Monday, August 15, 2016

Stars on Bikes and Stars in the Sky!

I had the privilege of being invited to attend a training/competition session of the Toronto Police Services Motor Squad last week. My friend Sean is a motor officer and he obtained clearance for me to be there. It was a two-day event but unfortunately I could only get away for one day. The first day was devoted to team exercises and the second to individuals.

Those who know me know that I’m not much of a “people-person” – I shoot rocks and trees – although if I make the effort… but I’m out of my comfort zone shooting people. These guys made me feel comfortable being there. I chatted with a number of them (and if you’re reading this, guys and gals, I have a real problem remembering names, so forgive me if I meet you somewhere else – not professionally, hopefully – and can’t remember, don’t hold it against me!). They were really nice people, from the Inspectors on down. I’ve been around athletes before, who need to focus, and I did my best not to interrupt anyone’s train of thought.

Physically, they were all different shapes and sizes. TPS Traffic Services comprises some 40 motor officers, a few women, men ranging from fit gung-ho 20-something-year-olds, to wiry grey-haired guys (one fellow told me he’s been “blue-carded” on bikes for 32 years), to, well, a couple of gentlemen who made me feel slim! But they all shared three things in common: (1) they are all police officers, (2) they all REALLY know how to ride motorcycles and (3) they all love what they do for a living.

Pan shot. Slow shutter speed, long lens. When they work... 

I think the team events were more important than the individual skills ones, and here’s why: first of all, they all have the riding skills. If they didn’t, they wouldn’t be there. Sure, some are better than others, but if you spent 12 years like I did teaching basic and intermediate motorcycle skills to civilians, you’d know it in an instant. But here’s the thing: these people are out there every day doing arguably the most dangerous duty a police officer can: individual car stops without a partner (I’m told that “domestics” are up there too). So although they’re out there ostensibly alone, deep down they know that their colleagues always have their backs. They trust each other implicitly. And when they do ride together, they know they can count on each other.

I’m reminded of the Snowbirds demo team where flying in close formation means focusing on your flight leader to the exclusion of everything else (and hoping he doesn’t fly into a mountain!). On bikes it’s the same thing except you also have to be aware of and react instantly to your surroundings. That’s why I called these guys (and gals) athletes.

There’s a sense of camaraderie in the motor squad, familiar to anyone who has ever served in a military unit. And respect and trust for the higher ranks. At this competition, almost all of them were wearing matching athletic shirts that said graphically on the back, “HEAD… and… EYES”. All motorcyclists know what that means. If you don’t, ask one! And they all had a nickname screened on their sleeve! You don’t pick your own nickname, the group chooses it for you! Sean is “RADAR”, for Radar O’Reilly of M*A*S*H fame who somehow could find anything. I met “Keener” and “Turtle” and “Rowdy” and “Scooter” and “Bam-Bam” (don’t want to know where that came from!) and others which of course I forgot.

Serious skills. This is Sean, looking where he wants to go! 

By the way, it was 35°C in the parking lot, and not a cloud in the sky. I was in an athletic shirt (with my old nickname on it: “Gunslinger” — thanks, Radar or “Sheriff” as he used to be known!), a photo vest and cargo shorts: except for the fact these folks were in tee shirts, not dress shirts and body armour, they were all in blue fatigue pants, boots and of course their fully loaded equipment belts. At the end of the day, they had to don their full kits for the ride back to the station: I didn’t envy them. It goes without saying that helmets were mandatory.

I think I understand now why police departments favour the Harley-Davidson over higher performance bikes. The Europeans favour the BMW’s and the Honda ST-1300 and other exotic rides. My old Honda ST-1100 was capable of almost double the top speed of the Harley, it was more manoeuvrable and much less expensive. But if you dropped an ST or a Beemer, into the shop it went for delicate repairs. The Harleys soldiered on. Most of the time you couldn’t even tell if one had fallen over, it landed on the crash guards and even if you did bend some chrome or dent a fender, so what? It’s low and stable and in the hands of a good rider, capable of manoeuvering in tight spaces. That said, the technology is over 100 years old!

Repairing a side stand interlock spring on the fly. You won't see a BMW rider doing that! (Then again, it wouldn't fail on a BMW... LOL )

So back to my point of trusting your teammates. There were complex exercises designed to test your ability to do just that — and yet think for yourself. One of them, called the “Dumb Ride” had three bikes in the circuit at a time, inches apart and they changed leaders three times!

