Showing posts with label timelapse. Show all posts
Showing posts with label timelapse. Show all posts

Tuesday, November 10, 2015

If I only save one life...

Do you use protection?

What do you think I'm going to talk about? Latex things? Wrong.

This blog is about photography. Did you think I was going to talk about using filters on your lens? Nah, that subject has been beaten to death (bottom line: 50% of photographers I surveyed use UV filters on their lenses. The other half are smart enough to know that (a) digital sensors are not sensitive to UV like film was, (b) the filters, especially cheap ones [under $100] degrade picture quality and cause excessive lens flare, (c) you're not protecting a $2500 lens, you're protecting the front glass which is factory replaceable at reasonable cost, (d) a lens hood provides much better protection and (e) camera stores make HUGE profits on filters. They buy them for $1 and sell them for $20 or $30, that's why the salesman tells you that you need one. LOL)

No, I'm talking about your computer. Background: I have a friend whose computer was just eaten by a mean and nasty virus or trojan (trojan. protection. hmmm.). I'm not going to lecture him again about clicking on unknown links in email, even email that seems to come from someone you know. I already did. I love this guy but he's so incredibly naïve... and there's no sense in making him feel worse. I'm going to make a few points and if they're really obvious to you, then feel free to skip down to the next subject. But if not... then at least think about it.


  • You need to have backups. When I said to my friend, "just reload your Quickbooks from your backup..." I had a feeling... Now some of us don't have the resolve to stick to a routine, or the resources to do this perfectly, but at least try!
  • The 3-2-1 rule says have 3 copies of your data on at least 2 different media and at least 1 copy off-site. That means for example, hard disk, flash drive, DVD, cloud. Go buy a couple more external hard drives (they're cheap!) and keep one in your safe deposit box at the bank. Regularly make an extra backup of your data and rotate that drive to the box. If your house burns down or is burglarized, your life's work is still safe.
For the record, I have some of my stuff on a hard drive at my mom's apartment in Thornhill, but it's been a while since I rotated a new copy there. My really critical files (not my pictures: my financials, etc) are backed up to the Cloud via Dropbox every couple of days.
by the way, I just saw a new Lexar SDXC card that holds an incredible 512Gb. A TeraByte is only one step away. Incredible. 
  • Keep your virus protection up to date. And check for MalWare as well: the virus programs miss stuff.
I run Microsoft Security Essentials every night at 3am. I also run Malwarebytes (look it up) whenever I think of it. If my computer starts doing silly things, it's my go-to reaction and sometimes, it finds stuff. 
  •  Stop clicking on links in emails. Sure it's easy: "click here to upload the latest update..." but stop and think. Instead, go to the developer's website and search for the update there. It takes an extra effort but it can save you a lot of grief.
The one I've been reluctantly clicking on is the "click here to unsubscribe" link. Every time I do, I wonder if I'm being smart, but I'm so tired of the spam. Do as I say, not as I do!
This subject also came up in an online discussion. Remember, you don't need to have a plan in case your hard drive fails, you need to have a plan for WHEN your hard drive fails, because it's going to.

OK, off my soapbox. If I only saved one life, it was worth it!




I think I figured out why my painting sucks.

I attended some sessions with a talented painter (Harvey Walker) who creates a painting in an hour or two. I just realized that it doesn't work that way for everyone. Mind you, he's got years of experience. I can't just say, "OK, now I'm going to paint those rocks" and an hour later, I'm done.

Here's a link to an essay by Robert Bateman on Painting. He doesn't just slap paint on canvas. It's worth a read if you're an artist (and even if you're not!). I'll wait right here.

I've been trying to "express myself" by just going for it: painting a tree with huge impasto strokes in a few minutes. I finally get that it might not work that way for everyone, especially when I don't know what I'm doing. I'm going to keep trying. Watch this space.




Topaz is about to Rock your World (again!)

