Showing posts with label ATV. Show all posts
Showing posts with label ATV. Show all posts

Saturday, January 27, 2018

Coyote Ugly

Wondering about the title of this blog post? You'll have to scroll down to the picture section to find out. But first i need to catch up with a few things.

It's time to start planning your shooting opportunities this year. There are a couple of excursions or workshops or whatever you want to call them coming up. 

Gales of November

This premier event takes place the last weekend of October in the best resort facility on the North Shore of Lake Superior, the Rock Island Lodge in Wawa. It's a 4-day workshop to celebrate the natural resources of the fall scenery on the biggest Great Lake. This year's workshop is being led by celebrated photographer Ben Eby, with my support. One of the best scenic areas in North America, fantastic lodgings and service, great leadership, economical price, what more could you ask? Photographers of all skill levels are welcome. Drop into www.photography.to/gales for more information (although we still need to update the 2018 information) and drop us a note to let us know if you're interested: we'll get you on the mailing list for information (no spam, we promise!).











Summer on the Rock

I'm planning to spend the summer in Newfoundland. I want to rent 2-bedroom accommodations to make it possible for people to visit and spend some time there. All I'm looking for is to share the rental costs. I know a lot of the best shooting locations and events: where to shoot puffins and whales, icebergs and gannets, seascapes and cityscapes. 





Arguably the best local Newfoundland photographer Ray Mackey, is on board too, to guide and help photographers. He isn't free, but economical and a very personable and knowledgeable guy. 

What I envision is that someone might come to Newfoundland for a couple of weeks, spend a week with me and another week elsewhere. There are several great spots to visit, depending on your preference of subjects. 






For what it's worth, my rough plan is to start with a week on Fogo Island, then a month in Twillingate, a week in Bonavista and a month in the Witless Bay area (which is close to St. Johns and from which you can access the entire Avalon peninsula.  On the way home, I plan to visit the southwest corner, Port au Port and Codroy before getting on the ferry. End of June through end of August.





I have 3 or 4 interested people so far. My commitment to rent specific places depends on whether people will come visit (if not, I'll just rent one-bedroom places). So I need to hear from you if you're thinking of coming, we can talk about details directly. Please email me.







By the way, I wrote half a dozen blog posts about my trip last summer, starting with this one: http://faczen.blogspot.ca/2017/07/newfoundland-trip-first-days.html. At the bottom of each page on the left, is a link marked "newer post". If you click that, you'll get to the next one. Have a look, lots of pictures and stories there. Worth a visit.




Pictures. More pictures.

Closeup

Back in December I told you about buying Helicon Focus, a program to facilitate focus stacking multiple images. Mostly used in the macro world, it leads to some remarkably detailed photos. The most spectacular are insects (although snowflakes are very cool too!).  There are no insects around yet, and I haven't gotten the hang of snowflakes yet. 

But this is a very left-brained technique and it takes practice. So I've been working on it, making some progress. Here are a few shots from the other day. Each one is somewhere between 30 and 70 stacked images. All of these were shot with a Nikkor 105mm macro lens, using a variety of extension tubes.



I lined up a few .410ga shotgun shells in my light tent. Dig the detail! 




These are .22 Short cartridges, sitting on top of a boxful of them. Both of these two shots are done with contrasty hard lighting. The cartridges are 16mm long, by the way.




For this image, I changed to indirect soft lighting and I zoomed in, then cropped even tighter. Look at the surface details on the bullet (they're copper flashed in production to keep them from corroding over time. That's way thinner than 'copper plated').  

Marie and Simone's Visit

Marie Algieri-Goldgrub and Simone Koffman came to visit for a day and we went to the ice races in Minden.



I shot this with my new 200-400mm lens (at 300mm). This is right after the start flag drops and the cars skitter around like insects on a hot plate.
 


I switched to my 70-200mm for this shot of a car losing it and crashing into the ice wall. The driver is looking up the track to see if anyone is about to T-bone him. 

We moved on to 12-mile lake and the ice huts. We went out on the ice on my ATV (well, Marie walked...) to get a better angle. I'm anxious to see the shots they got!




Me and Simone on the ATV. It wasn't really a cold day — say about -8°C — but with the wind out on the open lake, it was chilly. There's very little snow, it rained last week and washed a lot of it away. Photo by Marie, reproduced with permission. 


