The Times, they are a-Changing!

You know how it says, "sporadic musings" on the header? Today is one of those days!

Today I read a short post on Facebook by someone commenting about how it used to be when we were kids: how we would go out and play, ride bikes without helmets, play games with sticks and other sharp objects and have our mothers yelling at us that "you'll put someone's eye out" and somehow we never did...

It evoked a train of thought I've had on and off, even in the middle of the night when I have been literally scared to death and filled with wonderment and hope all at the same time. There's been a lot of change since those days... and

Our world is on the cusp

There's a new technological revolution coming. No one can argue that there have been new products that have changed the world we live in but when there are a number of advances that occur at the same time, a confluence will occur that will bring about a massive shift in the way we live. Here's a small example.

I saw a clip where they showed some kids a Walkman and they were dumfounded. Another one with a dial telephone. 20 years from now, kids will be interviewed and shown, I don't know, an iPhone and they'll have a hard time grasping what it was for. That's a given, But I was reflecting today on a number of things going on right now:

Personal Drones

I just watched a video on John Nack's blog that was really impressive. If you're going to Africa, take a GoPro camera and a quadcopter with you! Check out this clip shot in the Serengeti: Link Here.

I think these drones (let's call them that for brevity) are going to represent a real revolution in our world, not only the photography game. We've all read about Amazon playing with using drones for deliveries, but seeing videos like the one above, and with all the other technology coming into place like YouTube-like capabilities, increasing bandwidths and storage, remote controllable electronics, makes it clear that we're going to see a real change coming.

Just on the photography front, since the payloads of these RC copters is getting up there, and since cameras are gaining a lot of remote control capabilities, I could see a huge proliferation of aerial images. Put a new generation mirrorless camera with some good optics under one of these.

Imagine, if you would, a world in which there are not just a handful of these flying machines out there, but thousands of them. You're standing at the south rim of the Grand Canyon in a few years. Or Yosemite or Yellowstone or, closer to home, Algonquin Park. Think you'll be getting calm wilderness landscape shots? Not unless your Photoshop skills are honed and you're able to clone out those sky machines. Imagine the traffic jams in the sky!

There will come a point in time when manually controlled drones will not be allowed. Everything will be computer regulated. Sure, the kids today with the skills they're honing playing video games will be able to fly these things but when there are thousands of them in the air at any given time?

This is an invention that is going to revolutionize our lives. Mark my words! Maybe you didn't read it here first, but I'm definitely hopping on the bandwagon. Am I going to get one? No, not yet. I'm not really into video and it's not there yet for me, but I probably will in a few years! I know a couple of people who should be getting into this right now, though (talking to you, Howard, and Gary, and others... you know who you are!).

You can buy this DJI Phantom Quadcopter complete with a GoPro Hero3 camera for under $800 at B&H Photo.

Fuel Sources

There's a rumour about an experimental VW that gets 300mpg. Apparently it's a diesel/electric hybrid. And I'm sure there is a breakthrough out there involving quantum entanglement to step up the power available to us by orders of magnitude. There will be a day when fossil fuels will no longer be needed although I think we'll be in a hybrid state for quite some time to come, but it's coming.

Driverless vehicles

Again, the technology is on the cusp of being there. There are only a few out there, being developed by the Googles of the world, but it won't be long. Safety concerns will rear their ugly heads, politicians will lobby for and against the technology, there will be accidents, but slowly when computer reliability approaches 99.99999% or even more decimal places, it will become a non-issue
There will be roads on which you will not be able to drive without onboard computer control. More and more of them... And you KNOW the next step will be the world of the Jetsons. How long will it be before people will be scooting around in the sky? Yes, you need training and a pilot's license to do it today, but add computer control into the equation and a child will be able to control a vehicle, whether it's on the ground or not. The first time I saw a hovercraft, I realized that the days of our reliance on smooth surface routes are numbered.

Here's a scary thought: would you fly in an airplane built by Microsoft? The "Blue Screen of Death" might take on a whole new meaning! Today I had another one of those on my desktop computer, imagine if it was controlling your flying car! 

Direct computer connections

Google Glass is a fleeting fad. The next step will be contact lens technology where images can be both captured and viewed without external eyewear, but the step after that will be direct connection to the brain, where the sensor will be the eye itself and images will be transmitted directly to the optic nerve.

There's a TV series called "Intelligence" where an agent with a microchip implant is directly connected to the cyber grid. Far fetched? I don't think so. We're almost at the point where if someone can imagine something, someone else can make it real: look at Star Trek – except for warp drive and the matter transmitter, pretty well everything is out there or on its way (did you know that Transparent Aluminium exists?)!

So how will it all come together?

I'm not a futurist. There are far more qualified people out there who can predict where we're going – Dr. Michio Kaku comes to mind, read his "Physics of the Future" (which was written in 2011 so it's already obsolete!). I don't know. I think if we all sat down and thought about what the world will be like, even in as little as the next decade, we'd all come up with different answers.

But you have to be blind not to see that our kids and grandkids are going to live in a technology-driven world that we can't imagine. I may live long enough to see it but like my 92-year old mother who uses her iPad to play solitaire and nothing else, I imagine I'll be a relic who will only be able to gape with wonder at what the world has become.

Another reflection on computer crashes: remember when you first got your latest computer (or in fact, when you got any computer in the past)? My recollection is , "wow, this is so fast!" and "look how great everything runs". What happened? Why do we get Blue Screens, why do we have endless issues? It's usually not the hardware: it has to do with installing updates and upgrades. Why can't we just leave well enough alone? Set up a computer to run program "X" (let's say Photoshop), then block all updates, especially from Mickey$oft and Apple (if that's the way you go). Won't it continue to run great, just like when you first got it? 

