Showing posts with label northern lights. Show all posts
Showing posts with label northern lights. Show all posts

Sunday, June 04, 2017

Algonquin Park and Aurora. You choose.

Algonquin Park
a conversation with the staff

Some discussions have occurred regarding some apparent changes in AP policies and I decided to find out directly from the Park. At the same time I wanted to ask about an issue that's been bugging me. They were kind enough to give me clear and very reasonable answers and gave me permission to reproduce the correspondence here.

The two main questions were:
  1. How to shoot nighttimes (stars, aurora, etc) when the day pass clearly expires at 10 pm, and
  2. Access to the campgrounds with a day pass.
Here's the email correspondence in full, except that I had to retype the 'questions' because they got mixed up in the back-and-forth.



We corresponded last year on the subject of coming into the park to shoot star trails or milky way or aurora pictures. The issue was that the day pass expires at 10pm and the solution we came up with at the time was to buy two day passes (for the next day as well). I would have bought a camping permit except all the campgrounds were full and they wouldn’t sell me one. Anyway, that worked after the guy at the West gate figured out how to do it! By the way, a better solution might be to get an annual pass… but that carries the same 10pm limitation, I think.

Answer:
The correct process for anyone wishing to be in an Ontario Provincial Park with a day use permit after 10 pm is to request permission from the Park Superintendent.  The easiest way to make application for this is by having you email directly to David Coulas (david.coulas@ontario.ca) explaining your request and  reason.  He will then be able to reply directly to you.  DVP’s and Annual DVP’s do all carry the same 10pm limitation.

Question # 2:
Sounds like there's been a policy change at AP. One of our members was denied access to Mew Lake because she only had a day pass. All she wanted to do was to photograph some birds at the Airfield, not to camp. In the past we've told them at the campground entrance that's all we were there for. In the paper I picked up at the gate the other day it says "a day permit does not allow access to campgrounds (unless specified otherwise; check at the park office at the point of entry)".

Answer:
 With regards to day use visitors being denied access into campgrounds for day use areas ie, beaches, airfield, trails, etc., Mr. Nichols, who is the Zone Manager has sought clarification with Head Office and has confirmed that we cannot restrict people from coming in to the park or campgrounds if they have a valid day use permit in any Ontario Provincial Park.

The front page of our tabloid where it indicates that a day permit” does not allow access to campgrounds”, however it also states “unless specified otherwise, check at the Park Office at point of entry”.  This allows us to clarify to our park visitors.  You would continue to stop at the office and advise them of your intent and if you are unaware of parking space please ask at the office entrance.

If at any time, access to a campground with a day use permit becomes a safety issue, ie, campground is over maximum capacity during an extremely busy time and therefore becomes a safety hazard within the campground, then and only then may the Park Superintendent make a decision to restrict access to day use.  The park office will not be making that decision without the approval of Park Superintendent.

Glenn I hope this will clarify your questions for you and your group at this time.  



Topaz Studio
Different Strokes for Different Folks!

Topaz Labs has hit another home run. They have developed a new program which means different things for different people, depending where you are in your post-processing life. As far as I can tell, it will be valuable for three different groups:

  • You DO NOT have Lightroom or Photoshop or Elements. Studio is a post-processing workbench for you and it's FREE! (well the 'base' version is... see below). You're one of those who doesn't want to "rent" the Adobe CC suite: YOU DON'T HAVE TO ANYMORE.
  • You DO have one or more of the Adobe products. TS gives you a whole new set of adjustment tools that are effective, easy to use and quick.  You may decide to use them instead of ACR or in addition to it.
  • You have other Topaz products, perhaps the whole suite, and you want a way to use them in combinations, whether from within an Adobe product or standalone. This functionality is FREE.
Too many words. It's all explained much better on the Topaz site. But before I send you there, I have to tell you a couple more things.

You can download and use it for FREE. Forever. 
Or you can buy some enhancements if you want.

The FREE TS shell comes with 10 fully functional adjustments like "Basic Adjustments", "Tone Curves", "Blurs", and others; plus a whole whack of tools like support for RAW files, cropping, masking, lens effects, etc. There are also 14 other adjustments which have limited functionality (they work, you just can't control them much) such as dehaze, noise reduction, sharpening, texture, abstraction, etc. If you want full control of one of these you can buy it or you can get the whole pack of 14 for $99. 