I made this out of the shot below, doing a lot of work on the background in Photoshop and using Topaz Glow (see note below this article on the current upgrade available!).  

My only regret is that I didn’t expend more effort to document the team and perhaps get a group picture. It was really, really hot! Sorry. I thoroughly enjoy shooting motorcycles and admiring the skills of these motor cops. Their training is intense and effective, and they’re all really dedicated personable people who do a dangerous job really well. Kudo’s, motor squad.

Here's Sean, doing what he loves! 

New/Updated Topaz Glow

The fine folks at Topaz have just issued an update to their fantastic "GLOW" plugin program, which they have creatively called "GLOW2"! It's on sale from now until September 2nd at 30% off. Here are their words describing the update:

Topaz Glow introduces a new kind of tool into your workflow designed to electrify your imagination by illuminating the contours of your images to reveal the hidden life in each moment you capture. Glow 2 gives you the power to create stunning neon effects, or subtle ethereal glow. No matter the look you love, amplify your images faster than ever with Glow 2.

New features in Glow 2 Include: 
  • Over 30 New Presets - That brings the total to over 100 included effects to amplify your images or give you a boost creating a personal look you love.
  • New Masking Module -You no longer need a host editor like Photoshop to create masks on your images! Now, you can open Glow 2 and mask areas of your image directly from the application using luminosity, color selection, a spot mask, or a traditional brush mask, and yes it’s color aware :) 
  • Unlimited Undo/Redo - That's right! As long as you don’t close the program you can now undo or redo to your hearts content (as far as your system memory will allow.)
  • Topaz Community Integration - Topaz Glow 2 is the 3rd of our products to include the Topaz Community, an easy way for users to search save and share custom made presets with other Glow 2 users around the world. Surf an ocean of hand crafted presets, then download and apply with a click. Or share your custom presets for other users to try.
  • Automatic Preset Backup - as long as you’re signed into your account when you save a preset, that preset will be privately uploaded to the community then synced on any other machine you sign into. 

There's one caveat: this program uses intense GPU processing, so like Impression 2, your computer must have Windows 7+, Mac OSX 10.9+, and a GPU with OpenGL 3.3 or higher. (this replaces the older requirement for OpenGL 2.1). It won't install if it doesn't detect that. If you already own GLOW, it's a free update. Just download it and install it, it should pick up your existing license key.

If you're a new customer, use the link below and enter the coupon code, "GLOW2" at checkout for the discount. You can also try before buying to make sure it works on your system. Here's the link:

The Perseids Meteor Shower

Mother Nature is really cruel. It's been sunny and beautiful here for weeks on end. The peak nights for the Perseids meteor showers were Thursday and Friday. Guess what? Cloudy. I went out on Wednesday night but it was still worth the effort.

No meteors in this shot of the Milky Way. A flashlight, a little light painting...  

Instead of the advertised 150-200 meteors per hour, I saw about 30 or so over two and a half hours. Of course a lot were where the camera wasn't pointing! Still, I managed this composite of about 10 events:

Looking Northeast, I took about 250 frames over about 75 minutes. Each exposure was 15 seconds, with the wide angle lens set at 17mm (full frame), aperture at f/2.8, ISO at 3200. I drove the camera via TriggerTrap, using my iPhone.

People asked me how I created this composite: I isolated the 10 frames with incidents (I ignored airplanes. How come there are so many planes at 1:00 am in Northern Ontario?). I loaded them as layers in Photoshop and I masked everything except the meteor trail on each layer. 

The resulting negative mask looked like this. 
Then I took that composite and laid it over one of the 250 frames.

Since I had some 250 frames, I did two other things with them: I made a video timelapse using Microsoft Movie Maker and here's the link! Click to view it full-screen.

And I also created a star trails composite in StarStax. I didn't like the usual "lighten" type version, so I played with an average-with-increasing-exposure version that was much more subtle and brought out the glow of the Northern Lights that were present but not very visible to the naked eye:

I added in the masked composite from the previous example and did some toning work on the foreground.  

I'll close with another shot of the milky way from a few nights earlier.

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Monday, August 01, 2016



Danger, Will Robinson. Danger.

Michael at Red Umbrella Inn across the road from me just got a brand new drone. He was showing it to me then the phone rang and he handed me the controller. Argh!

