Showing posts with label prairie smoke. Show all posts
Showing posts with label prairie smoke. Show all posts

Tuesday, June 25, 2019

"On the road again..."

"sporadic musing"
On The Big Bang Theory, Penny says to Howard, "...you know a lot of doctors".
You should see my address book. As I get older and with accumulating medical issues...
That said, I have several friends and relatives who are entitled to that honorific too. They can be distinguished by the fact that I call them by their first names (Dr. Ron or just Steve or Gary). I'm on first name terms with most of them but I refer to the medical ones by their full names or functions (my radiation oncologist...).
Gone are the days when the only doctors you knew were your GP and your dentist.



Here's the same Loon I posted in the last blog. This time I shot it with the D800 instead of the Z7 — same lens, the 200-400 at roughly the same settings — to show the nesting box and to try to compare quality between the camera bodies. I can't see a ton of difference but the Z has the edge.





If I'm patient and the timing is right, I'm hoping to see some activity when the eggs hatch and the chicks are visible.




So here we are a few days later and my hopes have been fulfilled!






Well, one chick anyway. These were really difficult shots to render due to the bright sunlight. It took a lot of post-processing work to produce some acceptable shots. 

Skip forward a few days: the second egg never hatched and — I'm told this is normal behaviour — the loons have abandoned the nest and the remaining egg and moved off to rear the chick in more open water.




Family portrait. This one isn't the best quality but I like the story that the pose tells! 




Newfoundland trip update

It's less than a week before I leave and I really should be packing! I am, sort of: I've sorted my camera gear (major undertaking!), done my computer backup and prepared my travel hard drives, and I've updated the Excel file that details what I'm going to pack and how the containers will be organized. I always bring too much, only use half the stuff, but better to have it than not and there's room in the car, and I have the rooftop cargo carrier.

Last year I had some specific photographic goals. I achieved some of those, hence fewer specific goals for this year.  I do have some, though:

  • Icebergs. I'll be up on the Western Peninsula, at "Iceberg Alley" between Newfoundland and Labrador. I did get some good 'bergs in 2017, this time I want to try to get more dramatic shots, whether by finding unusual lighting or composition, or both. I'm a little unfocused here, hopefully it will 'just happen' when I'm there.
  • Whales! I still want to see a full breach. But they're addictive, these massive beasts are spectacular. I'm planning to take the family out whalewatching when we get together in the Bonavista area.
  • Puffins, of course, in Elliston. My son and family will be with me and (weather permitting!) my granddaughters will love seeing these birds when we go there.
  • Photo friends: Ron and Ricki will be in Twillingate at the same time as me for a few days, and I'll see Trudy and Jeff there too. I'd like to visit with Ray Mackey and Sheldon Hicks and maybe Darrell Heath and other local photographer and artist friends while I'm there.
  • Some long exposure oceanscape shots. I'm not satisfied with most of what I have so far and want to try harder. As you'll see below, I've got some new equipment to try to make that happen
  • Stars. Again, I have some new hardware and I'm hoping for some more dramatic images. Wouldn't it be great if there was an Aurora event? 
  • People. I say this every year: I want to make more images with people in them, tell some stories. I have to force myself to do this, it's not one of my strengths!

I also just booked 3 nights in Westport, NS — actually, past Digby — on the far western tip of Nova Scotia on the way home, August 19-22. A friend recommended this place for outstanding whale watching and it's a major birding area, including bird banding and migration centres (prime time, apparently!). Lighthouses, etc. 

One challenge: "Digby Scallops" come from there. But I was told there are only two remaining eating establishments within a couple of hundred km — a restaurant and a cafĂ©. Apparently there used to be a famous restaurant a ferry-ride away but they have closed! I'm sure I won't starve...

Should be great. Have a look at their website: https://www.novascotiawhalewatching.ca/

I'm writing this post over time. It's now Tuesday, June 25 and I'm leaving on Monday. Lots to do before I go... and some snags have come up. Let's just say that I have an appointment tomorrow for another probable root canal (I don't want ti be stuck out there in pain...) and yesterday, I had some car trouble where the "Check Engine Light" and others came on and I had no throttle. I got the car to Subaru but their diagnosis was, "we can't reproduce the problem". Great. It better not happen in the boonies in Newfoundland! The car's going back in on Thursday for brakes and another pass with the diagnostic computer. Initially they thought it was the catalytic converter, now they think something to do with the 'throttle body sensor'. Wish me luck! I renewed my CAA Plus membership...