Enough! Get thee over there and read about it. Download the free app. Try it. Here's the link to get you there. And if you decide to buy anything before the end of June, use the coupon code "STUDIO" to get up to $270 worth of adjustments for just $99.

PS: They produced a great introduction video which explains clearly what Studio is and how it works. Here's the video link. But use the other link in the paragraph above this one to log in and download in order to take advantage of the discounts (and, fair disclosure, give me my "brownie points"!).


I processed this image in Studio. The original was a soft HDR (testing the bracketing function on the new D5500) created in Lightroom. In Studio I used the built-in HDR preset which really just increases Clarity, but then I masked it back. I added a Gaussian Blur layer and painted a quasi-precise mask over the boat (not fine enough over the ski frame, I should go back over it) and a vignette and painted in some sky colour. I didn't use any Topaz plugins although in hindsight I should have tried Clarity. The masking brush is brilliant. And the fact that you can copy and paste the mask onto different "layers".

By the way this is NOT my boat. I wish. It's at the same marina and I'd be embarrassed to have mine in the same picture.




Gales of November
an update

If you're a new reader and you haven't heard about 'Gales' yet, here's a quick summary:


A 360° pano taken at the Rock Island Lodge 

On the weekend of October 26-29 (It's really called "The Gales of November come early"), we will be holding a four day low cost workshop in Wawa, Ontario on the shores of Lake Superior, for 12 lucky participants. The event is hosted by the Rock Island Lodge/Naturally Superior Adventures and the price includes all accommodations and food. The lodge rooms are first class (when they fill up, you'll stay at a nearby motel/cabin facility, maybe even better!) and the food is fresh, family-style and organic where possible. How much would you spend for food and accommodations in a first class facility? Think about that then check out the cost of our workshop!

This year, Ben Eby will be joining me in leading the workshop. Ben is more of a photo-realist than I am (I lean more towards impressionism and do a lot more post-processing). I'm still working on a "Ben-Bio" on the site but for now check out his website here.

The word "workshop" is a bit of a misnomer. Yes, we'll be challenging you with some themes and educational content, but if you just want to do your thing, you're welcome to do so, and enjoy one of the most picturesque nature venues in all of Canada in the company of a bunch of great photographers. You can even bring your dog and your spouse, as long as they're friendly! Check with us.


This scene was two minutes from the lodge, first thing in the morning one day last year. 

There's still some space available. But this is going to fill up and you need to stop procrastinating! Here's the link to the website and signup page (still a work in progress!): www.photography.to/gales. I dare you to check it out.



Newfoundland Trip
It's creeping up on me!

Less than 3 weeks from now, I'll be on my way to Newfoundland. My plan is to drive to North Sydney, Nova Scotia, then board the ferry to Port aux Basques, and spend a month in Newfoundland, primarily in three locations, where I've booked cabin/efficiency accommodations. I've left the last week open but I intend to spend a couple of days in the Cape St. Mary area, then board the ferry home from Argentia. Here's a map:


Obviously a month isn't long enough to explore the whole province and I'll be skipping some interesting spots: primarily the West coast including Gros Morne National Park and the northern peninsula. My goal is to shoot picturesque seascapes and outports, waterfalls, stars (aurora!), birds and other wildlife (including whales if possible). Icebergs are a bonus although I have to admit that I sort of have a "seen one, seen them all" kind of attitude. I'm following and have been in touch with some outstanding local photographers and hope to hook up with one or more on my trip. I have some friends there right now: in my opinion, they went too early. There's massive sea ice and even snow on land. It's been hugely foggy the past few days.

I'm hoping to "storyboard" each of the locations. I'm probably using the word wrong, but I want to present a picture of each spot in an attempt to capture its flavour. So while my focus is on the landscapes, I want to force myself to include other aspects of life there. "Work the scene" will be my operative phrase. My plan is to shoot during the golden and blue hours, so get up at ungodly hours, shoot, then relax and maybe nap during the day and go back out in the evenings. We'll see how that works out. I plan to bring my sketching and oil painting kits with me and force myself to draw and paint as well.

Aside from camera gear and my computer, I'm bringing too much stuff. It's not just a week-long vacation, I need kitchen stuff, bathroom stuff, clothes, even food. I can't imagine flying there with one checked bag and my camera stuff. I'll be in touch over wifi but I'm going to try to wean myself off of social media. I have a big note in front of me to make a list of all the stuff I need and organize it.