Here's one of my shots.  


Sometimes you put a lot of effort into a picture and it goes unnoticed and unappreciated. Here's a case in point:



This is a 6-image panoramic, 3 across and 2 high. The resulting image was approximately 90 Mp in size and contained a huge amount of detail. 

While it's true that one shouldn't judge an image by how it was created or how difficult it was, I did a lot of work to make it look like what I pre-visualized.  Here's the original shot, straight out of the camera (but already merged to the pano):





Nothing major wrong with it that a little tweaking wouldn't solve but I decided to put some effort into it. Probably the first thing you'll notice is that there is no green hut in the original, the original is wider, and there's a nondescript wooden hut off to the right. I spent some time carefully moving it where I wanted it and then cropping off the right side and some of the sky. Then I thought, if I have a blue and a red hut, I need a green one, so I changed its colour.

I wanted some texture in the sky and the foreground ice, which I did in Topaz Studio, selecting an HDR-like effect then editing it so it wasn't so strong.

Outing with Larry

Larry called me and said, "let's go looking for Snowy Owls again". This time he wouldn't let me drive (see my last post!). Larry really knows how to find stuff, and he can actually see things!

I took my new 200-400mm f/4 Nikon lens. And my 1.7x teleconverter. Now I have to say, I was looking forward to some exciting sharp images and... disappointment. This is a very difficult lens to use right, especially handheld. After this day, I have to question the use of the teleconverter: it gives you an effective focal length of 650mm. I'm sure with some practice... but for now I'd better save that for when I'm on a tripod, and after some practice.

The first wildlife we spotted were some trumpeter (pretty sure!) swans. Here are a pair of them taking off


Swans should be soft, right? So I softened this one in post-




At 400mm, I was able to capture this flying swan. The autofocus is surprisingly quick! 


Eventually we found a snowy owl on a fence in a farmyard. After talking with the farmer and getting permission, we cautiously crept in and snuck up on the owl without disturbing her. I have the vision of a moose. Moose can't see stuff that doesn't move and neither can I. The bird is right out there, bright white, and I couldn't find it. Larry had 50 shots before he patiently helped me to locate it. Once he did, it was obvious!




Tell me how I couldn't see this. I had to do a ton of work in post-processing to make this come out sharp.  




Coyote Ugly

Kept you waiting! 

While we were shooting the snowy owl, a pair of coyotes showed up in the back 40. With a huge amount of post-processing, I was able to come up with this shot. 




A beautiful, healthy looking animal. Hunting mice in the field with (presumably) his mate. 

After lunch, we came across another coyote. This one, however...




Coyote Ugly. This guy had mange, his whole back end was fur-less. Sad. I imagine surviving the winter will be a challenge. By the way, this shot required far less processing and shows me what this lens is capable of. 





Catch you later. And don't forget to email me if you're at all interested in Newfoundland this summer. I'll keep you in the loop.

— 30 —

Friday, February 12, 2016

Are we having fun yet?

From the 'sporadic musings department


Just expressing some outrage about a comment on Facebook, not even directed at me. The discussion was about ice fishing in Algonquin Park (not allowed, it's a fish sanctuary in winter according to the ministry) but someone posted that it probably doesn't apply to (various racial and ethnic groups I don't even want to type the list here.) One phrase he used was 'colored people' (note the American spelling...). He also disparaged Syrian refugees. I took issue.

I said I was a 'coloured person'. I said my skin is mostly pink but some people call it white, but why does that matter? I got fried by at least one person supporting him, who said they were of native origin and they didn't take offence, so why should I? And also that "you don't live here" (well, actually I do...).

So I'm outraged. I probably should have a thicker (pink) skin, then again NO! It's 2016, not that that should make any difference either, but what really got me was that Facebook said his message didn't contravene their 'social standards'. Bullshit.

I also watched a news item about a Detroit suburban cop who was sentenced to 1-10 years for tuning up a guy just because he was 'driving while black'.

OK, rant over. Share the link to this blog if you agree. You can now resume your regular programming.



Just for fun!

My D800 with Opteka 500mm mirror lens
and 2x teleconverter attached. 

Some years ago, I had a 500mm mirror lens for my old D70 (I just had it for a short time and it got lost in the mail but that's a whole other story!). They're not very good, they're fixed aperture (f/6.3 or 8), manual focus, the glass isn't up to Nikon standards and due to the geometry, the bokeh is pretty ugly.