Updated Fine Art Gallery

Since my laptop computer crash, I've been restoring programs and utilities one at a time. Today I set up the SmugMug link in Lightroom and took the opportunity to update my Fine Art Limited Edition Prints Galleries. Here's the link: there are two galleries, "New and Featured Images" and the archive that shows all the prints I have available.

Enjoy the images, and if you want a fine art print, prices start at $1000. Just kidding, they're reasonably priced and would look fantastic in your home or office!

Speaking of upgrading...

It's that time of year! Spring has sprung and visions of making pictures that don't involve snow are dancing in your heads! Time to learn about how to use that camera better, or to get a handle on that incredible program known as "Photoshop" or penetrate the mysteries of Lightroom. Come do a workshop.

I've updated my workshop pages at www.photography.to/workshops.htm. I changed a couple of the courses to reflect what people seem to want, but I still  don't show any dates because I'm very flexible (Although I did publish some course dates because they needed it for the Summer Guide in the Highlands). The most popular course has been the 2-day DSLR, but I'm now showing a 1-day basic skills session and coupling that with an optional 1-day field session.

Because I teach to small groups, even one-on-one, you get to choose what you want to learn and how long you spend doing it. Just want a theory session? Or would you prefer to do a field trip and get some real-world experience? I'm easy, I can make the time if you can. Let's Talk!

If you don't feel the need, I'll bet you know someone who does! Please share!

Lots of words, not a lot of pictures!

Yeah, well... time to fix that!

While dinner was cooking, I thought I'd try to capture the essence of the small prime rib roast I was cooking on the BBQ. I used my flash off-camera (about 1m to the left and slightly above, with the Gary Fong diffuser). I tried a couple of shots using a reflector to add some light to the dark areas, but I thought this simple version had a better feel to it. I turned up the burners momentarily to show them, and even cloned in an extra strip to see it better. For the record, it was delicious, properly medium-rare!

So there was this blue jay in the tree. I've taken so many pictures of them, I thought I'd try to make this one a little different. I used a Topaz Simplify preset on this one. One day I'll put all my black background images together somewhere! 

Out near the white water preserve, there's this old church cemetery. Now I think this is the original old church itself, although there's another building across the road that seems to be more current (but still old and rustic). This is hand-hewn log construction and seems to still be weathertight. This is a 5-shot HDR and I used the 10x ND filter to make the exposure times range from 1 to 30 seconds, to try to get some motion in the clouds.  

Generally speaking, this is my least favourite time of year because of the almost monochromatic browns and beiges that paint the landscape. So drag the shutter to 1/10 second and move the camera while the shutter is open and voilà, a really nice abstract emerges, ready for large scale printing on canvas or matte paper! You want one. I know you do. Let's Talk!

— 30 —

Lemonade from Lemons

You know the old saw about making lemonade when you're dealt lemons? Another way of saying "the glass is half full, not half empty" or just "make the best of it". My D600 is on its way back to Nikon for service again.

The Nikon D600 has dust issues

For anyone who's in the industry, that's not news. I sent mine in to Nikon last February and thought they solved it; they actually changed the shutter mechanism which, I learned, was responsible for throwing oil on the lo-pass filter (that piece of glass in front of the sensor itself). It didn't work, Nikon:

This is a crop of the upper left corner of this image. It's about 2300x1500 px. This image was shot with the 17-35mm lens at f/22, and what you're looking at is a merge in HDR Efex of three bracketed shots. I enhanced it so you could see the spots better. You might ask, "Why did you let it go this far?". 

You can't see this stuff when you shoot at f/8. Well, when you look really closely, you can, but it's not obtrusive. Almost all of my shooting is done at f/8 where I can, because that's the sweet spot on most of my lenses. But this time, I wanted the depth of field.

Here's another couple of images I shot at the same location and you'll understand why. These were in fact at f/8 but I had to fight to get focus on the barn.

Both of these images are HDR merges. They will be available as large scale fine art prints. email me if you're interested. You can check out the gallery, they should be up there by the time you read this. 

Anyway, back to the "lemonade" thing. I recognize that Nikon has had some issues with this camera but I trust that they will make it right. Canon people, stop rubbing your hands together in glee, I can hear you! So the good part is, I'll get my camera back (or a replacement) soon, and it'll be great. But I'm without a camera body and that's not acceptable, so I ordered a D5100 refurb from Nikon and as I write this, I'm waiting for the Purolator man to deliver it to me!

I had occasion to handle the D5100 that belonged to a student last week. It's a nice machine, and it has two features that the D600 doesn't have that I'm looking forward to: it has an articulated LCD that flips out from the side so making those ankle-height shots will be easier (my knees are bad); and it's got an APS-C cropped sensor so when I really need to reach out and touch a distant subject, my 400mm lens will look like a 600mm on a full-frame. Everyone tells me the image quality is great, and, well, the price was right. If push comes to shove, I could resell it for what I paid but I think I'll keep it as a backup. I've been needing one anyway, I'm sorry I sold the D300 (but not sorry I got the 17-35 in exchange, Pete!).

So the glass is half-full. I'm coming out ahead.

PS: according to what I've read and heard, Nikon has solved the issue. Apparently only a percentage of early production cameras had this problem, and they've fixed it at the factory on anything made after April.

Speaking of Students...

I need some. Please go to www.photography.to and have a look at the workshops tab. My advertising hasn't kicked in yet and I need some work. I have some 3-hour and some 2-day sessions available, and a flexible calendar. Please pass this on to anyone you know who would benefit from a workshop. I'll come to you if it makes sense.