Damn. You can even tell it where "home" is and it will land itself right there. You can set it to follow you as you drive or ride in a boat. It climbs up to 150m in a few seconds. We couldn't even find it in the sky up there. Take hands off the controls and it hovers motionless. You can rotate it. You can tilt it. You can look through its camera on your iPhone. You can send it to map coordinates or just to a spot you choose on a map.
Thou shalt not give in to temptation. Thou shalt not give in. Thou shalt not...
I didn't. I handed it back to him two minutes later.


It's interesting that every now and then something pops up in the photography community – especially on Facebook – as a trend. I suppose that has something to do with the groups you hang out in, but lately, everywhere I look, people are posting images of the Milky Way.

Some of them are quite spectacular, or they would be if I wasn't seeing dozens, if not hundreds of them. Digitally enhanced pictures of the galaxy with a well-composed, dramatically lit foreground. They set a standard that I sometimes can't reach, since I don't have desert rock arches or fabulous sea formations in range, but they do set some goals.

Hopefully the Weather Gods will cooperate and we'll be able to shoot some star fields up in Wawa during the Gales of November workshops! (Still some space on the second weekend! Visit for details).

Other trends? 360° SmartPhone shots. Long exposure shots of waterfalls and rapids. Fox kits in Algonquin Park and elsewhere. Focus stacked macro shots. And in my case (I'm guilty as well), images altered with plugins like Topaz Impression.

Back to the basics

It's time to get back to the basics. That's really easy to say — when going off in the artistic direction is as easy as clicking the mouse. But it's that time. I'm going to try!

Last week, I spent a pleasant couple of days with Bruce Peters, a Mississauga photographer friend of Hilary McNeil-Smith. We shot various venues around the Highlands. His presence inspired me to get out and take a fresh look at some places and times I've shot before. 

One of those places was Horseshoe Lake at Dawn. We didn't get a spectacular morning, but the mist on the water and the subtle pastels of the sky were interesting as usual. Here are three images before, during and after sunrise.  I'm never disappointed when I make the effort to get out early!

We visited another spot I like, where Highway 118 crosses Boshkong Lake. I gave into my desire to turn a photo into a piece of digital art...

Topaz Impression 2, Impasto preset (modified). I'm going to try to reproduce this in oil on canvas. Wish me luck! 

We went to some other spots I favour, including, of course, the Minden Wildwater. Then we went to Ritchie Falls. In both places, I mounted my 10-stop ND filter to smooth the water...

Here again I admit to doing a "little" post-processing!

The following morning my attraction to basic landscapes continued and I got up early to shoot this image behind the Red Umbrella Inn. I had actually shot a series of brackets intending to merge them as an HDR but I liked this one on its own, so there's very little processing done here. 
Back to the basics.

The Highland Yard, 2016 edition

I don't know the actual count, but I'm guessing there were about 150 participants at most, although it looked like there were as many as 50 runners in the 10K race. And that total included a whole bunch of smaller kids in the 2K. Still, it was a nice event and there were some photo ops! I hoped to do some different shots from previous years... at the start, I shot the runners coming at me with a telephoto lens, hoping to catch some good body positions and bright colours. When they returned to the finish line, I shot two ways: wide angle shots from a low point of view, then I switched to a long telephoto to capture faces and expressions. Here are a few images.

 I'm addicted to Topaz Impression among others... here's an image from yesterday's Highland Yard 10K event. However the plugins are so popular now that using them might make you part of the crowd as opposed to showing your individuality. Sort of like Harley Davidson riders who want to be different but they all look alike! 

I want to use my Impression-generated images for inspiration. Maybe I can express myself that way. However, I suck at painting.Harvey has said to be patient... when I have 50 years painting experience, like I do in photography... only problem is, I'll be 120 years old! 
I was a little disappointed this year. With one or two exceptions, there was nobody who had dug deep to run this race. No sweat-stained shirts, no agonized expressions, no ecstatic arm-pumps crossing the finish line. Just a bunch of people jogging in, checking their iPhones or their wrist-mounted stopwatches for their times, smiling and waving to their friends. I'm not sure what that means. Anyway, here are some more images:

Another "artsy" shot that just spoke to me. Candidate for a book cover?

Old man's leg, young man's shoe! 

There were some exceptions. Someone who was proud of her achievement and wanted to shout it out to the world! 

Another exception. This guy crossed the finish line, took one step and collapsed. Race staff hydrated him and he was OK later. 