Why did I buy it? Because I can't afford a long super-telephoto from Nikon (unless I sell my car!) and I wanted a chance at reaching out for some long distance birds. I'm sure I'm not going to get any images I can print 20x30, but maybe something acceptable at web- or projection-size. With the teleconverter, it's a 1000mm f/10 lens! Why did I buy it? $150 delivered to my door. Canadian dollars. From Amazon, by the way.

So a few hand-held tests the day I got it confirmed my impression: I don't think I'll be blowing anything up to 1:1


This is an uncropped picture of an ice fishing hut 1/4 of a mile away across the ice. Yes, I did some post-processing to try to get the maximum
sharpness out of it. 1/1000 second, 1000mm, ISO 800.


I'm going to need to shoot at 1/1600 second handheld with the teleconverter, and probably 1/1000 second with it attached: but the beauty of the D800 is its low noise at high ISO, so I just may be able to get away with it.

When I get a chance, I'll try it on the tripod. A good test would be to shoot the same image with the Nikon glass an crop it to the same size to see a comparison. I will when I get some time. Meanwhile, hey! 1000mm for $150!  Just for fun.

OK, update. You get what you pay for. After a week or so of trying, I couldn't get a reasonable picture out of this lens no matter what I did. BUT: I bought it on Amazon, and guess what? They're taking it back and giving me a full refund. Not only that, they're paying the postage! Kudo's to Amazon for great customer service. 


When life gives you lemons, you know what to do, right? Use Topaz Impression! That's the blurry door handle on the ATV shed at the Red Umbrella Inn, uncropped, 1000mm handheld. 1/2000 second, ISO 2000. Now a fine art impressionistic piece!


Once again, the original was unacceptably blurry so I made lemonade in post-processing. I tried all of the sharpening tricks, still not good enough, so Topaz Impression to the rescue! This is a male house finch that dropped into my feeder today with his significant other. Last sequence I shot with the lens before packing it up for return. 1/800 sec, ISO 1800, 500mm, f/6.3.



Trying out a mirrorless camera


Sony Alpha A6000
picture borrowed from the web 
A friend of mine has too many cameras in the house and decided that this one – almost new and still under warranty – has to go. Since I've put aside a few dollars for such eventualities, I thought I'd have a look at it. What I'm writing here is my first impression, after about an hour of playing with it. My intention is to add to this as I go along and render my decision whether to buy it by the time I finish this article!

My motivation to look at it was the announcement from Sony of the A6300 a couple of days ago. In many ways it could even be considered to be an upgrade from my D800: higher ISO capability, faster burst rate, lightning fast autofocus. It does 4K video but I don't do video but you never know... then I remembered that my friend had the A6000 and I called her and asked if I could try it before buying it.

Clearly the other reason was the gradual accumulation of lenses and accessories for my D800 putting me at the point now where I have to decide which lenses to take with me since I can't take them all! I haven't actually weighed my basic bag (camera plus three lenses and accessories) but I'll bet it would exceed airline carry-on limitations, not to mention my back. It's got this great swiveling LCD that might save my knees, and of course it's relatively tiny. 24Mp APS-C sensor, by the way.

It took me a little while to figure out the menu system and start to set it up. At one point, it wouldn't take a picture even though it autofocused and appeared ready to shoot. I still don't know why. I have it in manual but can't figure out yet how to vary the aperture without going into the menu. I know, I know: RTFM. But there really isn't a printed manual, there's an online "manual" that really just says what the controls do, I've just started working through it. I'm reading that you can buy a decent manual from third parties.

So here's a photo I took on the way home from picking it up.


This was with the 55-210mm lens at 210mm. Cropped a little, otherwise nothing special done in post.  


I shot this image with the same lens, zoomed out to 88mm and some post-processing. Too bad the sun had disappeared.

By the way, off-topic, it got warm and rainy last week. Those ice fishing huts are sitting on Mountain Lake and the ice surface is covered with water. You couldn't pay me enough to go out there although clearly the buildings haven't fallen in yet. Maybe in a hovercraft, wearing a dry suit and floater coat, with a helicopter standing by...