Speaking of cameras, I  acquired a Nikon D5500 as a backup to my D800. It's got a crop sensor so technically I'll be able to reach out further with my long telephoto (not sure how much more than cropping on the D800 but we'll see). It seems to do a creditable job.


Here's an image from the landfill when I was there practicing on the birds. With the Tamron zoom on the D5500, this is like a 900mm lens on a full-frame.  This isn't cropped and it was handheld. I'm going to have to be really careful to keep the shutter speed up at these values. 



What's your favourite lens?

The obvious answer to that question is, "well, it depends on what I'm trying to shoot". I have 4 lenses that I use regularly and a couple of others... and if I were told "You can only have one lens. Choose." I would have to say, my Nikkor 70-200 f/2.8 VR. It's not even the new model. It's just so good, I can't imagine a better one. If I need to reach out further, I couple it with my TC-17e III teleconverter for a net 340mm at f/4.8, no discernable loss of sharpness. That's not enough for birds, though, so I find myself using the Tamron 150-600 a lot. It's "OK" but it could be sharper. I can't afford the Nikon big guns, so it'll have to do.

My Nikkor 17-35mm f/2.8 wideangle is very good. Landscapes and astrophotography. But the "favourite" label is a tossup between the 70-200 and the Nikkor 105mm f/2.8 macro.

Here are a few shots with the macro when I loaded it on the D5500 for testing purposes.


Dandelion head. 

Don't ask me to name this flower and I won't have to lie to you. It's a wildflower growing behind my house. 


Dragonfly sitting on my car. 



Last weekend, my sister and brother-in-law came to visit for a couple of days. We had a great visit, I took them out in the boat, gave them the nickel tour of the Highlands, and then I said to my sister, go park my ATV in the garage. She said, "really"? Why not.


She's never driven one, or any bike for that matter. She started laughing hysterically to the point where she was wiping tears from her eyes. By the way, I think she was going 2 mph! Of course as a good brother, I had to capture it on camera and post it for everyone to see... 

While they were here, I was a good host. Until I got an alert on the computer. KP of 7.3! Do you know what that means? The aurora borealis are visible here with a KP of 4 or so. 7.3? I ran out with the camera and took a quick test shot but I didn't need to: it was obviously visible to the naked eye. I told my sister I was going to be a terrible host, I turned on the TV, showed them how my remote control works and said, "Bye. See you in the morning!"

I've seen Aurora before. But the last time I saw a display like this was probably 30 years ago, on a moose hunting trip south of Timmins (still reading my blog, Pete? Remember?).

The Northern Lights




No words. Here's a link to a short timelapse I shot. And here's another one, something I called "Pastel". A little different. Enjoy.

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Tuesday, November 10, 2015

If I only save one life...

Do you use protection?

What do you think I'm going to talk about? Latex things? Wrong.

This blog is about photography. Did you think I was going to talk about using filters on your lens? Nah, that subject has been beaten to death (bottom line: 50% of photographers I surveyed use UV filters on their lenses. The other half are smart enough to know that (a) digital sensors are not sensitive to UV like film was, (b) the filters, especially cheap ones [under $100] degrade picture quality and cause excessive lens flare, (c) you're not protecting a $2500 lens, you're protecting the front glass which is factory replaceable at reasonable cost, (d) a lens hood provides much better protection and (e) camera stores make HUGE profits on filters. They buy them for $1 and sell them for $20 or $30, that's why the salesman tells you that you need one. LOL)

No, I'm talking about your computer. Background: I have a friend whose computer was just eaten by a mean and nasty virus or trojan (trojan. protection. hmmm.). I'm not going to lecture him again about clicking on unknown links in email, even email that seems to come from someone you know. I already did. I love this guy but he's so incredibly naïve... and there's no sense in making him feel worse. I'm going to make a few points and if they're really obvious to you, then feel free to skip down to the next subject. But if not... then at least think about it.