Anyway my packing list is complete, I just have to get the stuff into travel bins and loaded in the car. I have to call Bell today to suspend services for the summer (why pay if I'm not here?) and finish up some house arrangements. Basically ready to go, though!



Raptors yeah!

Look at me. As I said last time, you KNOW I love basketball. I'm 4'20", I outweigh most NBA players and when I jump, I sometimes can ALMOST get my toes off the ground! What's not to love about that game! 

 Kawhi, if you're reading this, you know we want you to stay! Marc, Kyle, Pascal and everyone else, "Good Job", guys! And Nick: "Kudo's, man"! 

 Congratulations, NBA Champions, Toronto Raptors!




House still for sale

It hasn't sold yet, despite being an exceptional value for an very attractive property. People buy houses for various reasons, but in my mind, the ideal buyer would be a senior couple looking to get out of the GTA to a year-round or recreational home within a two hour or so driving distance from the city. The quiet and meticulously maintained Inn across the road makes it not-so-isolated location and it's steps away from the dock on the lake. It's a one-storey bungalow which could become wheelchair friendly if needed, it's high and dry, the road is the first one cleared after a snow, and there's a huge 3-car garage for vehicles and toys! Because it's not directly on the water, taxes are less than half, as is the asking price.

If you know someone who might be interested, please have them contact Anthony at Royal Lepage, 705-457 2414 or info@trilliumteam.ca. Here's the link to the actual listing.





Pictures

It's been a while, so I have a number of shots you haven't seen before. Here are some, and I'll be working on my portfolio site in the next little while as well. The main portfolio page is here, with a myriad of navigational options. For what it's worth, since I work under "Creative Commons", feel free to screen grab a shot if you want, but just for personal use, no modifying anything and be sure to credit me. Pretty well anything on the portfolio site is available as a high resolution large scale print at very reasonable cost, just ask!

I plan to post weekly or at least bi-weekly from Newfoundland, so be sure to subscribe by clicking the "Newsletter" button (or here) to get a heads-up.

Without further ado...











Prairie Smoke at Carden Plain. Before the flowers opened, and after a rain shower. The last shot is a focus stack done in the Z7


Here's another 20-image focus stack done in the Z7 and post-processed with Helicon Focus. I'm working my way through the learning curve on this technique. 










Some Carden Plain birds. A bluebird, a hard-to-find and very shy Sora, the pretty little yellow warbler and a song sparrow in the rain. 


This tree-swallow favoured us with his song!






Upland Sandpoper. The D800 and 200-400 Nikkor combination autofocuses on Birds-in-flight like a dream, The fourth picture is actually a different bird, shot at a different spot about half and hour later.






Wilson't Snipe and a Virginia Rail (the Rail was on Prospect Road)





Experimenting with the iOptron Sky Tracker. I'm anxious to try it again in Newfoundland in a dark sky spot. There's a bit of aurora borealis in this shot of the Northern end of the Milky Way. 



A 10-stop ND filter combined with the Nikkor-S 14-30mm f/4 and then some post-processing with Topaz Studio yielded this shot on 12-Mile Lake. The same combination was used for this slo-mo shot of the White Water.



All right! See you from Newfoundland. Don't forget to drop in or subscribe and I'll remind you. I dare you!



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Wednesday, June 01, 2016

Flower Power

Focus Stacking

For the photographers among my readers. 

Others might enjoy the images but have no interest in the methods. This first part is a bit of a loose tutorial on Focus Stacking, just from a hands-on, empirical direction. I thought about putting it in the tech blog instead but there's a very popular article there on exporting images from Lightroom, especially for print, that I don't want to push down. If you're at all confused about cropping or sizing images for print, read this article: www.faczentech.blogspot.com.