Anyway, that's day 1 with the A6000. Battery life seems to be a problem since the LCD/Live View is always on, but we'll see. Stay tuned.

On the way home from Toronto on Saturday, I wandered over to the spot where some Snowy Owls have been seen... nada. So nothing to shoot with the 500mm lens. A little later I stopped for my "mid-drive nap" (better than having one while driving!) at the York Regional Forest on Ravenshoe Road. Got out for a stretch and saw an interesting little trail through the forest, so I got out the Sony camera, put on the 16-55mm lens and took a few shots.
This fellow came along – his name is Jay and I think he said his brother had something to do with building this refuge many years ago – and he was riding this trail bicycle with studded tires (needed because the trail was slick with ice). He cycled away for yet another lap around the forest. He subsequently emailed me a picture of himself cycling in Moab, UT 'way up high on a ridge.
Anyway, I hope you like this photo, Jay:



I've decided NOT to buy this Sony A6000 mirrorless. Although it's a great little camera and I'd likely use it a fair bit, there were a couple of reasons for my decision. (a) I'd be forever trying to decide which camera to take with me (and probably end up taking both!); (b) the 'operating system' is very different from my Nikon DSLR. Some things that I take for granted are much harder to implement, but admittedly a lot of it would simply be learning curve. Rico (whom I ran into on Saturday night and who has an A6000 to complement his Canon) put it well when he pointed out that it's very menu-driven where, he guessed, I would be more comfortable with a camera that controls more via external controls.

The biggest argument in favour of buying it was the fact that I would have been able to just toss it in a pocket for a hike down the trail instead of carrying a 50 lb camera bag (and STILL not having the right lens with me when I came across something I wanted to shoot)!


I'm not ruling out going mirrorless. I actually see it as inevitable but I'm not ready for it yet.




Gales of November workshop update



The October 20-23 weekend is FULL so we opened a second session the following weekend: October 27-31. That's already starting to fill up so if you're thinking about it, you'd better get in touch! 

We may have a space or two on the first weekend because a couple of people are thinking about switching to the second session. Contact me!

The web page with details is at www.photography.to/gales.


The challenges of Country Living

A couple of nights ago I woke up around 2 or 3am hearing noises outside. When you live in the country, it's quiet. I hear when my sump pump comes on. Or the water heater. I figured this was some kind of animals, although I remember thinking it can't be bears because they're hibernating. I went back to sleep.

Next morning I looked out my kitchen window and saw this:


What the Hell? My property is surrounded by these pine trees, all big and healthy. Why are all these branches down? Have I been feeding the squirrels too much in my bird feeders? 

Near as I can tell, we had freezing rain in the night that coated the branches, thick enough to break them (we've had ice before... never broke like this!) when a burst of wind came up. It warmed up in the morning so the ice melted. That's my best guess. I asked around, some other people had some damaged trees too, but nothing at the Inn across the road or down the road, as far as I could tell.

Big healthy branches.



It took me about 3 hours of work to drag these to the brush pile behind my garage. I used the ATV, couldn't have done it by hand.


Anyone want some fresh pine boughs? Smells great! Free for the taking. This is my brush pile. 

Here's a Topaz Impression sketch:



By the way, the first two pictures were done with the iPhone, the second two with the Sony A6000. I also did a video with the Sony of me dragging the brush to the back but it's 78Mb, so I haven't put it up anywhere.



Speaking of the challenges of country living, there are good things and bad things that happen when the temperature wanders down to around -30°C. First of all, I fully expect my sump pump line to freeze up – it has every year. When it does, I have to go out and disconnect the line, and connect up a temporary outside line, or the pump will keep going continuously. That always happens between 2am and 3am...

The other day my smoke detector started emitting low battery beeps. Naturally, at 2:30 am. Since it's up on a 12' ceiling, I had to go out to the garage to get the big ladder. Then I climbed up to discover it was the OTHER one beeping. And only one spare battery.

City folks generally don't heat with firewood. I do (I have oil heat but the fire is better and cheaper). So today, my job list included chopping some kindling and bringing in three loads of firewood (I load about 25 pieces on my snow scoop and drag it to the door). One of the three loads was wood I bought this year, it'll burn OK if I have a hot bed of coals going. I also plowed the driveway , then found the trickle charger for the ATV battery because it'll be tough to start when it's 30 below. I also cleared the snow off the satellite dish with my extending snow rake.