  • You need to have backups. When I said to my friend, "just reload your Quickbooks from your backup..." I had a feeling... Now some of us don't have the resolve to stick to a routine, or the resources to do this perfectly, but at least try!
  • The 3-2-1 rule says have 3 copies of your data on at least 2 different media and at least 1 copy off-site. That means for example, hard disk, flash drive, DVD, cloud. Go buy a couple more external hard drives (they're cheap!) and keep one in your safe deposit box at the bank. Regularly make an extra backup of your data and rotate that drive to the box. If your house burns down or is burglarized, your life's work is still safe.
For the record, I have some of my stuff on a hard drive at my mom's apartment in Thornhill, but it's been a while since I rotated a new copy there. My really critical files (not my pictures: my financials, etc) are backed up to the Cloud via Dropbox every couple of days.
by the way, I just saw a new Lexar SDXC card that holds an incredible 512Gb. A TeraByte is only one step away. Incredible. 
  • Keep your virus protection up to date. And check for MalWare as well: the virus programs miss stuff.
I run Microsoft Security Essentials every night at 3am. I also run Malwarebytes (look it up) whenever I think of it. If my computer starts doing silly things, it's my go-to reaction and sometimes, it finds stuff. 
  •  Stop clicking on links in emails. Sure it's easy: "click here to upload the latest update..." but stop and think. Instead, go to the developer's website and search for the update there. It takes an extra effort but it can save you a lot of grief.
The one I've been reluctantly clicking on is the "click here to unsubscribe" link. Every time I do, I wonder if I'm being smart, but I'm so tired of the spam. Do as I say, not as I do!
This subject also came up in an online discussion. Remember, you don't need to have a plan in case your hard drive fails, you need to have a plan for WHEN your hard drive fails, because it's going to.

OK, off my soapbox. If I only saved one life, it was worth it!




I think I figured out why my painting sucks.

I attended some sessions with a talented painter (Harvey Walker) who creates a painting in an hour or two. I just realized that it doesn't work that way for everyone. Mind you, he's got years of experience. I can't just say, "OK, now I'm going to paint those rocks" and an hour later, I'm done.

Here's a link to an essay by Robert Bateman on Painting. He doesn't just slap paint on canvas. It's worth a read if you're an artist (and even if you're not!). I'll wait right here.

I've been trying to "express myself" by just going for it: painting a tree with huge impasto strokes in a few minutes. I finally get that it might not work that way for everyone, especially when I don't know what I'm doing. I'm going to keep trying. Watch this space.




Topaz is about to Rock your World (again!)

It's been quiet down in the land of Topaz Labs. That's because they've been working on something special. Their latest program is Topaz Texture Effects. Here's a quote from them:

"Texture Effects allows users to create a variety of textured, toned, and lighting effects in a fraction of the time it takes in other editing software. The program includes a library of over 150 expertly crafted effects, an extensive collection of texture assets (275+ high-resolution assets!), and instant access to effects other Topaz users have shared with the new Topaz Community. That means no more scouring the web for a look that inspires you. With Texture Effects, inspiration is only a click away!"

example image from Topaz Labs.  

another example image 

...and one more.  

Full disclosure: I haven't worked with it seriously yet, they've just released it and as I write this, the full version isn't even out (by the time you read this, it will be!). As a Topaz Affiliate, they've given me a pre-release version to test. And as an affiliate, I receive some compensation if you purchase it through the links on this blog.
Topaz has put together a bunch of really good effects and ideas. If you've played with Russell Brown's "Paper Textures" inside Photoshop, this goes further. Ditto, Nik (Google) Analog Efex Pro: you can add a world of effects to give your images an antique character and change the mood completely. Oh, and it runs both as plug-ins to the Photoshop suite or standalone.

 But they've also incorporated some of their better tools; their masking brushes work a lot like ReMask. Some of the sliders feel like Impression, but different effects, of course. They've also made it easy to save your own custom effects so you can give a consistent feel to multiple pictures AND they've set up an online cloud community where you can share your effects with the world. Here's a video clip that says it much better than I can.

 All very exciting but caution, this is a high end piece of software, you won't be running it on a lower end computer. System Requirements: Mac OSX 10.8+; Windows 7/8/10 x 64bit + OpenGL 3.2.  And it's HUGE. The download is 1.4Gb! Be prepared. As usual, you can download and try it before buying, to make sure it works on your system. It's a pretty big download, by the way. I think this is going to be one of my go-to plugins when I'm feeling creative and I have a vision how I want an image to feel. 

Here's the link to the Texture Effects page. It's on sale for $49.95 ($20 off) between now and November 20th. Use this coupon code – TEXTUREFX –  at checkout.





