know how to do it, and I can probably teach you how to do it. Basic camera use; lighting; composition; visualization; shooting stars; editing images; winter shooting and more.

If anyone wants me to do these sessions for them, contact me.

PS: I'm less confident teaching the right-brained stuff: I can't teach you how to play keyboard or guitar or harmonica even though I've tried those things, I'm not good at them. Or painting: I really suck! And seeing how to do it once isn't doing it for me this time. Ditto carpentry or canoeing or anything that challenges my arthritic knees! Some people think I'm pretty good at writing, but I can't teach it.

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Snowflakes

After Lance sent me some images of snowflakes he had taken, I knew I wanted to try it. With a new macro lens, I gave it a shot.

It's HARD! I tried a bunch of tricks and after a while I was able to get this shot. But it took a ton of manipulation to get it to look like this. There's a lot of Topaz Texture Effects in this shot.

I can do better! With winter on its way... well watch this space!

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Speaking of Texture Effects...

I was in the car, actually parked on the shoulder of South Lake Road near Minden, talking to Dr. Ron on the phone when I saw the delightful pattern formed by the snow-covered branches of this tree. I remember saying to Ron, "there are wires, and a fence... but I bet I can make a good leading line out of it". Well it took a lot of work but I got the image I wanted. 

I went back over an image I shot last September up on Lake Superior ('Gitchigumi' is the Ojibwe name for it). This is consistent with my passion for creating art out of digital images. I think it tells the story of the Big Lake well, and it certainly takes me back to when I was there. It should print really well on canvas.

This is a composite image. I added the girl/dog in from another picture taken on the same beach that day, because I wondered if having a foreground interest would add to the image, which it did! FWIW, they were facing the other way, I flipped them around so they were looking into the image. And I spent some time creating drop shadows and matching the toning so they would fit in seamlessly. The textures were done in Topaz Impression starting with one of the Oil Paint presets (#IV, if anyone cares!). Oh, and I enlarged the moon. It gets pretty small when you use a wide angle lens. 

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