File this lady under "Perseverance". She should be on a poster with that as the title. She came into the finish line running, not walking and with a look of commitment as you can see. Kudo's, lady. I couldn't do what you did. 
I just thought these two ladies made interesting photo subjects. Remember, you can click on any picture to blow it up.

Focus Pyramid

I bought this "Focus Pyramid" for the club and spent some time micro-aligning my lenses. The 70-200 Nikkor was the closest to zero and the Tamron 150-600 showed the most deviation. Interestingly it was different when I set it to 600mm and part way, around 400mm. I chose the 600mm alignment adjustment because that's the most critical point.

As you can see, you have to look very carefully to see where the lens is actually focusing. This shot was at a setting of +10 and I finally chose +8 as the setting (the range was -20 to +20). HHCC club members are welcome to borrow this focusing target to align their lenses. Contact Gord... 

Speaking of exercise...

Dr. Ron & Rob K came up for the day on Friday with the intent of bicycling the Rail Trail from Haliburton to Kinmount. I dropped them off in Haliburton (nice car, Rob. Embarrassing how long it took me to figure out that you need to press the brake to start it!), then went home to take a nap while they sweated their way down the trail. When I picked them up about 3 hours later, I didn't join them in their celebratory milkshake/icecream because I felt I didn't deserve it!

The intrepid road warriors, leaving Haliburton. The weather cleared up and it was bright and sunny when I awoke from my nap a couple of hours later! 
Then we went back to Ritchie Falls. It's tough shooting in the bright sun, so I chose to do some abstracts using my neutral density filter. 

A tree at Ritchie Falls that will need a few more visits with camera and sketch pad in hand! 

So that ends another July in the Haliburton Highlands. Lots of stuff going on in August, so stay tuned. And if you're thinking of booking the Gales of November workshop ( better get going, only 4 spots left!

PS: A whole blog post and not one bird picture! Don't get used to it!

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Sunday, July 17, 2016

Sittin' on the dock of the bay...


I went for a swim in the lake a couple of evenings ago and it occurred to me that swimming in the lake is substantively different from swimming in a pool. My dock is in a shallow bay, so your experience, where you swim, might be a little different than mine. So here are some (a)musing points

  • In a swimming pool, your eyes get red because people pee in the pool. Fish and other animals pee in the lake, but that doesn't give you red eyes. And it doesn't smell like chlorine.
  • Why is it that that spot on your lower back just above your waist is so much more sensitive to cold water than, say, your private bits? I've stood there, waist deep, saying, "ok, on the count of three... one, two, two-and-a-half...". In a pool, the water's all the same temperature. In the lake, it's 10° colder when you get down two feet!
  • When was the last time you were swimming in a pool and a raft of 15 ducks swam by? 9 kiddies and 6 adults. And since I was immersed in the water with only my head sticking up, they weren't intimidated and ignored me as they swam around me. Wish I could have seen them better, but I wasn't wearing my glasses.
  • Loons are BIG. At least twice the size of the ducks. One swam by about 8 or 10 feet from me then dove under, looking for fish (and not my nether bits, I hope!)
  • I love "Sitting on the Dock of the Bay, wasting time..." (Tell me this isn't better than the Otis Redding original...)

I made a metallic print of this image a couple of years ago and enjoy looking at it almost every day.

Another shot of my dock, also quite old. This was one side of my business card for a few generations! That's my friend Sean who was up here when we attended a photo course at Fleming College with Rob Stimpson some years ago. 

Speaking of Business Cards

I just ordered a new set, ran right out of my last ones. I get them made locally and I have a wholesale account where I can deliver a set of 500 full-coloured, double sided, Aqueous finished cards for about $25 (shipping and taxes extra but if we combine orders...). Think about it. Your own pictures...

Front and back (or back and front, you choose!) of my new cards. If you're reasonably adept with Photoshop, I can tell you how to prepare the final art for printing. If not, I can do it for you but understand that I need to be compensated for the time I spend on it. Contact me.

OK, truth time. I got my cards today. Hate them. The milky way image looks great on a lighted screen but hopelessly dark in print. The other side looks "OK" but it's not great either. It's not a quality problem with the supplier: they did their job. It was me. I had decided that I wanted a matte finish to the cards, not glossy. Nope. Also I didn't pay enough attention to the mid-tones, they're too dark. Also tiny detail doesn't work on a 2" x 3½" card. I should know better. Back to the drawing board. I'll report back when I get some new cards I like. But that shouldn't stop you! Just use a nice, bright, simple image.