It's been quiet down in the land of Topaz Labs. That's because they've been working on something special. Their latest program is Topaz Texture Effects. Here's a quote from them:

"Texture Effects allows users to create a variety of textured, toned, and lighting effects in a fraction of the time it takes in other editing software. The program includes a library of over 150 expertly crafted effects, an extensive collection of texture assets (275+ high-resolution assets!), and instant access to effects other Topaz users have shared with the new Topaz Community. That means no more scouring the web for a look that inspires you. With Texture Effects, inspiration is only a click away!"

example image from Topaz Labs.  

another example image 

...and one more.  

Full disclosure: I haven't worked with it seriously yet, they've just released it and as I write this, the full version isn't even out (by the time you read this, it will be!). As a Topaz Affiliate, they've given me a pre-release version to test. And as an affiliate, I receive some compensation if you purchase it through the links on this blog.
Topaz has put together a bunch of really good effects and ideas. If you've played with Russell Brown's "Paper Textures" inside Photoshop, this goes further. Ditto, Nik (Google) Analog Efex Pro: you can add a world of effects to give your images an antique character and change the mood completely. Oh, and it runs both as plug-ins to the Photoshop suite or standalone.

 But they've also incorporated some of their better tools; their masking brushes work a lot like ReMask. Some of the sliders feel like Impression, but different effects, of course. They've also made it easy to save your own custom effects so you can give a consistent feel to multiple pictures AND they've set up an online cloud community where you can share your effects with the world. Here's a video clip that says it much better than I can.

 All very exciting but caution, this is a high end piece of software, you won't be running it on a lower end computer. System Requirements: Mac OSX 10.8+; Windows 7/8/10 x 64bit + OpenGL 3.2.  And it's HUGE. The download is 1.4Gb! Be prepared. As usual, you can download and try it before buying, to make sure it works on your system. It's a pretty big download, by the way. I think this is going to be one of my go-to plugins when I'm feeling creative and I have a vision how I want an image to feel. 

Here's the link to the Texture Effects page. It's on sale for $49.95 ($20 off) between now and November 20th. Use this coupon code – TEXTUREFX –  at checkout.





UPDATE: I just installed the full version. First impression? It's SICK. It's blown my mind. I figured that a huge program like that was going to be slow on my lousy system but it FLIES. Everything works in real time. Topaz: my hat's off to you!
There's a quick pass at my latest aurora picture at the bottom of this blog.


Dry Spell

I'm in a bit of a dry spell. There are two times of year I don't find inspiring: spring, right after the snow is out and before life returns to the forest, and now, when everything is dead and not yet covered with a blanket of snow. The world has two colours: brown, and grey. To get out of this rut, I need to unleash some other genres. So, people; events; and out comes the light tent to do some macros and still life shots.
I like to cook. 
As a bachelor, one kind of has to! And I like to do it the easy way, especially so that I don't have a big cleanup afterwards. My ideal meal is made in one pot, and uses one plate to eat it! The down side is that it's hard to cook for one, so often either these are two-day meals or I eat too much. Back on my diet as of this morning, I have to shed some of this extra weight. Most people don't agree with how I diet, so I'm not going to elaborate on it.

I also haven't seriously approached photographing these creations, but I will a bit more as winter makes it less hospitable to shoot outside (you have downloaded my "Winter Wonderland" eBook on taking better pictures in winter, right? If not, click that "Newsletter" link at top right and I'll send it to you, free). Where was I.

Oh yes, cooking. In addition to my BBQ, which I use year-round, I've settled on some pretty rugged cooking hardware. I use a lot of cast iron, skillets and pots, but my favourite is my cast aluminium wok. One pot, one meal and it cleans up by rinsing it out (it's never seen soap and nothing sticks!)



Chicken stirfry. Kind of my go-to meal, not fattening and as I said, easy cleanup. My own recipe, I'm not going to make MasterChef Canada with it, but it's easy. 