Here's the good side, though. As I write this, I'm looking out at a beautiful bluebell and gold sky sunset over the lake. The snow is a clean, beautiful white. I've had blue jays, chickadees, two species of woodpeckers, nuthatches and house finches at the feeder. And the ubiquitous red squirrels. It's crystal clear at 25 below zero and the snow squeaks when you walk on it. I might sojourn out on the lake tomorrow if I'm not feeling too chilly after my trip to the landfill and the post office. And there are no mosquitoes!

Also I live less than an hour from Algonquin Park. Maybe I'll drive up on the weekend. Oh wait, 30 below...

I could shoot stars tonight... nah. Too cold. Well, we'll see...

Here's something else most of you city folk aren't used to. I've been using my cast iron skillet (and saucepan – you can see it at the top of the picture with the other little skillet) constantly. I've finally got it to the point where nothing sticks to it, it's perfectly seasoned. My trick for keeping them that way? Rinse it out while it's still hot, and occasionally brush a tiny amount of oil on it before it cools. I just use a paper towel.


Cheesy chicken and rice and broccoli casserole hot out of the oven, made in my cast iron skillet. The beauty of it is, you can start on the stove then just throw it in the oven to keep baking. Try doing omelets that way! Awesome. This is just a quick iPhone photo.

— 30 —

Sunday, January 31, 2016

Winter at last!

from the 'sporadic musings' department...

I love photography but I think I love music more.

If there is such a thing as reincarnation, I want to come back as a musician. How to explain...

There's a certain joy you feel when you see a painting or a photo but hearing a piece of music that moves you is a whole other thing. Pictures don't bring tears to my eyes or that feeling in my heart that music does. Perhaps these are the ramblings of an aging man but I wish I could have expressed myself with music more. I can't play any instrument well. Not keyboard, guitar or bass, all of which I've had flings with over the years, and I haven't been able to sing since my surgeries a decade ago affected my vocal cords (come on. You've heard of "Simon, Garfunkel and Springer", haven't you? So now I just listen and try not to imagine playing.

I so enjoy virtuosity. Your list probably won't agree with all my choices (yeah, you probably WON'T if you're younger than I, as most of you are!) but can you argue when I mention Oscar Peterson? Or Barbra Streisand? What about Stevie Ray Vaughan? Or Tommy Emmanuel? Or specific renditions of certain songs, like Neil Larsen on the Hammond B3 behind Leonard Cohen's "Hallelujah"? Haley Reinhart doing "House of the Rising Sun" (here) (or "Moanin'" with Casey Abrams), or Jena Irene covering Elvis's "Can't Help Falling in Love" on American Idol (here). I'd better stop now or I'll be listing songs and artists forever!

You realize that writing these paragraphs took HOURS, of course. I had to take time out to listen to some of these songs (I even invested an hour watching a Streisand concert on YouTube, here).




I love/hate Facebook

There are lots of reasons to hate it. Many of them obvious. I'm not going to dwell on those. I think I've minimized them by limiting my "friends" list to people I know or fellow photographers whose work I admire. I'm active in several groups, but only a handful of them where I've enabled notification, so if I understand it correctly, the bulk of what I see in my newsfeed comes from those. Again populated by people I know or respect (major exception: the Photoshop and Lightroom Group where there are people whom I can help). For the most part, I've learned to simple scroll past posts that I consider nonsense and noise. Occasionally I get drawn it, which is why I hate it!

But Facebook is a resource for knowledge and information. There are countless people out there researching and finding and sharing things that you wouldn't find on your own. Great music and images and stories and learning. One case in point is an article I read today, written by Tavis Leaf Glover and shared by Vincent Versace who has a lot of insight into making pictures.