Speaking of advertising...

Last week I told you I'm a published columnist! I didn't believe it until I actually saw it in print:

Here it is! It's available on line as well, check it out here. I'm on page 2. 

They originally told me they would print the column every two weeks, but they've now changed it to every week! My faithful readers can preview the next column here!

Tuesday was a great photography day!

I had to be in Toronto on Tuesday, and headed for home late afternoon. When I was in Uxbridge for Ryan's graduation last week, I drove by a spot I marked in my mind to return to. That day was just a bright sunny one and the sky was featureless. I should have stopped but I didn't. So I had the opportunity on Tuesday and headed over that way.

When I arrived, it wasn't great, weather wise, but I stuck it out. There was a storm coming from behind me but the sky over the scene I wanted to shoot wasn't great. I spent half an hour shooting various shots, and then the skies opened up and the rain came down in buckets! I got in the car and headed for home. Not 10 minutes later, I drove out of the storm to see this:

I did boost the colours a bit, but it was spectacular. In fact there was a double rainbow, but the other one was too light to look good on film (OK, on 'digital film'!). I used Topaz Clarity on this one, by the way. I'm using it on a lot of pictures now and I really like it! 

Then I turned to my left and saw this scene:

I decided to make a painting out of this one. It took a lot of work to get it right, but I think it was worth it. Again, it will be available as large scale fine art prints. email me if you're interested. You can check out the gallery, it should be up there by the time you read this. 

Not yet done for the day. Now the sky was interesting, so I turned around and went back to the original spot, it was about 10 km back (the above picture was just South of Sunderland on Highway 12; the original scene was just before the turnoff to 12 on Highway 47 in Greenbank). So the top pictures in this blog were taken after I went back. Those were the remnants of the storm that had passed through.

STILL not done. I spent about an hour there, then headed home again. About 5km up the road from the rainbow spot, was this scene.

This is the scene that caught my eye from the road. It's an HDR, of course. As an aside, when I open Nik HDR Efex Pro, I'm drawn to one preset about 90% of the time: the "Dark" one. Here too: I clicked on it, increased the exposure about 10% and saved it. The only other things I did were to remove a red-and-white OFSC sign in front of the bridge and tone down the greens a bit. Fine art print. Gallery. Check it out.

This is marked as part of the "Ontario Federation of Snowmobile Clubs" (OFSC) trail system. Walking over to get this shot, I disturbed a very large dog at the farm to my right, but the farmer came out to corral him (thank you, farmer!). 

OK, back in the car. Another 90 minutes drive to get home. I needed a pit stop at the Tim Horton's in Beaverton and by now it was getting dark.

Earlier this week I was working on an older image that I took in Norland. I wanted to make it a dusk shot, so I created the lighting effects entirely in Photoshop. It wasn't really late in the day when I shot it:

+Ben Willmore shoots a lot of these, usually abandoned old gas stations. That's what got me thinking about it.  

Back to the drive home and the Tim Horton's:

It really was getting dark, and the lights inside the shop looked so warm and inviting. I did have to enhance it, boost the contrast and detail (Topaz Adjust and Clarity). I had another shot that showed some traffic at the pickup window, but I liked this one better.  

So. One drive home, more than half-a-dozen distinct keepers, at least 4 for the gallery and large scale printing. All with a camera infected with dust-spot-measles. It was definitely a good day.

— 30 —

News, news and more news!

There's a lot of stuff going on in the FACzen photography world. I'm making good progress in certain areas, still spinning the wheels in others but we'll get there! In the meantime, here's the news of the day!

New PHOTOGRAPHY.TO website launched

Maybe that's not entirely accurate. Let's just say, "updated". Most of the links to the active stuff have been changed or updated, and I've added new pages for new projects. Check it out!

Maintaining a website is an ongoing task. It never ends, there's always something to fix, to add, to change. I'm no expert (I don't think I'd even call myself an "intermediate") so I probably do things the hard way, but my goal is to make it easy to navigate and attractive to my web visitors.

■ The greeting page has been changed to make it easier to navigate. If you know what you're looking for, there are big buttons to guide you. Or you can browse more easily.

■ The "Workshops" button will now take you to a list of different workshops. You can access the calendar from there, and you can sign up online for any session we have scheduled (and some we don't!).

■ There's now a direct link to my Smugmug gallery, where you can browse through all of my art prints and choose which one(s) you'd like to see gracing your walls. New images are also in a featured gallery. Although I haven't enabled a pure e-commerce site, you can easily get in touch to order or discuss anything you're interested in.

■ I need to work on the eBooks section. My goal is to make most of these publications free and available to subscribers to my Newsletter. And of course, there are new eBooks in the works.

■ Speaking of the Newsletter, I'm working on revising the format so that it becomes a simple weekly HTML email with highlights from this blog and other news, plus special offers for my loyal readers. My goal is to add a "0" to the number of subscribers before the end of the year. If I do get there, I'm actually going to have to start paying MailChimp for their services instead of using their free account!

■ Tips. Let's make "Tips" the heading for the next announcement, shall we? 

By the way, if you think the buttons up there are neat, here's the link to the tutorial I posted last year on how to make them in Photoshop in case you missed it. After you set it up, it takes 2 minutes to make a new button!

In fact, here's a timesaver: here's the actual PSD file I created to make my buttons. Feel free to download it and to share it, but if you do, I'd ask you to subscribe to my newsletter and ask anyone you passed it on to, to do the same. Fair?

I'm about to become a published columnist!