This one's pretty easy too. Take some chicken, some rice, some broccoli, cream of chicken or mushroom soup, some chicken broth and some shredded cheddar cheese. After pre-cooking the chicken, mix everything together except the cheese and put your trusty cast-iron skillet in the oven for a while. Then add the cheese and eventually turn on the broiler to brown the top. 10 minute prep, 40 minutes to cook, 5 minutes to clean up!

Where'd I get the recipe? Shhh. Google is your friend! By the way, I won't be making this for a while, not until after the diet!

As I said, I'll try to photograph better (these are iPhone shots, no special lighting). The challenge is how to shoot a skillet that's 350°F in the light tent without burning the house down!







I shot this "zombie" picture last weekend using my little ringlight as fill-in flash because my SB-600 flash is dead. It's not very powerful, just adds a touch of highlight and a little catchlight in the eyes. (I did some work in LR to isolate her from the background. The flash wasn't strong enough). I'm amazed at how much texture and detail it adds, though. Theoretically it shouldn't, it should provide flat lighting because it comes directly from the camera. Mystery. Here's proof: 



This is the same shot, zoomed in to 100%. Check out those textures! The catchlight should be much larger, you need to be shooting from closer up, maybe with a wider lens. This was shot with my 105mm prime, 1/250 sec at f/7.1, ISO 400. 

As I said, my flash died: the Nikon SB-600 won't power up. It's happened before, but now it's really toast, I think it's the switches on the back. I ordered a Yongnuo YN-568ex from B&H for only $100 (the Nikons are 4 or 5 times that price!) so let's see how it works out. I'll  post some pix after I get it in a couple of weeks.





I did take the ATV out the other day, but didn't find much inspiration on the trail in the woods. However there was an interesting pastel sunset going on. I forgot my tripod, so this is handheld:


Here's a "selfie" from the same spot:


It's the first week of deer hunting season. I wear my orange vest when out on my ATV this time of year. Without a tripod, I rested my camera on my bag and set the timer to do this shot. In hindsight, that beach has some interesting textures and shadows, but I didn't see it until I got home.


My favourite shot from that afternoon. It's actually the same boat I shot a couple of years ago, covered with a dusting of snow (from a different angle and in fact, facing the other way!), that won a bunch of awards and was published several times. What I like about this one is the subtle colour palette, the strong diagonal and the sunlit board that draws the eye and adds to the story. 



Parting Shot

As usual, I like to save the best for last. Last night, I headed out to shoot the Aurora Borealis: the aurora prediction was extremely high a couple of days ago and still high last night; and we had some clear weather. So out I went! I chose the same spot I've been going to recently, I just like the visibility, North and South, and the shape of the hills. The only thing missing is a foreground subject.

When I first got there, I couldn't see any aurora. Not unusual: the camera sees it a lot better than my eyes. So rather than waste the trip, I turned around and set up a time lapse sequence on the Milky Way. Not the best time of year for it, the galactic centre isn't above the horizon, but still...


A "little" post-processing! I liked it until I applied the Watercolour filter in Impression. Now I love it! 


No visible aurora, but there was something else going on: the Taurids meteor showers. It's a bit different from the other ones, because the meteors are bigger and fatter than most, so the trails are brighter and light up the sky! Of course when I pointed the camera North, I saw one to the East. So I pointed it East. Oh, there's another one, to the West! I didn't really get a still photo (one...wait for it!) but I did count several meteorite events on a time lapse, taken over about 45 minutes.

You know how the Seinfeld show is about "nothing"? So this video is also about nothing. Look carefully, you'll see half a dozen airplanes and seven meteorites. Here's the link.

Also while I was out there filming, I was treated to a 10-minute serenade from a pack of howling wolves. And something big jumped in the water right beside me! It was a fabulous evening.

Here's what the eye saw:




and here's what it looked like after a bit of Lightroom editing:




Since I enjoy creating impressionist images, here's what I came up with:



Impression/Liquid Pencil, then I added some Paper Textures in Photoshop (can't wait to try this again with the new Topaz Texture Effects)!  Then I though, "Hmmm. Foreground object". That's what Photoshop is for! And look! There's a meteorite trail to the left. Click the picture to view it fullscreen.