The star shot I used on the card was taken at my friend Janie's place. I had planned to head up to Algonquin Park to shoot stars that night but dinner ended late and I was tired. It was July 1 and there were fireworks going on, so I just got the camera (and the bug jacket!!) out and did some shots down by the lake. I went back in and asked the ladies to turn the lights off for a bit because they were painting quite a bit of light on the dock and boat and I didn't want it in the shot. 

I had to do a bit of work on the original to finish it for the card. I did a bit more work to make it a printable large size image. Here's the original, SOOC (straight out of the camera):

Aside from the obvious toning in the sky, and removing a couple of the hot lights, especially at right, I wanted to enhance the reflections in the lake and the distortion on the left side, caused by the wide angle lens bothered me, so I did some selective warping and rotation to straighten it up. I wanted a warmer saturation on the house lights too. Actually I masked in a flipped version of the sky into the water, then applied a ripple filter to soften it. A considerable amount of attention to detail. By the way, the finished photoshop file is over 1.5Gb in size! Here's the result:

Oh yeah. And I turned that meteor trail into a better shooting star and got rid of the second one which I found distracting. Metallic or acrylic print? I don't think it would work on conventional media. 

The same night, on the way home, I stopped at the beach opposite 12-Mile Lake Church and did these shots:

I used a humongous flashlight to point to the Milky Way. If an alien being on Deneb looks up in about 2600 years, they should see the light from this flashlight. Thanks, Fred! 

Setting the flashlight to its widest setting and lowest power, and brushing the trees for a quick half-second pass during my 15-second exposure, I light painted the trees. You need a smaller flashlight for this! 

...more musings


Photographers constantly bemoan the fact that people don't want to pay for their work. "We'll give you recognition..."; "our thousands of viewers will see your work..."; "you'll get photo credit...". And the photographers are right: when was the last time you told a plumber that you would tell everyone how great a job they did (instead of paying them) or tried to use your photo credit to buy a coffee at Tim Horton's?

I'm constantly inundated with invitations to submit images for competitions. What better praise could one get than to say you were recognized in an International Salon or exhibited in a museum. I had four images selected for a juried show last year at the Agnes Jamieson Gallery in the Minden Cultural Centre and yes, I'm very pleased at the recognition and the positive reviews, but it cost me over $100 per image to print and frame them. I still have three of them here, one did in fact sell through the museum.

Newspapers and other media (including Network Television) encourage their readers/viewers to submit pictures and they never get paid. Facebook and YouTube are inundated with pictures and videos that people post for free. And photographers regularly complain when someone copies their work, which is inevitable. If you don't want people to steal your work, don't post it.

But the juried Salons abound. Just today I had another invitation to submit. But in order to do so, you have to pay them! In this case, $25 US per image submitted. I get that they have expenses to defray but why is it that the artist is the one who doesn't get paid? The company who runs the Salon makes money. Their employees are paid. Physical prints are displayed in a gallery and the gallery owner makes money. The director and staff make a salary. So does the mailboy and the secretary and even the kid who gets them coffee (which they pay for...). Not the artist.

That's not to say that there aren't legitimate competitions. The International Salon run by the Toronto Camera Club is in its 123rd year! Yes, you have to pay a fee to submit images but this prestigious event is different from the seemingly hundreds of imitators out there because (a) it's a legitimate and well-credentialed show, (b) a quality printed book of winning images is published and (c) it's run by a group not out to profit by the show. But when commercial outfits, including some well-known magazines, run such events for money, I have to question it.
For the record, I submitted a dozen entries to the 122nd International Salon and received seven acceptances (but no ribbons!). Dr. Ron had 12 acceptances and 4 awards! Impressive. This year I have accepted an invitation to judge the Photojournalism category for the Salon (I did two years ago as well) but new FIAP rules state that as a judge, I cannot submit images (even in other categories). :(
Anyway, I don't castigate amateur photographers for offering images for free or for photo credit – technically I fall in the same category, with my blog and social media postings and since I don't make a living from my art technically I'm not a working professional – but I draw the line when someone makes a profit from that work.


I finally split my catalog.