I've been published before, but the local newspaper has agreed to publish my "Behind the Shutter" photography tips articles as a bi-weekly column! The first one will appear in Haliburton County Living on June 27th (I hope I'm not jumping the gun with this announcement, but I'm excited and wanted to tell everyone about it!). You can access a virtual copy of this publication here.

A copy of this publication is distributed to every household in the Highlands, so it's the widest circulation paper up here! If you live in the Highlands and you're reading this, watch your mailbox!

Along with each article, I'm creating a "Tips" web page. It will contain additional information, example pictures, eventually a comments dialogue (as soon as I figure out how!) and of course links back to my other projects and programs.

You can access the Tips pages from the main photography.to website. I could put the link here, but in fairness, I won't since you might be reading this before the initial publication date. Eventually, I plan to create ePub versions of these columns and combine them into an ongoing series of eBooks.

If that isn't enough news...

Ten of my images are on display (and for sale) at the Rail's End Gallery & Arts Centre in Haliburton. A couple more are going in next week, requested by the curator. The only bad part is that my framing isn't good enough, so they're in a rack in clear bags.

The Rail's End is responsible for the annual arts festival in Haliburton. Unfortunately, it was too late to participate this year (fourth weekend in July, FWIW), but my application will go in for next summer. This is a juried show but I'm hopeful I can get in. I have to work on my framing.

Spreading the Word

You will find advertisements for my workshops every week in the Haliburton Highlander. In addition, a bare-bones schedule of DSLR workshop dates is in the Haliburton County Summer/Fall Guide 2013 (I had to give them the dates long before I got things finalized!).

Courses & Workshops

I've finished the curricula (or curriculums. Or agendas. Whatever word you prefer) for three new courses. My program now contains the following, in addition to custom courses for more advanced photographers.

■ Basic Skills, a 3-hour workshop for new shooters regardless of what kind of digital camera they have,

■ Introduction to Photoediting, which is another 3-hour session designed to introduce people to programs like Lightroom™ or Photoshop™,

■ DSLR workshop, for new and not-so-new owners of DSLR cameras. This venerable 2-day session will take the newer photographer to the next level, and

■ Mini-tours where I take participants to exceptional venues, such as dawn, dusk and whitewater sites and give them tips on how to achieve better images in the field.

What's next? Full weekend or even longer field trips. High on my priority list of things to develop and I'm really hopeful of having something for the peak Fall Colours season up here this autumn.

So I've been a busy boy. There's more stuff in the works, but I can't announce it yet, so watch for it!

Creative Cloud

Not for me at this time. As usual, Adobé has come up with some neat new stuff, but not enough to be a game changer for me. Ditto Lightroom 5. I think I'm going to pass and wait and see.

A big issue for me is the concept of ongoing rental. If they would come up with some sort of acceptable solution that would allow you to keep the last version you paid for in perpetuity if you decided to stop, then maybe. But I can't see being hung out to dry if you can't afford to keep paying them sometime in the future.

It's been out for two days and I heard it's already been cracked. I'd rather use CS6 that I bought and paid for than pirate CC.

The bad part is, all the technical blogs I read talk about nothing other than the new fancy features in CC or LR5. No great new tutorials on CS6 or LR4. That said, Glyn Dewis just did one on the liquify filter (here's the link to the YouTube) and although it was about CC, most of it works in CS6.

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*update: it looks as though Adobé may have been listening. The rumour mill says that they've covered most of what I mentioned. I read in a prodesigntools.com article:

• The new CC apps will install and work alongside any older versions of Adobe software like CS6, CS5, etc., and will be able to backsave or export to CS6 file formats.
• In fact, Creative Cloud members will have access to download and install prior versions from an archive of selected desktop releases starting from CS6 onwards.

In an accompanying article, they also said,

“In the event that Adobe decides to discontinue any of the products in Creative Cloud, we will make the most recent version of the product available for download free of charge to active Creative Cloud members for a period of no less than 90 days. Such downloads will not require a subscription and will be licensed on an as-is, no warranty basis …”

What's missing is "what happens if *I* decide to discontinue my membership in CC...". Can I buy a download of the as-is version of the software. If they do that, I'm in.

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Speaking of Software...

I don't post a lot of these, but this is a goodie. Here's a deal for you. I use different plugins in Photoshop, but the one I go to when I want to tweak an image or spice it up is Topaz. Mostly I use Topaz Adjust, but lately I've started using Clarity as well and I love them both.

Topaz Labs has just announced a huge promotion, starting June 24 through July 7. The complete Topaz Bundle is being reduced from $299 to $199 — that's $100 off — and worth every penny.

Click this image to go to the Topaz site. To get the discount, your promo code is 'july4' (without the quote marks). Disclosure: they pay me a little affiliate fee if you click the link and end up buying the software.

Topaz Clarity is not in the bundle, it's $49.95 and I'd be buying it at that price if I didn't already have it. In the bundle, you get Topaz Adjust, DeNoise, B&W Effects, ReMask, Lens Effects, Detail, Simplify, Clean, InFocus, DeJPEG and Fusion Express. That last one lets you access all of the Topaz Plug-ins directly in Aperture, Lightroom and iPhoto. There's a 30 day free trial, so go for it. Give it a shot and see if you like it as much as I do.

Time for some pictures

You know I don't do a blog post without current pictures. So here goes.

My grandson, Ryan Davenport. His graduation was Thursday night. You know I don't go anywhere without a camera... 

When I originally wrote this, I said...

Believe it or not, this was the very first frame, the very first picture of the night. I took a shot just to test the lighting. 100% natural light from a window. Minimal Photoshop, just to retouch the skin a little. 120mm focal length at f/8, ISO 1000, exposure compensation -2ev. This is precisely the shot I had in mind, I planned it while I was driving there. It's very satisfying when the first shutter release worked.