Often I like to work on new techniques, or at least techniques that I don't use frequently so that I can improve my skills. A good example is focus stacking. I spent some time on it the other day and at the same time, figured out how to get my camera down to ground level with my 3 Legged Thing tripod. Let's start there.

It's pretty simple, actually. Remove the tall centre column and replace it with the short one they provide. I even left off the collar under the ball head to get an inch or so lower, so I had the camera about 6" (15cm) off the ground. I could have had it even lower, in fact right ON the ground, by inserting the column upside down and hanging the camera underneath (image would be upside down) but that was overkill for what I was shooting. It's good to think about and practice this stuff for when I need it in the future.


This tripod (3LeggedThing "Brian") allows me to put the legs flat on the ground so the minimum height is governed by the height of the centre column and ball head. The camera is  Nikon D800 and lens is a Nikkor 105mm f/2.8 macro. I used a cable shutter release and to help see the LCD, a Hoodman Loupe which you see at lower left. I find shooting multiple shots using LiveView to be cumbersome so mostly I just used the viewfinder.

Focus Stacking is used to control depth of field. I could have used a small aperture to get the whole flower in focus but the background wouldn't have looked the same.


Besides, a small aperture means less light so shutter speed and/or ISO would have to be adjusted. This shot was 1/60 sec at f/18, ISO 100. Note this was after the sequence below and I had spritzed water drops on the flowers.
With a large aperture, depth of field is minimal and when you're shooting macro, often not enough:


1/2000 second at f/3.3 (as wide as this lens will go when you're shooting this close), ISO 100. Note that only part of the back flower is in focus. Click any image to blow it up if you want to see it more clearly.

So I took 7 exposures, each one focused a little closer to the camera than the previous one. I looked through the viewfinder and just moved the focus ring slightly between shots, using the cable release so as to not move the camera. Then I opened all seven as layers in Photoshop, auto-aligned them and then auto-blended them. Photoshop looks for the sharpest focus in each image and masks out the rest. You could do it manually but that would be tedious.


Here's the resulting image. I cropped it before exporting it here, as well as doing some sharpening and toning... notice the great-looking background as compared with the small aperture shot up above!

* You may have wondered why I didn't say "the Bokeh" of the background. Because that would be inaccurate. Bokeh refers to the shape and tonality of out-of-focus highlights, not the background as a whole. 

Faithful readers know me by now... I can't leave well enough alone! Here's my finished image after I applied some Topaz Impression, using the Impasto-1 preset as a basis.


These wild strawberry flowers are about the size of my thumbnail, by the way. When I did the frame for display here (an action I wrote in Photoshop), I took a colour from the image to use as a background. This image itself is ready for printing!

When you focus stack, you have to be careful to get all the slices in focus. Not that easy to do! Sometimes you need to work at smaller apertures than the minimum (deeper depth of field) or use more images in the stack. For the following image, I merged 20 exposures and on close examination, even that wasn't enough (the closer you are, the shallower the depth of field).


This is also a finished image. I added a bit of Topaz Glow and again, Topaz Impression for the painterly effect. 1/1000 second at f/4, ISO 100. 

I shot a couple of others, some worked out, some didn't: here's another focus stacked image:


Look at the delicious Bokeh in this image! I thought of cropping tighter but I thought the yellow corners – especially the flower at lower right – added a depth and balance to the shot. This has the look of a medium- or large-format image from the old film days! It's why I love my D800. This is comprised of 8 stacked images shot at 1/1000 sec at f/3.3, ISO 100.

You can click on any image to blow it up and view it larger onscreen. Pretty sure I'm going to print this one, probably on canvas.



Gales of November news



This was the banner atop the blog until today, when I replaced it with the Sandhill Cranes picture. 

Two more people have signed up for the October 27th workshop so we're slowly running out of room! If you've been sitting on the fence, time to hop off! The closer we come to it, the more excited I am about the experience we're going to have! 

Go to www.photography.to/gales for details and to sign up.



Flower Power

Carden Plain isn't just for the birds! There's interesting flora there as well. Among the many varieties there are two in particular that I photographed third week of May, the "Prairie Smoke" and the "Indian Paintbrush". I can't say that either are unique to the area but the word 'ubiquitous' comes to mind. Large bands of both plants give the Alvar a spectacular colour and texture in the Spring.