First quick pass using Topaz Texture Effects. Mind blowing. 


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Friday, October 09, 2015

The Sky's on FIRE!

... before I start, here are a couple of shots of some avian visitors to my humble abode! 

Ruffed Grouse

I haven't seen any here in the 8 years I've lived here, but for some reason, I had a visit from a pair of ruffed grouse. They stayed just long enough to have their portraits made:





and now, without further ado...

The Sky's on Fire!

I read a post on FaceBook that showed a huge swath of aurora borealis activity over Canada. I checked with the ClearDarkSkies forecast and it indicated that we were in for a cloudless night. That got my motor running!

I had checked out my neighbour Vic's place as a likely spot to shoot stars. It has an open Northern exposure, a nice overhanging tree, no light pollution... so that was my first destination.


Not bad, but the Northern Lights weren't particularly brilliant. This was probably one of the better displays. By the way, I like the way the red light on the tower 'grounds' the image and gives it some depth. 
So I shot for an hour or so, doing a timelapse sequence. I actually went home, made a coffee and came back to the camera clicking away on Vic's dock! Then I decided to try another spot before going home to work on the images. Good thing!

I've been here before: the Schuyler's Island Causeway in Horseshoe Lake. Half an hour later I was set up and running, and I wasn't disappointed!


Here's what I saw! The sky was on FIRE! I installed this image as my blog banner today as well. Note the meteor trail captured just left of centre!

New Header
Here's the previous header for archival purposes:
 


I also turned around and shot the Milky Way while I was there. I'm still struggling with post-processing techniques. My problem is the millions of stars! I need to eliminate some to improve the image. Here's where I am so far:


This is the first time I've been able to render the 'depth' of the Milky Way. I'll keep practicing. 

For my photographer readers: my star shots are usually 15-30 seconds, f/2.8, ISO 1600-2000. That night, I stayed with 15 seconds because I wanted to shoot a sequence of a couple hundred shots, and 30 second exposures would have made me stay there all night!

A word about the TriggerTrap© shutter release device. It makes life really easy and it's an elegant, inexpensive solution. If you're not familiar with it, Google is your Friend!. Basically one end plugs into your camera and the other end into your iPhone or Android. The app lets you choose a variety of triggering mechanisms and arrangements. Bottom Line: it makes live really easy!
The only downside is that you can't shut down the iPhone display while it's running, so it drains the battery (I ran out of iPhone battery before camera battery!) and depending where you put the phone, you have to watch out for light pollution/light leaks. 
In this case, I set it to make exposures 2 seconds apart (to let the sensor cool down a bit between shots), pushed the button and left it to run. Brilliant product!

I combined about 150 images from the 9:00 session and about 180 images from the later group into a 2-minute long timelapse video. Please take two minutes to enjoy it, I'll wait right here! Here's the link:


And here's my favourite image, a composite of a 180-image StarStax and the image up above. 



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Thursday, November 15, 2012

Trying a couple of new things

Last week I posted that it had been raining pretty steadily and it was tough to get out and shoot pictures. This week too: although there was at least one nice day, Life got in the way and I didn't shoot much. I did go out... but didn't bring much back.

I'm loving the D600

It's taking some getting used to. The quality is so good that you think you can get away with snapshooting, but the laws of physics still apply and so do the rules of photography. Handheld 1/20 second exposures don't work, even with this marvellous beast.

What I like about the camera is exemplified by these two less-than-wonderful shots. Let me show them to you, then explain.



This is about a 200% crop from the snapshot above. I did not do ANYTHING to it except crop it.

This is almost a full width shot, obviously cropped vertically. 

So what do I love? Look at the sharpness, the detail of these images. It takes me back to the days of shooting Hasselblads in the film days. I took the car shot because it's the first day of frost, the promise of winter to come. Boring snapshot. But when I blew it up and saw the incredible detail...