All true, except I now changed the picture. In the first one he was serious, here I got a good natural smile. This is actually 6 frames later, same values except 82mm instead of 120mm, so it's cropped a bit.

The reason I'm posting this is, well, look at the fantastic grandson I have! OK, well actually, I wanted to point out that I used Topaz Clarity on this image, after the basic retouching. It made some very subtle but changes to the image. Not being a portrait photographer, I'm not sure what's good and bad, but I really like this image.

I was going to add some kayakers, but I figured you've suffered enough. Maybe next time. Instead, I'll show you last night's dinner

Both are HDR's, but processed differently. The infrared element and rotisserie on my new BBQ do a fine job on chicken! I threw the asparagus and peppers right on the grill after the chicken was done, a little olive oil and teriyaki seasoning, 3 or 4 minutes, that's it. Great dinner!

So I guess that'll do for today! A lot going on.

— 30 —

Sometimes you're in a different place

Life's all about change, right? Some things have changed for me, in my approach to my photography. Maybe it's just temporary, but when I pick up my camera, I have something different in mind. Let's see if I can explain what and why.

I'm planning to take a booth at the Haliburton Home and Cottage Show, to sell pictures. The show is at the end of May, I'll send my commitment in this week. A lot of planning goes into this effort, from the design and construction of the booth, to the choice of images for sale, framing, how to display non-framed pieces, what sizes and media, what price points, finding a device to accept credit and debit cards, lights, and so on. I'm working on all of those things.

The choice of pictures to sell is a major component, also size and quality. I've pretty well decided that most of them will be in the 12x18 size range, and most of those will be printed on lustre paper and priced quite reasonably under 50¢/square inch (so a 12x18 would be nominally $100, unframed). This is, after all, a cottage show. However I plan to have a couple of more expensive pieces there, such as this one:

This is a triptych which I plan to print on canvas and do gallery wraps. The vertical size will be around 18" and the price will be set around $450. The image, by the way, was shot in the fall of 2008 with the D300. It's an HDR and I used the oil paint filter in CS6 to complete it.  

Another image that I plan to display for sale is this one:

I want to print this one on watercolour paper, mat and frame it normally. $350 framed, $250 unframed, 12"x18". I shot this image yesterday (Sunday) with the D600, it's also an HDR. It's the Trent-Severn waterway, with Balsam Lake in the background. 

So here's my dilemma. I'm searching for images in my archives that are suitable for printing. I've come up with about 100 candidates, but some of them don't make it for various reasons: usually because I've cropped them too tightly and there aren't enough pixels left to do a large scale print. Here's an example of that:

I love the oil paint filter in CS6. Some people don't: what do they know?? LOL. It's only about 1600 px wide, so I MIGHT be able to get an 18" print out of it, but only because it's painted and small detail is irrelevant. 

I really like this image. I can picture it as a large scale print, say 24" x 36" flush mounted, or at the very least 18x24 in a mat. But it's never going to happen, unless there's some magic way to go from 1600 pixels to at least 5400 pixels without losing essential detail or introducing artifacts. So as I said, perhaps I can get it to a 12x18 but even then I wonder.

I haven't thought about printing before, really. Among other things I did in the past couple of weeks was to visit a professional print shop, where they specialize in archival and exhibition quality prints. I spent an hour picking the production manager's brain and sitting with some of my own images on their large screen. The conclusion was, if an image isn't originally 4000 pixels on the long side, don't bother. Yes, there are exceptions: the filtered oil painted image above might work because all the detail has been smeared out (his words) but certainly not as a large scale picture.

Incidentally, there's a fantastic print mounting method out there called "acrylic face mount". It's by far the best presentation I've ever seen for saturated, detailed images, they literally "glow". It ain't cheap: I was quoted almost $1 per square inch, just for printing and mounting. But it's beautiful. Google it...

So I've started thinking about composing my image in the camera so I don't need to crop. I'm paying much more attention to detail, to lighting, to textures and nuances of shading (love the snow in the above image, by the way). I've started making images with printing in mind. And that's a whole other mindset. This is stuff that other people have been saying to me for years, but I just haven't listened.

The good news is, I now have a 24 megapixel full sized sensored camera. I can still crop, but only "some". If I want images to look at onscreen, it's still OK to crop up to 100% size: but don't be tempted to print them.

I was out pretty well the whole day on Sunday and while I clicked the shutter about 150 times, many of them were 3-shot bracketed bursts, some were variations of the same image, trying to get it right (about 50 exposures of the Trent-Severn, above for example). And I was in 4 different venues.

By the way, if you want to buy prints, drop me a note and let's talk! If there's a picture you've seen here on the blog that you'd like to see hanging in your house, let me know and I'll figure out if it's do-able, size wise, then let you know how much it will cost. For now, until the business is established, prices will be not much more than the cost of printing and shipping. So a 12 x 18 could end up in your hands for under $40, for example.Send me an email

That said...

I haven't taken a lot of images in the last month, and certainly not snapshots. Well there are some exceptions, after all that's what a point-and-shoot camera is for! Here's one:

Four generations of women, and my brother-in-law. My mother, my sister, my daughter and my granddaughter. North-facing window light.  What's technically wrong with this shot? Well to start with, my daughter is in my sister's shadow. I should have had everyone swing around a bit to their left so the light would be more even. There are lots of other things that make this a less-than-professional portrait but (1) it's a snapshot! and (2) as I've said often in my workshops, "you can't take a bad picture of your family". Because there are memories, not just pixels, embedded in the image.