Here's a link to the article itself. I encourage you to read it, especially if you're a photographer.
http://petapixel.com/2016/01/30/10-myths-about-the-rule-of-thirds/

Here's the comment I made after reading the article:
Good article. ALMOST makes me want to turn on my left brain again, Although I agree that the rule of thirds is hackneyed and there are other ways to compose an image, it serves the purpose of making the photographer at least THINK about composition before snapping the shutter. 
 It's easier to deconstruct an image than to construct one. One has to wonder if the classical artists were consciously using various composition rules when they created their art: I think not. I think they unconsciously or subconsciously recognized how to achieve the desired effect, that's what makes – made – them artists. Today we have the opportunity to see tens of thousands of images and create a mindset that subconsciously tells us what we like and what we don't like and we apply it to our vision as we look through the viewfinder. 
 The article did make me think. It made me finally go out and order Michael Freeman's book "The Photographer's Eye". It reminded me to think about balancing elements and gestalt theory. It put me back on the path of pre-visualization. Give me another 70 years and maybe I'll be an artist. 
One of the things I don't necessarily agree with is Glover's caveat, "get it right in camera, don't crop and waste valuable pixels..." (paraphrasing). That's why I bought a D800. It has loads of pixels to spare. Often I don't have time to compose images in the field (certainly not when it involves living moving things!) so I try to include all the essential elements to extract later.

Now I'm almost afraid to post pictures since I'm doubting my composition ability! Not every picture has to be a piece of art, though. However they all have to tell a story!




Gales of November



This is another rendering of the pano that I shot in September. This time I edited it using the new "Boundary Warp" feature in Lightroom CC 2015.4. It rendered quickly and beautifully but only from the middle exposures in my bracketed shots.

This is a 360° pano image that consists of 6 original images shot with a 17mm lens on my full-frame D800. I was able to increase the coverage of this picture by about one-third by increasing the boundary warp to 100%. By the way, it's 94 megapixels in size, 22k x 4.2k pixels. LR rendered it in about one minute. I pixel-peeped at 100% and I'm unable to find a visible seam. Colour me impressed. When you blow it up, you can see every grain of sand, every pine needle. That's due to the superb lens and of course, the D800. Obviously you're not seeing the detail here on the blog! I toned the image in Lightroom and used Topaz Clarity to bring out the clouds. No cropping, no other edits.

If you click on the image it blows up only to the 800 pixel width that I rendered for this blog. However I have also uploaded a larger version here. Still only 4000 pixels wide (to keep it a reasonable size) but depending on your browser, if you click in the picture, you can see some of the detail.

The October 20-23 session is FULL. Amazingly fast! So fast that planning is under way for a second session a week later, October 27-30 (we still can't wait for November!).

It's an inexpensive outing in a spectacular place. Check it out.

As I write this, I haven't yet updated the web page to reflect that fact, and David hasn't put the booking page in place for the second weekend. I need to know who's interested in coming so we can make it happen, so please take a moment to email me and tell me if you're thinking about it. I'm giving some thought to gearing the second session more to 'intermediate' than to 'advanced' photographers, so more tutorials, more hands-on coaching. What do you think? Tell me!

Most of the information, other than dates, is exactly like the original weekend session, which you can read about here: www.photography.to/gales.


update: It's official and the site is up! Go have a look!


Winter's here

I was going to say it's a weird winter, but it's just a little late. Last day of January as I write this, and  ice fishing – the mainstay of the winter economy up here in the Highlands – is just getting underway. Another snowmobiler died yesterday when he went through the ice so we all have to think about being careful out there.

Ice racing is happening in Minden. I spent an hour or so there yesterday and if you can, you should drop by. It's at the fairgrounds on Bobcaygeon Road. It's hard to capture the feeling with still photographs, you have to experience these guys driving faster on an ice-covered track than most of us can on dry pavement.



The lines on the ice surface give this a sense of motion, even though the shot was taken at 1/1000 second to freeze the action. 



The driver in the orange and black car at right was head-and-shoulders better than anyone else on the ice. In fact, he held back at the start line, giving everyone half-a-lap lead and not only won the race but pulled over near the end to let people catch up and unlap themselves. I'm told it was Tom Prentice, but I don't know for sure.



Some drivers weren't as good, or at least were driving beyond their abilities. Good thing they had snowbanks! I saw one car climb halfway up an embankment but nobody had an accident while I was there. 


Fender benders don't count. Imagine driving 100kph on a pure ice track, competing for position and trying to pass (or not be passed) in a chicane, while sliding sideways in a full 4-wheel drift. These are street studs, by the way, not racing studs (which are much longer). It's interesting that these are the exact winter tires I have on my car (less the studs)!