UPDATE: I just installed the full version. First impression? It's SICK. It's blown my mind. I figured that a huge program like that was going to be slow on my lousy system but it FLIES. Everything works in real time. Topaz: my hat's off to you!
There's a quick pass at my latest aurora picture at the bottom of this blog.


Dry Spell

I'm in a bit of a dry spell. There are two times of year I don't find inspiring: spring, right after the snow is out and before life returns to the forest, and now, when everything is dead and not yet covered with a blanket of snow. The world has two colours: brown, and grey. To get out of this rut, I need to unleash some other genres. So, people; events; and out comes the light tent to do some macros and still life shots.
I like to cook. 
As a bachelor, one kind of has to! And I like to do it the easy way, especially so that I don't have a big cleanup afterwards. My ideal meal is made in one pot, and uses one plate to eat it! The down side is that it's hard to cook for one, so often either these are two-day meals or I eat too much. Back on my diet as of this morning, I have to shed some of this extra weight. Most people don't agree with how I diet, so I'm not going to elaborate on it.

I also haven't seriously approached photographing these creations, but I will a bit more as winter makes it less hospitable to shoot outside (you have downloaded my "Winter Wonderland" eBook on taking better pictures in winter, right? If not, click that "Newsletter" link at top right and I'll send it to you, free). Where was I.

Oh yes, cooking. In addition to my BBQ, which I use year-round, I've settled on some pretty rugged cooking hardware. I use a lot of cast iron, skillets and pots, but my favourite is my cast aluminium wok. One pot, one meal and it cleans up by rinsing it out (it's never seen soap and nothing sticks!)



Chicken stirfry. Kind of my go-to meal, not fattening and as I said, easy cleanup. My own recipe, I'm not going to make MasterChef Canada with it, but it's easy. 



This one's pretty easy too. Take some chicken, some rice, some broccoli, cream of chicken or mushroom soup, some chicken broth and some shredded cheddar cheese. After pre-cooking the chicken, mix everything together except the cheese and put your trusty cast-iron skillet in the oven for a while. Then add the cheese and eventually turn on the broiler to brown the top. 10 minute prep, 40 minutes to cook, 5 minutes to clean up!

Where'd I get the recipe? Shhh. Google is your friend! By the way, I won't be making this for a while, not until after the diet!

As I said, I'll try to photograph better (these are iPhone shots, no special lighting). The challenge is how to shoot a skillet that's 350°F in the light tent without burning the house down!







I shot this "zombie" picture last weekend using my little ringlight as fill-in flash because my SB-600 flash is dead. It's not very powerful, just adds a touch of highlight and a little catchlight in the eyes. (I did some work in LR to isolate her from the background. The flash wasn't strong enough). I'm amazed at how much texture and detail it adds, though. Theoretically it shouldn't, it should provide flat lighting because it comes directly from the camera. Mystery. Here's proof: 



This is the same shot, zoomed in to 100%. Check out those textures! The catchlight should be much larger, you need to be shooting from closer up, maybe with a wider lens. This was shot with my 105mm prime, 1/250 sec at f/7.1, ISO 400. 

As I said, my flash died: the Nikon SB-600 won't power up. It's happened before, but now it's really toast, I think it's the switches on the back. I ordered a Yongnuo YN-568ex from B&H for only $100 (the Nikons are 4 or 5 times that price!) so let's see how it works out. I'll  post some pix after I get it in a couple of weeks.





I did take the ATV out the other day, but didn't find much inspiration on the trail in the woods. However there was an interesting pastel sunset going on. I forgot my tripod, so this is handheld:


Here's a "selfie" from the same spot:


It's the first week of deer hunting season. I wear my orange vest when out on my ATV this time of year. Without a tripod, I rested my camera on my bag and set the timer to do this shot. In hindsight, that beach has some interesting textures and shadows, but I didn't see it until I got home.


My favourite shot from that afternoon. It's actually the same boat I shot a couple of years ago, covered with a dusting of snow (from a different angle and in fact, facing the other way!), that won a bunch of awards and was published several times. What I like about this one is the subtle colour palette, the strong diagonal and the sunlit board that draws the eye and adds to the story. 



Parting Shot

As usual, I like to save the best for last. Last night, I headed out to shoot the Aurora Borealis: the aurora prediction was extremely high a couple of days ago and still high last night; and we had some clear weather. So out I went! I chose the same spot I've been going to recently, I just like the visibility, North and South, and the shape of the hills. The only thing missing is a foreground subject.