So what else is going on?

2013 Workshop Schedule

The Spring 2013 workshop schedule is up at www.photography.to. Check it out. I reworked the landing page to clean it up as well. The workshops are designed for beginner and intermediate DSLR users, they're 2 days long and run up here in the Highlands, although I'll come to Toronto to run sessions on demand.

If you're an advanced photographer, I have two things to offer you: one would be to give someone you know (perhaps your SO or child) a step up, when they're ready to inherit that DSLR of yours (an excuse to get that new Nikon or Canon body you've been wanting?)  The other would be an opportunity to get out of the city and spend some time shooting up here in the Highlands. Talk to me.

Some new and exciting news!

But I can't tell you about it yet. Watch this space...

There be eagles there...

A couple of weeks ago, someone told me there were bald eagles on Horseshoe Lake Road, coincidentally, right at one of my very favourite dawn shooting spots. So I wandered over there one afternoon and got lucky:

These were shot with the 400mm lens on the D600, then cropped drastically because they're about 400m away! I spent 2 hours there on Sunday, didn't see hide nor hair of them. I'll be baaaack... 

Lastly, I was testing the light pucks I told you about a while ago, in the light tent. Not a wonderful solution but it works. Here's a test shot of a wedge of Mandarin Orange on my frosted background.

I got all extreme on this shot, playing in the NIK plugin set. Just for fun! 

See? Not everything is print- and exhibition-ready.

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Pond Hockey, Eh?

The weather out there is frightening!
I remember when winter was winter and summer was summer. When I was a kid growing up in Montreal, I walked to school through blizzards and snowstorms and three feet of snow (5 miles, uphill both ways, of course). I remember playing in caves we dug in the snowdrifts and snow piles created by the huge snowblowers that prowled the streets (in hindsight, how stupid is that? Imagine the snowblower coming along and turning kids into minced meat...).

I moved up to Haliburton 5 years ago. The first year, we had 11 feet of snow. Snowfalls of 3- and 4- feet in one day.

Here's a shot from March (!) 2008. I had been in Toronto for a couple of days and came back to this immense snowdrift in my driveway! 

December 2009. This is the door to my garage after clearing the three-foot snowfall that day. 

For the past 3 years, nothing like that. Sure, we had snow, but 2 cm at a time (aha! It's when they changed from inches to centimeters! Snowpiles are a lot smaller now that we measure them in centimeters!). We had a two week long period in January this year where the temperature barely touched the freezing mark during the day, although the nights were cold enough to freeze the lakes and the ice fishermen were out there trying not to break through the ice...

On Sunday this weekend, we had about 10cm (that's 4", folks!) of snow and I brought out the ATV to clear it. I was in Toronto for a couple of days and when I got back, the temperature reached over 10°C (50°F) and you could see green grass, and of course huge puddles of melt. My sump pump worked overtime draining the basement.

Today (Thursday) as I look out, it's -5°C, it's windy and snow is falling. The ground's not completely white yet but it will be. The freeze should be enough to allow them to play pond hockey up in Haliburton. But what's with this weird weather? Where's our Highlands snow?  They say that Global Warming will continue to bring us these strange weather patterns. Sad. I miss winter...

Also December 2009. 

2013 Course Schedule
As most of you know, I teach people how to step up from taking point-and-shoot snapshots to making photographs with a DSLR camera. My goal is to get them off "automatic" and to understand WHY they're doing what they're doing. "Give a man a fish..." you know the rest.

I haven't set the 2013 course schedule yet, but I've got people already interested in attending sessions, either here in the Highlands or in the Toronto GTA. A course is usually two 5-6 hour sessions, best a week apart, and I need a minimum of 2 students in a session (4 is better). Dates are very flexible, especially before I set a schedule. The cost is only $150 per person for the two sessions.

The website describing the course from last summer is here: http://photography.to/dslr.htm with obvious inaccuracies relating to where and when... I'll work on that in the next week or two. It would help me out to know what people want so I can set the times accordingly.

So if such a course interests you or if you know someone who has a relatively new DSLR and is anxious to improve their photography skills, please pass this information and link on, or email me and I'll contact them.

PS: if you're elsewhere in the world, I can still come to you, if it makes sense. I haven't figured out where I want to go this year; Newfoundland, Ireland, Iceland, New Zealand, Australia... let's make it happen!

Ice Racing is back!
Every year the Minden Fairgrounds are converted to an ice racing track. It's a great spectator sport, for one thing, because you can get right up to the track and a close-up view of the racing cars. Here are a couple of shots from Saturday, when Ron and Mark came up for a visit and came to the track with me.

This was a crash into the snowbank on the back corner. The driver of this car is a novice (orange triangle on the back of the car) and was going for it: beyond what you can do on ice! That's what the snowbank is for, he was able to continue after the crash. FWIW, I was standing on top of that snowbank about 5 minutes earlier! 

The studded tires throw ice dust into the air. When the wind is calm, it blocks your view of all but the lead car or, on occasion, when a gust of wind comes along, a car pops out of the fog. That's what happened here. I used a bunch of Photoshop layers and Topaz Adjust to create this image, but I did NOT strip the car in, that's exactly what it looked like live. 

Canadian National Pond Hockey Championships
Haliburton hosted the Pond Hockey Championships this year and I got to shoot at the match. The games went on for 6 days, I shot 5 of them (I begged off on the last day, wasn't feeling up to scratch and didn't want to go out in -20°C temperatures). I'll put a few images here, and when I get the final site set up, I'll give you the link to the location. In the meantime, here are a few shots.