This is one of the drivers. I'm sorry, I didn't get his name but I thought the picture is compelling. So I don't know who he is either! Made you look. He said, "I thought you were taking pictures of my car, not me!" I was... He said, "be careful not to scratch the paint on my car!" LOL 



Picture of the week

I ventured out on the ice on 12-Mile Lake a couple of days ago, on my 4-wheeler. I was assured by people who seem to know, that there's an 8" (20cm) thickness of hard water, almost enough to support a car, but some spots are thinner than others, wherever there's moving water. After 8 years here, I basically know where that is, but still I was being cautious. That's my ATV in the photo.



I want to comment on the composition. As you'll see below, when I shot the image I had the horizon in the middle but that's because when I shot it, I wasn't sure if I wanted to add drama by including foreground or feature the sky. So I left room to crop. 

This is one of the original images, SOOC ("Straight out of the Camera"). This was one of five, in fact it was the darkest one because I had my exposure comp set for +1. The finished one was an HDR merge in LR, some toning adjustments including de-haze, small crop to move the horizon, graduated screen toning and colour temperature/saturation adjustment on the sky, some spot toning on the ATV and hut, burn in on the bottom ATV tracks, that's pretty well it. Oh, and a small vignette because Ansel Adams said that a picture isn't finished until the edges are burned a little. About 15 minutes in LR, never took it to Photoshop. 


— 30 —

Sunday, December 20, 2015

Chains upon my feet...

...from the "musings" department

I've said this before: if you want to learn how to set up a photo, watch TV. Or movies.

Last night it struck me again. I was doing something on the computer and although I don't normally watch NCIS Los Angeles (I do admit to watching the original NCIS and New Orleans, though), it was on in the background behind me. I turned around and saw a scene where the curly blond haired guy was sitting, talking to the old, short lady (his boss? – told you I don't watch it!) – and the scene made me come to a stop. It was outstanding.

The subjects were perfectly lit – they were in a dark room, on a staircase, with a doorway in the background and some light that appeared to be sunlight dappling the floor in front of the doorway. The lighting, the composition, the depth of field, the textures, were absolutely outstanding. If you took a still from that shot and entered it in an international Salon level competition, you would win, hands down. Then she walked away, through the dappled light, while the camera stayed focused on the guy's face. What a visual story!

But it's not just this shot, it's pretty well ALL of them. Go switch on your TV. Doesn't matter what you watch, a talk show, a sit-com, a commercial, a movie, a football or hockey game: it's perfect. Look at it and try to figure out why!

These are the big guys. The people who make big bucks doing photography and videography. They have unlimited budgets, all the equipment you dream about, and a staff that includes set designers, lighting experts, makeup artists, etc., as well as graphic designers and people who sit there and design and storyboard the shots. Do they do a better job than you can with shot setup, design and execution? You bet they do, better than I can or anyone that I know.

Sure there are differences between stills and video.  So hit "Pause" on your PVR and look at the still. Is there any question in your mind what the subject is of the picture? Is the subject in the middle or off-centre? Is it too flat or too contrasty? What about colour balance? Is it in focus? Is the exposure too bright or too dark? I can't see what you're looking at but I'm pretty sure I know the answers to those questions.

Use it as a learning experience. Sure, you don't have a team to set up your shots, you don't have an unlimited equipment budget... but there are tons of things they do that you could also do. One of those things is to stop and study a scene (if you're doing landscapes) BEFORE you press the shutter, even before you take out your camera. It's called "Pre-Visualization".

99% of the pictures I see, whether on Social Media, in competitions... would be instantly rejected by these big guys. Everyone is trying to emulate them, with little success (I was going to say 'varying success' but a 99% reject rate is not 'varying'). I may not be good enough to get in that 1% very often, but that isn't going to stop me from trying. I need to take more time to think about it. How about you?




Gales of November Workshop



The Rock Island Lodge 
I've been invited to several workshops this year. Exotic places like Cuba, Costa Rica, Africa, Iceland, Yellowstone. You know what they all have in common? They're all THOUSANDS of dollars. US dollars to boot. The Gales workshop IS in an exotic location: the Canadian Wilderness, on the shores of Lake Superior, where the Group of Seven wandered and expressed what they saw in their art. And it's NOT thousands of dollars.

There's only room for a dozen people (although if demand is high, I can do a second session). It's already about half full. Think about it. If there's any chance you might be able to make it up to  Wawa next October, PLEASE go to this webpage and take two minutes to do the short questionnaire and leave me your name so I can keep you in the loop.

