Post-show report

Just a quick post so that I don't disappoint all y'all (damn, I've got to stop hanging out with my Suth'n friends, I'm starting to talk like them). I know you've been anxiously awaiting my next blog post.

The show was reasonably successful for me, despite the lower-than-predicted attendance. There were a few factors interplaying: the lousy weather forecast (and there were T-storms all three of the days) kept the cottagers at home in the city; those who did come up were busy repairing their docks from the flooding last month, and I think the early date had an effect too. Someone told me that people come up, open their cottages, then go home until the blackflies are gone in a few weeks. With all the water around on the ground, it's going to be a banner year for the biting bugs.

Minden is still suffering from the high water:

Although I took this picture last month, before the floodwaters peaked (the chairs were right underwater then), I drove past there yesterday and it still looked like this. The waters had receded for a bit, but with all the rains, it's back up at this level. This dock is about 100m from the centre of downtown Minden. 

The Home & Cottage Show

Here are some images from the show. Just P&S record shots, though.

Here's Linda. Our booth was 10'x10' and we set up her stuff on the left, mine on the right. She was a lot more organized than me because she's done this before!

...and this is yours truly. FWIW, I had about 50 prints in that rack, a box of 8x12's behind me and a few greeting cards as well. I gave away that bicycle print in the foreground and a course, in order to get names for my database. Hopefully some of them are reading this blog today. 

By the third day, I made some pricing changes. People were more comfortable buying at this level. Notice the laptop and iPad at the back. The former was for the database, the latter a continuous slideshow of images. 

Next to us was a guy selling flagpoles and flags. For three days he stood there and did this (play the video):

What goes through your mind as you watch him playing with his pole? Sorry, I know what I was thinking!

I didn't sell as many prints as I had hoped. So I have lots of them in stock and I'd be happy to make a special offer to any of you faithful readers who want a print or two. Tell you what: go to my gallery at http://www.faczen.smugmug.com, email me which images you'd be interested in acquiring for your collection, (email address) and what you want to pay, and let's talk. They'll look better on your walls than in my bin. BTW I have full-sized (18x24 sheet), small (8x12) and greeting card sizes  for most of the images.

What was quite successful was the increase in awareness of my products and services up here in the Highlands. I got quite a bit of exposure. And I booked a number of people for both the DSLR and the Basic Skills workshops (here) in the next few weeks. Looks like it's going to be a busy summer. Oh, and I got to spend a weekend with Linda. It's OK, her husband knew about it (and in fact without him, we never would have managed to get that booth together!)

So would I do this show again? Not a fair question yet. Let's see how things work out. My initial impression is that a show featuring art instead of home & cottage stuff would be better, but I did get to meet and talk to a lot of people and that was valuable.

Want to tether your DSLR to your PC? 

I found some incredible software online. DigiCamControl is open source software for DSLR camera remote control. It's designed for Nikons and PC's but a whole bunch of Canon cameras are listed too.  It is amazing. Every control on my camera is available onscreen. It does focus stacking and all kinds of other stuff. I've played with it for 30 minutes and took several images to test it. Here's one

There's nothing wrong with the lens. The camera was sitting on a box on a chair and that's the arm of the chair in the photo at the bottom. I had to increase the exposure 3 stops to display it like this because I had it on pattern metering and of course it exposed for the window light. I did the focusing onscreen in Live View.

It was shot at ISO 100, 1/30 sec at f/2.8, all of which I set on the computer not on the camera. I opened the RAW file in ACR/CS6, changed the exposure value and nothing else. Then I laid the text on top and saved it, then imported it to LR and exported it as a Jpeg.

And the cost? FREE. GRATIS. NADA.

You are going to want to download this.* Here's the link: http://digicamcontrol.com/ 

*Note: I have NO interest or affiliation with this, I just found it. And I don't know if there's any kind of bad stuff like spyware or viruses, etc attached to it. So you download it at your own risk. But it seems to be clean and legit. I needed to download .net Framework and some kind of RAW viewing codec from Microsoft before it would run, BTW but it told me what I needed and one click to get it.

I haven't figured out how to preview images in it yet, and some other stuff. It has a lengthy manual. Next chapter I read is on focus stacking, for sure!

Is there a Mac version? I don't know.

Today's Image

For my new readers: I never leave you without some sort of image to enjoy. But I haven't been shooting because of the show, so here's one for today that I took last weekend when I was teaching a course and wanted to demonstrate shooting from a different point of view. Scroll down to previous posts, you'll see I usually do more.

This is one single click away from the original. I created a new layer (ctrl-J) then used the "Notepaper Filter" in the filter gallery. Done. OK, I took out a couple of artifacts, but that was it. GO AHEAD. Click on the picture to blow it up. I dare you.

— 30 —

Two Days to go 'till the Show!

It's Wednesday and the Haliburton Home & Cottage Show starts on Friday! Two days to go!

Am I ready? Hell, no. I will be, though. As I write this, I still have to create about 25 more greeting cards, bag them all, make one or two more signs, a couple of signup and register sheets, finalize the course agenda for my basic photo skills workshops, frame and re-frame several pictures, run into Toronto tomorrow to go to Staples and Costco for last-minute stuff, buy groceries because my fridge is empty and Linda and Bob will be here for the weekend...

I'm quite satisfied with the images I've produced for the show. I hope I didn't guess wrong about what people would like to buy and I've kept the prices affordable so that hopefully I won't be taking them all home with me! It's a bit of a gamble.

I have 3 goals for the show:

• to sell some images
• to book some workshop students
• to increase the readership for my blogs.