I have over 80,000 images in my Lightroom catalog. Since the catalog is just a database, that shouldn't matter, and probably doesn't. But my dilemma is that the size of the photo archive itself is so big that I had to buy a new 4Tb external drive to contain it. Last year, I bought two 3Tb drives. They're full to overflowing.

So I decided to take a step back and split the catalog. One of the beauties of Lightroom is that if you keyword your images, you can search for and easily find virtually any image in an instant. For instance, there are 676 pictures of me in that 80,000 image database, but I've marked only 87 of them as not-so-objectionable (everyone knows there are NO good pictures of yourself!). I'm never going to want to see the other 589 pictures. 

Here's what I decided: I want to be able to access all the images that I've marked as "keepers" over the years (there are about 11,000 of them) and I want to see all of this year's pictures (2016) as well (about 8000 so far). The combined count is a little over 16,000 images which takes up a little over 1Tb of disk space. They're sitting on a 3Tb drive now and I'll probably go out and buy an extra 2Tb drive to use as a duplicate. That should leave me enough room for a while. My 4Tb drive and another (very full) 3Tb drive will serve as an archive for the full 80,000 images.

It was no trivial task. I probably could have taken a small shortcut but what I did was

  • select the marked "keepers" in the existng catalog, spending some time deciding what to keep
  • exported them as a catalog to the external drive
  • same process, 2016 images
  • combine the two catalogs
  • set backup and other preferences for the new catalog and move it to the internal drive in the computer, leaving the images in their permanent home on the external
  • make sure the links are intact between the catalog in its new location and the images on the external drive
  • create a backup of the catalog on the external drive (so it's in two places)
  • started the process of building smart previews and 1:1 previews (not done yet).
The final step will be to echo the external drive to a fresh one and copy a "keepers only" archive to go on another external drive that I store off-site. For now, I have all the images in 3 places. Now I need to update to the latest Lightroom CC version (I haven't yet) and I'm good to go. 

Some pictures

But you didn't come here to read my rants and raves. You came to look at some pictures! Here are some new ones for your enjoyment.

Serious off-road wheels. Parked outside Kawartha Dairy last week, there were six or eight of these vehicles there. Still shaking the bugs out of Topaz Impressions 2... 

Speaking of Kawartha Dairy, here's a little time-lapse video I shot that day, set to appropriate music! Enjoy:
I've been enjoying my painting classes with Harvey Walker. I seem to be learning but progress is slow. I've been trying some different things to develop my skills and I have to admit I enjoy charcoal sketching:

I sketched this in graphite and charcoal while sitting at the Minden Wildwater Preserve. By the way, a sketchpad is a great chick magnet. Almost as good as a puppy.Girls kept coming over to see what I was drawing! 

Sitting just outside my front door. The beauty of sketching or painting as opposed to photography is that you can change or leave out things as you wish. On the other side of that fence is the road and the Red Umbrella Inn, which I chose not to include. Also the near tree would be much bigger if it were in the correct perspective.  The colour you see is just a reflection.

Here's my latest oil painting:

Fishing 12-Mile Lake. I shot a photo just North of Harvey's studio on the way home one day. The composition's not quite right: we decided that the boat needed to be bigger in relation to the people, so I extended the bow which put it too central in the picture. The boat, and the people, of course, were the hardest for me to render: the reflections the easiest.  

Here's Harvey's studio. I had just completed the underpainting and putting colour on the boat and people.  

Also just beyond Harvey's studio was this patch of wildflowers. I couldn't resist using Topaz Impression to give it a painted effect. 

This is half-a-dozen images focus stacked. Focus stacking gives you beautiful, soft backgrounds and tack sharp subjects. 

As long as I'm shooting focus-stacked flowers, here's an image of an orange lily right at my house:

Fourteen or Sixteen stacked images (I forget which). I actually processed three or four different shots and chose this one as my favourite. I toned back the colours and the exposure to give this a more subtle feel.  

12-Mile Lake Sunset. I was with Ann Alimi, along with her husband Fabrice and her daughter Elaine Ho (plus Tango, the wonder-dog!) at the Red Umbrella Inn following the dog workshop Ann taught. The sunset didn't look like much, but I convinced her to stay for about half an hour after sunset because I knew that's when the colours would appear. Sometimes I'm right! This really lends itself to the painted look and my favourite starting preset is "Impasto" in Impression2. I think I'll print this on canvas.

We did do a dog workshop but I haven't processed the images yet! Next time, stay tuned.

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