PS: I'm still working on the web page. Bottom line? It's a 3 or 4 day field experience for intermediate or advanced photographers who want some fresh ideas and an opportunity to experience some outstanding landscapes and express themselves in the company of other talented people.



Topaz Labs year-end special

They're at it again! Topaz Labs is offering a 35% discount on any and all products until the year-end. If you've been waiting to take the plunge or add some more of their outstanding plug-ins, now's the time!

Some of the newer Topaz products require a higher graphics functionality to work. If you're not sure it will work on your computer, download the free trial before finalizing your purchase. Be sure to complete the transaction before the year-end, though.

Here's the link to their site. Enter the coupon code "TOPAZ2015" at checkout to get the discount.




Triggertrap update

They've been listening! I love my TriggerTrap but one thing I've run into is the drain on the iPhone battery. Even if you turn the brightness all the way down, you still only get about 90 minutes out of an iPhone6. So I ordered (but haven't yet received) an external battery pack for the phone. This is not something TriggerTrap can fix (other than to remind you to turn your screen brightness down when doing time lapses).

But they did address the other issue, which is that brightly coloured and white screen glow which can affect your images if you're not careful. So their update 4.1 includes a "night mode". Much better!

Also they included a ND filter conversion calculator in the Timed Release mode: just enter your base shutter speed, the ND filter strength, and TT does the rest! I had printed out a table on a laminated card, then I lost it somewhere... no more mental arithmetic.

If you want to know how TriggerTrap works without paying anything, simply download the app (for iPhone or Android) for free and try it! To make it work with your camera, you need the hardware, which you can buy from a European or North American source. Free shipping until the end of the year! Here's the link to their site. There's also a bunch of useful video tutorials on their site under Inspiration→howto. Give it a looksee!





Are we having fun yet?

It sure is a lot easier (for me) in Photoshop and Impression! MUCH harder with brushes and canvas and oil paints! Two of my oil painting works-in-process.


Chippewa Falls, Lake Superior. It's a tighter crop than the last version, from much the same vantage point as J.E.H. MacDonald painted it. I didn't paint this one plein air, I came back to it and did another painting. This is oil paint on board, 9x12.


South Lake Road, Minden Ontario. This is in process; I want to change what the tree looks like but have to wait for the paint to dry a bit before I go over it. You saw a black-and-white version of the original photo in last week's blog, I'm happy with a lot of this image, especially the foreground, but not the tree.  Painted in oils on canvas paper, 9x12.




Winter has finally arrived

...at least I think so. The forecast for Monday is warm and rainy, so I'm not counting my chickens. But the world looks so much nicer with a blanket of clean white snow than muddy brown!

I did take the opportunity to get my ATV out with the snowplow for the first time this year. We had about 4" of snow (I was going to say about 6" but then I would be open for all those off-colour jokes...). And new this year, "Chains upon my Feet". What a difference! In fact, my 4WD wasn't working yesterday (it's mysteriously back today) and I actually had difficulty on a slippery surface until I put on the chains! It feels unstoppable (I know enough not to get too cocky, though).

Putting the chains on wasn't too difficult, although I threw one after my first attempt. It was easier when I figured out that using the motorcycle jack to lift the tire off the ground was the trick. I need to get some heavier duty bungee cords to hold them tight. And with them on, no playing around doing donuts or they're likely to come off and damage something.



I didn't do much to this image. Almost straight out of camera... well it is a 5-exposure HDR processed in Nik HDR Efex Pro 2, I did a radial filter to add haze to the background, then I added the yellow light to the headlights which were actually off... all right, I'm lying, but really only about 10 minutes work, all in Lightroom!





This is the original SOOC 



And this shot is just the way I saw it... in my mind!  Among other things, I added a masked motion blur layer to give it a sense of motion (I know, doesn't make sense since it's obviously not being driven), blurred the background and treated it with Topaz Impression, then Texture Effects to give it a vintage feel 



"Waiting for Hard Water". Every year I do a picture of the ice fishing huts at the Red Umbrella Inn, waiting to go out on the ice. Well as you can see, despite the fact that it's December 20th, no ice yet. I think it'll be some weeks before they can go out, but I could be wrong. This is one of their smaller, older huts; the one at left in the foreground is brand new and 4x the size.  

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