Bands of Prairie Smoke (and of course dandelions. Where AREN'T there dandelions!)


The buds of the Prairie Smoke are beautiful in their own right. Here I did a multiple-image focus stack while lying on my stomach in the grass. "They" are right when they say you have to get down on your subject's level! 


When the flower ripens, this is what you get. The tendrils give it a smoke-like appearance.  


That's more obvious when you get a whole bunch of them together. This was another focus-stack. 


A patch of Prairie Smoke. Now you can see where the name comes from!

Indian Paintbrush is a brilliant, photogenic Orangy-red and it also grows in bands across the open grassland. The bird in the distance is a Sandhill Crane! 


Here's a bunch of them. You can figure out where the name came from. This plant is more indigenous to the Pacific Northwest.  


I chose to do an artistic, painterly rendering using Topaz Impression. Many of the presets yielded interesting images, it was hard to choose just one! 


What I love about this shot is how the colours of the two flower species' work together on the green and yellow background to produce a coordinated palette of colour. Looks like this will make a fine abstract print on canvas. 

Next on tap is the trillium. Several species of these abound in Ontario for a short time in the Spring. One variety I haven't seen this year is the "Painted Trillium", but it ain't over 'till it's over!

Last week I posted some trillium shots that I painstakingly lit and stacked and crawled on the ground to capture. Then again...


I shot this one hanging out the car window with my long lens! We were driving on a dirt road just North of Carden when we saw these. The white trilliums turn pink as they fade and die. 


This specimen was so beautiful I had to give it special treatment. Another one I shot from the comfort of my car seat!



Birds...

Yeah, well! I'm definitely not an experienced birder but I'm an enthusiastic one. I don't know what I'm looking at, it's hard for my eyes to pick them out, but it's a challenge. And I don't have the best optics, just adequate. It's good to know some really qualified birders such as Dan Busby and Bill Bunn, and some people with phenomenal eyes like Kathy McKelvey-Brown and Linda Cresswell to shoot with.

I just went through the list at the back of my Peterson's Field Guide and I came up with 84 species that I've seen (I may have seen others but haven't recorded them). I don't necessarily have photos of all of them. I look forward to seeing more!


Grey Catbird, seen behind the Cultural Centre in Minden. There were lots of birds there, I'm looking forward to
going back. 


Brown Thrasher at Carden Plain 


If Dan hadn't told me what this was, I'd never have guessed! But now that I look at it, I realize, well, it's obvious! This is an American Robin fledgling just out of the nest, wisps of down still on its head. Shot right behind my house! 

I have some spectacular bird pictures for you for next time, so stay tuned. To get an email note that a new Blog entry has been posted, please click the newsletter button at top right.

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Friday, May 20, 2016

Spring at last!

Someone came up to me yesterday and said, "I didn't get your blog reminder this week. Something wrong with your list"? No, it's because I didn't get the blog finished yet! Nice to know that people actually look forward to reading this! 


...musings

I just watched a Nikon product tutorial about "wireless flash" presented by Moose Peterson. Two things occurred to me, I'll mention the second one first: "why do you need it?" Yes I get why it would be useful in certain situations, like when you are in a huge studio, but no, wait, when you're in such a studio you are most probably using studio strobes, not little speedlights... but sure there must be situations when the standard built-in infrared commander mode flash controls don't work.
Actually they wouldn't if you have a D3 or D4 or D5 because they don't have pop-up flashes.
But here's the thing. Moose was espousing this thing for use in wildlife photography, "so you don't have that distracting cable running from the camera to the flash" (which was mounted on a bracket above the camera on his tripod). To use it you need to buy a flash controller ($200) which you plug into the camera and of course the new SB5000 flash which sells for $600 at BH. And that brings me to my second point...

The first impression you get when the video starts is, "yeah, must be nice". You never see the tripod itself, except the top of it but it's probably $1000 Really Right Stuff or Gitzo legs. The gimbal mount looked like a $1500 Zenelli. Mounted on it? A Nikon AF-S NIKKOR 800mm f/5.6E FL ED VR Lens ($16,500) and a D5 ($6000). Total cost of the setup in the video? Somewhere North of $25,000 US dollars.