When I first got there, I couldn't see any aurora. Not unusual: the camera sees it a lot better than my eyes. So rather than waste the trip, I turned around and set up a time lapse sequence on the Milky Way. Not the best time of year for it, the galactic centre isn't above the horizon, but still...


A "little" post-processing! I liked it until I applied the Watercolour filter in Impression. Now I love it! 


No visible aurora, but there was something else going on: the Taurids meteor showers. It's a bit different from the other ones, because the meteors are bigger and fatter than most, so the trails are brighter and light up the sky! Of course when I pointed the camera North, I saw one to the East. So I pointed it East. Oh, there's another one, to the West! I didn't really get a still photo (one...wait for it!) but I did count several meteorite events on a time lapse, taken over about 45 minutes.

You know how the Seinfeld show is about "nothing"? So this video is also about nothing. Look carefully, you'll see half a dozen airplanes and seven meteorites. Here's the link.

Also while I was out there filming, I was treated to a 10-minute serenade from a pack of howling wolves. And something big jumped in the water right beside me! It was a fabulous evening.

Here's what the eye saw:




and here's what it looked like after a bit of Lightroom editing:




Since I enjoy creating impressionist images, here's what I came up with:



Impression/Liquid Pencil, then I added some Paper Textures in Photoshop (can't wait to try this again with the new Topaz Texture Effects)!  Then I though, "Hmmm. Foreground object". That's what Photoshop is for! And look! There's a meteorite trail to the left. Click the picture to view it fullscreen.



First quick pass using Topaz Texture Effects. Mind blowing. 


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Friday, October 09, 2015

The Sky's on FIRE!

... before I start, here are a couple of shots of some avian visitors to my humble abode! 

Ruffed Grouse

I haven't seen any here in the 8 years I've lived here, but for some reason, I had a visit from a pair of ruffed grouse. They stayed just long enough to have their portraits made:





and now, without further ado...

The Sky's on Fire!

I read a post on FaceBook that showed a huge swath of aurora borealis activity over Canada. I checked with the ClearDarkSkies forecast and it indicated that we were in for a cloudless night. That got my motor running!

I had checked out my neighbour Vic's place as a likely spot to shoot stars. It has an open Northern exposure, a nice overhanging tree, no light pollution... so that was my first destination.


Not bad, but the Northern Lights weren't particularly brilliant. This was probably one of the better displays. By the way, I like the way the red light on the tower 'grounds' the image and gives it some depth. 
So I shot for an hour or so, doing a timelapse sequence. I actually went home, made a coffee and came back to the camera clicking away on Vic's dock! Then I decided to try another spot before going home to work on the images. Good thing!

I've been here before: the Schuyler's Island Causeway in Horseshoe Lake. Half an hour later I was set up and running, and I wasn't disappointed!


Here's what I saw! The sky was on FIRE! I installed this image as my blog banner today as well. Note the meteor trail captured just left of centre!

New Header
Here's the previous header for archival purposes:
 


I also turned around and shot the Milky Way while I was there. I'm still struggling with post-processing techniques. My problem is the millions of stars! I need to eliminate some to improve the image. Here's where I am so far:


This is the first time I've been able to render the 'depth' of the Milky Way. I'll keep practicing. 

For my photographer readers: my star shots are usually 15-30 seconds, f/2.8, ISO 1600-2000. That night, I stayed with 15 seconds because I wanted to shoot a sequence of a couple hundred shots, and 30 second exposures would have made me stay there all night!

A word about the TriggerTrap© shutter release device. It makes life really easy and it's an elegant, inexpensive solution. If you're not familiar with it, Google is your Friend!. Basically one end plugs into your camera and the other end into your iPhone or Android. The app lets you choose a variety of triggering mechanisms and arrangements. Bottom Line: it makes live really easy!
The only downside is that you can't shut down the iPhone display while it's running, so it drains the battery (I ran out of iPhone battery before camera battery!) and depending where you put the phone, you have to watch out for light pollution/light leaks. 
In this case, I set it to make exposures 2 seconds apart (to let the sensor cool down a bit between shots), pushed the button and left it to run. Brilliant product!

I combined about 150 images from the 9:00 session and about 180 images from the later group into a 2-minute long timelapse video. Please take two minutes to enjoy it, I'll wait right here! Here's the link:


And here's my favourite image, a composite of a 180-image StarStax and the image up above. 



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