The ducks? I I startled them while walking along near my dock. Shouldn't have: I was wearing camouflage colours and walking quietly, but the ducks know it's hunting season. They were, I'd estimate, 200 m away and when they flushed, I brought up the camera and snapped a couple of frames, never expecting to see anything. Not even the 400mm lens, just the 200mm and on the full frame D600, that doesn't reach out and touch anywhere near as far as it did on the crop sensor in the D300. And yet look how crisp: you can even see individual feathers and water drops from their takeoff runs. Here:


The wing blur is because the shutter speed was 1/320 sec.  

This camera is a winner. Especially with the 70-200 f/2.8 VR lens.

Here's something else the D600 does

I'd have to check the D300 manual, but I don't know if it does Auto ISO. I started playing with that when I mounted the 400mm lens and was contemplating switching to shutter-speed priority because  I've yet to get a good shot with that lens under 1/500 sec. So I thought I'd try it: I set auto ISO with a minimum shutter speed of 1/500. Then I shot a 3-frame burst from my car window (open). Now admittedly, this wasn't at 400mm, but this is a new concept for me: bracketing shots using ISO instead of shutter speed.


Auto-ISO HDR. This seemingly abandoned off-road Jeep is called the "Mud Duck" (as above, you can easily read the name painted on the hood to the right of the duck decal). The lens was at 120mm. The three shots were at 1/500 sec at f/4.5, ISO's 1400, 5600 and 6400. A whole world of high-ISO shooting is opening up with this camera.

Windstorm takes down big tree

On Monday, we had some very unusual weather. Rain and strong winds, but from the South. Usually the winds here are from the West, across the lake, or from the North. The unusual South wind broke a huge pine tree beside my house in half. The tree fell in my neighbour's yard, and luckily it missed his house by inches.





With the help of my neighbour Jim Walker who lives two doors away (and who's going in for surgery tomorrow – today actually since it's after midnight. Kidney cancer. They say they'll be able to get it all. I wish him well), and his chain saw, we cut the tree up into chunks and tossed it back over my fence.

Now my intention was to drag the tree pieces over to the brush pile behind my garage, when I got my ATV back from service. New stator. It came back this morning, so I did my first meaningful job with it.


Using some heavy duty tie-down straps as a tow rope, it took about 5 trips to the back to bring the wood to the brush pile. Actually fun! 

While I was working on it, it occurred to me that I had read that the D600 did automatic in-camera timelapse. What happens is, you set it up and when it's done, it combines the individual shots into a video. I hope this works: I'm uploading the time lapse video here.




Then I thought, as long as I'm doing a video, I might as well do a real one!  So here's another one, not timelapse, shot as a full 1080p video from the D600!

Edit: pretty crummy quality. Here's a direct link to an uploaded version, much higher quality.
http://faczen.com/photos/tif/ATVclip.mp4



The full video was over 600Mb in size! So I imported it to MS Windows MovieMaker, laid a sound track over it and saved it as a smaller file. That gave me a .wmv file which I converted to an .mp4 at reduced quality, so this is only 19Mb in size. Hope it works!


Edit: pretty crummy quality. Here's a direct link to an uploaded version, much higher quality.
http://faczen.com/photos/tif/ATV.mp4


For some reason the videos don't run in Google Chrome, at least not on my computers. They work fine in IE9 and with Safari on the iPad. I'm not sure why, perhaps one of my readers might enlighten me.

By the way, the music track is my own. The first one with a harmonica and a blues backing track, the second one just me on my Yamaha keyboard. I recorded both with my iPhone and uploaded them to the computer.

Lots of fun! Lots of new things to try!

One last image


They replaced an old blocked culvert under Red Umbrella Road. It was a Rainy Day... I was taken with how the fluorescent colours on the workers' coats stood out, so I helped it along using Nik Silver Efex Pro and selective masking. Does that shovel look like it's about to scoop the guys up? 

That's all for now! Catch you next week.

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