The first weekend was pretty serious hockey. Pond hockey is different from regular hockey, smaller rink, 4 players per team, no goaltending, no slapshots and theoretically no contact. (!!). The biggest difference is that when someone falls down, an opposing player is likely to go over to help him up and ask, "are you OK"? But hey, competitive is competitive! 

The net's less than a foot high, so no lifting the puck. My favourite shooting position was directly behind the net. And yes, I got hit a couple of times. The one that really hurt was the one in the shin. As I type this, it's red and painful almost from knee to ankle.  

This shot hit me. I was holding the camera below waist level. Let's just say it missed everything important! Actually it wasn't a hard shot, but both teams came over to see if I was OK. Next day, as I stood behind a net, a volunteer scorekeeper came over to me and said, "did you hear about the photographer who got hit in the..."? I'm famous.

This was the winning team in the Open division. This picture was on the front page of the Haliburton Highlander. OK, well not THIS picture, the one that Matthew Desrosiers took standing right next to me. He came up with the staging for the shot, I clicked at the same time! I learned a lot listening to and watching Matthew. 

The second weekend was very different. People were there to have more fun. Someone said, "there was a party going on in the beer tent, and a hockey game broke out!" There were a lot of girl teams, and their outfits were really creative! Recognize the guy in the picture? Dr. Ron, kidding around with the Big Birds! 

Lots of pretty girls around! These were the "Frozen Beavers" from Toronto.  

I'm a sucker for pretty blue-eyed blondes. Her team were the "Bee's Knees" and her nickname was, I think, "Friz" Get it? "Frizbee..." 

OK, one more picture. I can picture this one as the cover shot for the tournament next year or as a mural painted on a wall...

That was last Friday. With the wind chill, it was like -30°C. But everyone had fun. 

'till next week!

— 30 —

Challenges

Not for you, for me.

Oh, OK. I have a challenge for you. But first let's talk about me.

Due to some family matters, I literally haven't picked up my camera in over a week. Which implies that the photos in this blog are older than that! So that's been keeping me busy for a while. Then I got home and turned on my laptop and, "boing". That's the only word I could think of that wouldn't end up with this blog getting x-rated.

Without dwelling on the details, it's dead. I was lucky enough to be able to recover my data. I had done a backup to an external drive about a week before, and if you're not using Dropbox, you'd better start now. Click the link. Saved my bacon — I had gotten into the habit of copying my critical files, especially my Quickbooks accounting file to Dropbox and there it was when I needed to recover.

So I went computer shopping. I really wanted to get a Mac, but in the end, the price of changing over was too high for me. Not only the hardware, which is close to double what you pay on the PC side, but also all the little bits and pieces of software that I would need. I stayed on the Dark Side.

This is not an endorsement for either the manufacturer or the store, but I bought an HP laptop at Costco. When I transport stuff, it's in the back of my Subaru Forester SUV so size doesn't matter (in computers as well as other things...) but I have to admit that the 17" I bought is HUGE. In fact, when I got home I discovered that the big leather computer bag I've been using for years is too small, it won't fit in! I had to buy a computer backpack (at Costco again... OK, I do endorse them!). Anyway, a quad-core i7 processor, 8Gb of RAM expandable to 16Gb, 1.5 Tb of hard drive storage in the form of two discrete 750Gb drives, and a 2Gb NVIDIA video card. All of which I'm sure will be obsolete in 6 months!

Anyway, I'm sure you don't want to read about the endless trials and tribulations of getting software installed and configured, it's a daunting exercise. But it can be a Sisyphusian task (look it up!) if you don't do it right from the beginning, which is why I brought the computer up to Jim's place before even taking it out of the box! Jim is a workflow guru and I think we got things set up in the best possible way. Thanks, Jim!

Photography Courses in the Highlands

They are up and running. I have at least two sessions booked in the next two weeks. All as a result of this ad placed in the Haliburton Highlander:

For those of you interested in taking such a course, I'll be running these here in the Highlands or in the Toronto area for now. Please use this link to contact me. Or you could, of course, pop over to the photography.to website. Or even phone me!

If you're interested in TEACHING such a course, my Train-the-Trainer manual is coming along nicely and if all goes well, it will be ready in a month or so. Please contact me via this link to get on the list of those who will receive a FREE copy of the manual when it's ready.

Rosa is a smart lady

So she deserves a subheading of her own in this blog! Kathy and others will remember the difficulty I had trying to collapse my light tent so that it would fit into its original dinner-plate-sized bag. Kathy did it last summer in about 3 seconds but try as I might, I just haven't been able to do it.

Rosa said, "Look on YouTube. I'm sure you'll find how to do it there". I was skeptical. She is a smart lady! There are a number of tutorials on there that show exactly how and I DID IT! Her insights into a thousand different things amaze me. For a right-brained artist, she sure knows a lot of stuff. She's even challenging me on Quantum mechanics and string theory. She doesn't "get" the Big Bang Theory, my favourite TV show, though! LOL

Business Cards

A few weeks ago I mentioned that I have a source for full-coloured, double sided, high quality business cards at ridiculously low prices (like $20 for 1000 cards!). Since then, we've ordered a number of them for people and they've all come out exceptionally well. If you're a photoshop type, you can do the whole thing from start to finish yourself, if not, I can help you with it. Go back and check out the previous article or contact me if you need some.

A really Excellent presentation.

I watched a presentation by Scott Kelby a couple of weeks ago and it caused me to recompose some of my teaching points in my course, but more importantly, to rethink some of my practices when shooting pictures. It was called "Crush the Composition" and it was recorded on YouTube. It's an hour long, and worth watching -- make the time. Here's the link.