I get that there are people who have that kind of money to spend on toys. But why make a general distribution video about it, and put it on a channel (Nikonos Tim) where they also have tutorials on how to set up your camera's diopter, or explaining what "depth of field" is?

So that's my gripe. Are you mass-marketing to the regular photographers out there (pro's too: most people don't have black Amex cards) or to the high echelon elite? Kelby does the same thing: he writes for the mass market but looks down his nose on anyone who doesn't have $25K of studio lighting, the ability to fly to India and shoot the Taj Mahal or press access to the sidelines of NFL games. I guess he sells more books if he maintains the mystique.


Mechanic in a Can



Every year I seem to want to write about a magic "mechanic in a can", then I look back and discover that I've already written about it. But every year I'm amazed.

Suffice it to say that I have an old lawnmower. When I put it away last fall I filled the tank, put in a couple of ounces of SeaFoam, ran it for a few minutes to mix it in and parked it in the back of the garage. Today I took it out, pushed the primer a few times as usual, and pulled the starter cord. Nothing. "Uh-oh", I said, "my luck has finally run out". I pulled the starter again. The motor started immediately and ran smoothly.

So once again, I'm amazed. Canadian Tire sells it now and every mechanic I know is aware of it. Now you are too. "SeaFoam Motor Treatment". It's magic.

Don't take my word for it. Google is your friend. Here's an example:
 http://knowhow.napaonline.com/sea-foam-what-is-it-and-why-should-you-use-it/ 

I used it in my motorcycles. I use it in my ATV. I used it in my snowblower. I use it in my lawnmower. I DON'T use it in the car (don't ask me why!) but I will. I use it in the gas but not the oil: again don't ask why, I will next week.

I'm the type of person who shouldn't own tools. I couldn't fix an engine if my life depended on it. But this stuff is so good, I don't need to!

So now you know. I'll probably write this again next spring!


Don't deal with PosterJack

I just spent the better part of the day preparing some images for print. I had decided to print at a company called "PosterJack" in Toronto because (1) they had a special on and (2) I've printed with them before (some time ago) and had good results.

Before getting down to work on the images, I contacted them to find out what they needed. I was ordering some 16x20 canvas wrapped images and needed to know how to deal with the edges so that the image would wrap around the frame. They told me they needed 1.5 inches all around, so I diligently changed my images to reflect that.



Here's a screenshot that illustrates the work I did. I used content-aware fill and other techniques to extend the image so that it would wrap correctly. The outside guidelines are at 16x20", the image itself is at 19x23", The double guidelines were there to indicate the safety zone for the signature at lower left so it wouldn't be near the edge. 

When I uploaded the image to their site, it told me it had to be cropped. Why? I sized it PRECISELY the way they told me to. So I phoned them and got a very unpleasant CSR on the phone. In the end, she explained that they needed an additional 1/4" all around to avoid problems at the back of the wrap. If I'd been told that initially, I would have added it, so I said I'd go back and add it in then re-upload. Just for verification, I said, my image was 5700px x 6900 px. She told me don't bother, their software will resize it (yes but then the proportions would be wrong!) and that I didn't need more than 100 pixels per inch for an optimum print.

I get that we're talking about canvas, so you don't need full resolution. But it was the way she treated me as if I were an infant that left a bad taste. Then she refused to let me talk to a manager, saying she was an expert. I ended up calling back and talking to someone who may or may not have been a manager, who defended the CSR and said that I don't understand photography.

So: I highly recommend that you do NOT deal with PosterJack. Dealing with their customers this way is not how to conduct business. Too bad, because I have an acrylic print they did for me a couple of years ago that's really excellent.

PS: yes, I'm writing this while I'm pissed off. That's my privilege. If I prevent just one person from dealing with them, I've done my job. Hope they hear about it.

PPS: too bad. I've been shopping around to try to get these prints done economically (with all due respect to the pro printers out there, I'm donating some prints to Toronto General/Princess Margaret Hospital and can't afford much. If any of my readers do canvas and want to help out, please get in touch). Just about everyone is double the price I got from them... I ordered one via a Groupon but when you add the shipping...



Oh no! More birds!

It's an addiction, I tell you! I don't think they make a nicotine patch for bird shooters. Maybe there's a 12-step program out there... and when I see what REAL bird shooters are doing, they're much better than my shots. But it's a challenge, with this Tamron 150-600 lens. One day maybe I can get a 'big boy' lens like Ron and Mark and Dan and... that said, when we were at Carden Plain last week, I could do things they couldn't, because both Ron and Mark commented that they can't shoot those big 600 f/4 Nikons handheld. 

When Ron and Mark were here, I was editing the following image and we got into a discussion about cropping. In competitions, the judges seem to prefer tightly cropped images. I'm not sure that's always right. Yes, there's a composition rule that says "Fill the Frame" but I believe that sometimes including more of the environment tells a better story. You be the judge: here are two versions of the same image:




Both images show a meadowlark perched in a hawthorn shrub. But I find the first one more interesting because there's more to look at than the bird and it says something about the environment. 

The original shot does say more, but it includes too much detail and the subject is lost:


That's at 600mm. Pushing the edge of the envelope!  Besides, it's poorly composed. I put the bird in the centre so I could use the best focusing sensor point in the camera.

I saw a few other birds at Carden Plain that day, and again the next day when I went back.


Wilson's Snipe. Composed with a lot of white space to tell a story. By the way, this bird did a little dance in the air just before I shot this. I had just brought the camera up to my eye and wasn't ready to shoot. Too bad, it was a National Geographic moment!

 

A bobolink and a Baltimore Oriole. It was a rainy day... Remember, you can click on any picture to blow it up.


Meanwhile, back at the ranch... a busy day at the bird feeders here at home. 


The hummingbirds are back! Female ruby-throated at the feeder. Amazing toning and textures in the feathers. 


Here's a female American Goldfinch in the Scotch Pine tree. There's been a whole flock of these birds hanging around. The males are more brightly coloured, but I liked the textures and composition here. 



Not just birds...

...flowers too! It is that season. I took the ATV out in the woods, spring is kind of late getting here, things are just starting to green up. 


Long time readers of my blog might recognize this spot, I've shot from the same place during all seasons in the past. Looks like a tree came down over the winter. I just like the textures and tonality in this shot. 

I shot four different varieties of trilliums, all within a few feet of one another. Three were shot with off-camera flash, varying the shutter speed to change the brightness of the background. I mentioned the technique last week. This is something I want to explore further and I'll bring out the light tent to work on it in upcoming weeks. 


Here's another flowering plant, also in the same spot. It's called a "Bellwort" if anyone is interested. How do I know? Google is my friend! I plan to do more shooting with the macro lens.


,,,speaking of macro... this is a Prairie Smoke bud shot at Carden Plain. When the flower blooms, its tendrils look like pink smoke, hence the name. I'll go back to Carden next week to see what's what.



I did ONE abstract landscape picture that day. 


"Blur on the Water". I can't think of a better name for this image, any suggestions? I took a suggestion on Facebook "Smoke on the Water" as the basis for this one. Now the interesting thing is: no Photoshop! This is exactly as it came out of the camera (except for the crop). I came across this fleet of rental fishing boats on Lake Dalrymple, bobbing around in some rough water, so I slowed down the shutter speed, and moved the camera slightly when I shot it.



Two quick updates:

Topaz Labs is offering a 40% discount on their complete collection (or upgrades to it for existing customers), but it expires at midnight MAY 22! Hurry. It's a great deal. Here's the link to their store, and enter the code "SPRINGSUMMER2016" in the checkout box to get the discount.

There are still some spaces on the October 27-30 Gales of November workshop. I'm really excited about it, it's a low-cost opportunity to pump up your skills in a phenomenal environment, in the company of some great photographers. Book now to reserve your spot! www.photography.to/gales



It's 23°C outside and sunny as I write this, and the bugs aren't active yet here, so why am I in here? This weekend promises to be the first really nice one of the year. Hope it is where you are too!

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