One of the things Scott touched on in his talk was "Working the Scene" and it's a fabulous concept. In three words or less, if you've stopped to take some pictures of a scene, don't just take one or two snaps, work it. Your original picture may not work out, but there are bound to be others that will, if you take the time and make the effort to try different perspectives or views of the same scene. He documented a great example, when he visited the Taj Mahal... but I'll let you hear it directly from him instead of trying to paraphrase it.

A few days later, I stopped at a canola field that caught my eye. I already showed you one image a couple of weeks ago, but here's the one I had in mind when I originally stopped there:

In the spirit of "working the scene", I mounted my 400mm lens and took this shot:

and this one:

And this one, which I did some additional work on:

I used some of the new tools in Photoshop CS5 to move the plants around to form a better arrangement,
then the oil paint filter to add some texture.

Back to my 70-200mm lens, I created this layered looking panorama

and now a deliberately slow shutter speed and panning action on that smooth gimbal mount produced this:

I call this one, "Yellow". I wonder why? I'm contemplating making a very large print of this for mounting and display. The one before as well.

Are you bored yet? I'm not. Half-a-dozen totally different images, all from the same stop at a yellow field of canola plants (actually I stopped twice, about a week apart).

My challenge to you

Next time something catches your eye and you stop to take a picture, pause and look around and see what other images you can create from the same spot. Post your pictures somewhere and send me a link to where they are, I'd love to see you stretching yourself like I think I did!

I had originally intended to come up with a theme for you, but I don't want to impose any limitations except that you should try to capture some totally different images, all from the same location.

I'll try to find some time this week to shoot some pictures. I'm working on the course, and I have to prepare for my CRA audit (shudder) next week, but I'll be baaack!

— 30 —

Stuck in Toronto

Could be worse... I could be stuck in {don't want to name any specific city like Regina or Buffalo or New York, at the risk of offending anyone} some other place. The bad part is, I can't get any work done, and I'm bored. I guess this is going to drag out another week, although I'm going to sneak a quick trip back home on Tuesday to take care of some stuff.

Workshops I have and will miss...
I spoke with Linda and emailed with Ron and learned that the moose workshop last week was fabulous. Believe it or not, I'm not resentful that I missed it, I'm sure I'll have another opportunity down the road. Hopefully one or both of them will share some pictures with me, so that I can share them with you. I heard both days were sunny and bright, but day 2 was blessed with a misty dawn, so I'm expecting some great pictures out of them. Mark and Dennis, you too!

I've cancelled the Workshop for this coming weekend and indicated on the website that the new scheduled dates are July 7 and August 11 weekends. I hope that works out. Again, if you know someone who wants to attend, get them to pop over to www.photography.to and check it out.

Do you ever watch the TED talks?
I do, from time to time, when a subject catches my eye. I have it on my RSS feed where I read blogs on my iPad. This one was particularly good and I recommend you take the 10-15 minutes to watch it. It's by someone named Juan Enriquez and it's called, "Will our kids be a different species".  If you don't know what the TED talks are all about, go here.

It's a small world, after all...
I'm really sorry, Skid. That's Jim's nickname, if you don't know him. One of the things that really bugs him is songs that stick in your head and no matter what, you can't get them to go away. That title is one of them. Sorry, Skid.

So I've always wanted to shoot macros. I looked at buying a macro lens but procrastinated for a long time. I could explain that to you, but you'll have to wait until I get around to it. I used to have some screw-in macro lens/filters but I don't want those because I think the extra glass is not a good way to go. That leaves extension tubes or, in my case a bellows.

For those who don't know, the further you move the back of your lens away from the sensor (or film plane), the closer it will focus. Extension tubes act as spacers; a bellows is an infinitely variable spacer. But because the lens is not mounted directly on the camera, autofocus and aperture adjustment don't work. You need a lens with an aperture ring, and none of mine had one! So I did a Kijiji deal in a Tim Horton's parking lot (felt like doing a drug deal!) and bought a little Nikkor 28-80mm f/3.5-5.6 D-type lens to use with the bellows.

I can't put a picture of my setup up because I've loaned someone my P&S camera so I can't take a photo of it; and I don't want to violate anyone's copyright by stealing a picture online. So here's a link to the eBay vendor I bought the bellows from. It took about 2 weeks to get here from Singapore and cost me all of $35. This is NOT an endorsement, you understand: just a picture of what I bought.

Here's one of the very first shots I took with the bellows setup, last night. It was tough because it was getting dark and hard to see to focus.

There's nothing here to define the scale. This bud is about 2mm across and about 5mm high. The exposure was 3 seconds at f/8, ISO 200 and probably at 80mm focal length but there's no EXIF data when the lens isn't hardwired to the camera.

The challenge shooting macro is depth of field. There essentially isn't any. This next shot, with the bellows extended even more for greater magnification, is a good example of that:

I took this one this morning when there was more light, so it's the same settings except shutter speed was 1/30 second. Although there are a few things in focus, you can see that the depth of field was exceedingly shallow.

One solution is focus stacking. Shoot a series of pictures with different things in focus and have Photoshop merge them together. It's tricky and finicky, and requires a lot of planning and thought. The picture above is one of 9 exposures I did at different focusing points. Here's what Photoshop CS5.5 (I'm on the laptop, CS6 isn't installed here. Yet) can do:

I never knew that flowers and leaves had little transparent hairs.

Now if I can only catch a bumblebee or a butterfly doing his thing. Trouble is, I think the front of the lens was less than 5cm (that's 2", Yanks!) from the plant. I'll be experimenting after I eventually get home.

Another tool to add to my arsenal.

Catch you later!

— 30 —