To accomplish the first two, I will be getting out in front of people and they will at least be more aware of me. I've created some show special prices and I'll let my images do the talking for me.

Special offer for my loyal readers: if you come to the show, I'll give you an ADDITIONAL 20% off any print you buy (not the cards. They're cheap enough, at $5 or 3/$10, just check Hallmark's pricing!). So if you see a fine art watercolor image marked at $175, show special $140, your price would be $112. 

All you have to do is tell me you read about it here, and as a skill-testing question, tell me what animal is featured in the header photo of this blog. 

But wait, there's more!

AFTER the show, for the entire month of June 2013, you get the same deal! If you buy art images by going to my gallery and emailing me (I don't have a shopping cart set up yet), and you tell me you read it here, I'll price accordingly. 

To accomplish the third one, I've decided to give some stuff away. If people sign up for my Newsletter, I'll enter their names into two draws: one for a free fine art picture, and one for a free workshop session. 

You can get in on this too! I want you to sign up for my newsletter. Don't worry, if you're not happy, there's an "unsubscribe" link at the bottom of every newsletter. 

Here's the deal: sign up for the newsletter by clicking here or scanning the QR code to the right and I'll automatically enter you in the draw for the picture. If you also want to be considered for the free workshop, leave me a comment at the bottom of this blog post. Make sure I have your name and I can find you in the Newsletter list.

And if you click here in the next 5 minutes... a set of Ginzu knives! Nah, nothing. But I had to say that. Humour. Arr, arr.

Want to see the images I'm exhibiting?

Go to my photo gallery to check them out. Everything you see there is available as an exhibition quality display print, either on fine matte or on fine lustre papers, lovingly printed by hand one at a time! They're all available at very reasonable cost, especially if you read about it here!

The white water is such a great venue...

I ran a DSLR course last weekend (not enough students. Hope that changes!). I heard that CanoeKayak Canada was running the team trials at the MWW (Minden Wild Water Preserve. I'm tired of typing that all out!) so we went over to practice shooting pictures. The winners were chosen for Canada's National Team, for competition in the World Cup and other races in Europe and elsewhere. I was busy with the course, but did manage to capture a few images:

This is Zachary Zwanenburg from Cornwall, Ontario who competed both in the Canoe (C1) and the Kayak (K1) classes and who will represent Canada in the Junior and under-23 teams in both classes. This is a kayak, by the way, if you don't already know. 

 The above image shows how WILD the Wild Water is right now, with record high water levels and flow after the Minden floods a few weeks ago.

Another WILD water shot as  Samuel Primeau from Quebec battles the boiling waters in Earl's Hole during one of his kayak runs.

Haley Daniels from Calgary, Alberta scored at the top in Women's C1 and was named to teams for World Cups, World Championships and Under 23 World Championships. 

20-year-old (I think. I know the year but not the month of birth!) Alexandra McGee from Ottawa placed second behind Daniels in C1 and was named to both the Senior team and the under 21 teams. 

Although 16-year-old Maxime Leboeuf from Valleyfield, Quebec didn't place in the top 3, he will be representing Canada as part of the junior team in Slovenia this summer. 

Competitor names and stats and other information courtesy of Ian Miller from CanoeKayak Canada. Claudia van Wijk from Whitewater Ontario also helped me identify the competitors from their bib numbers.

Nothing to do with white water...

On Saturday, there was a motorcycle ride to raise funds for the flood victims and they started and ended up at the Red Umbrella Inn. This bike was parked out front (and in fact was there overnight). During the DSLR course, I told Dawn to shoot 15 pictures of the bike, all different (trying to get her to work the scene). At the same time, I took a few but I knew what I had in mind.

I took the opportunity to write up how I created the image on my Technical Blog, for those of you who are photographers and interested in Photoshop. Here's the finished image, ready for print. I think it will look fantastic on Epson Cold Press matte paper... you know what to do if you want to order a print! 

So back to work on the show stuff. I hope to see some of you there! Come by and say hello, and bring your wallets...

— 30 —

It's been an exciting week!

I've spent 4 days of the last 6 on the road. The other two stuck in front of the computer! Two days in Southwestern Ontario for the Birds of Prey shoot, and two days with Linda in Ajax learning how to cut mats and frame prints, and sharing some Lightroom and Photoshop knowledge in exchange. Linda and I are co-exhibitors at the Haliburton Home and Cottage Show in a little over 2 weeks and we had a lot of logistics to discuss. First of all, I hope some of you are going to come to the show. To make it worthwhile, here's a bonus for my faithful readers:

just tell me you read about it here, and get a 20% discount on any of my art prints.

Today I spent 11 solid hours at the computer, preparing these images to be printed. I have 22 prints in hand now (printed on Epson Cold Press Natural which is a spectacular cotton textured matte art paper) and as I write this, Jim's got another 22 to print on Epson Premium Lustre 260. I still have about a dozen to get to him, then I have to work on a couple of hundred going to Costco for 4x6's and 8x10's. My clear bags are here, well at the Post Office anyway, Lots to do before the show.

Cutting mats and framing is a lot of work. The first batch of prints are not a standard size, but the next ones are going to be: you can buy pre-cut mats for 19x13's in 24x18 frames. Now I understand why people go with standard sizes. I have to tell you, that matte paper is so nice, it's a shame to hide it behind glass.

Also I have my first DSLR workshop of the year next weekend. I still have space on the course, so if you're interested or you know someone who is, go to http://www.photography.to for info or to register.

New plugin from Topaz
There's a new plugin for Photoshop coming out, called "Clarity". I'm beta testing it, and at first glance, I'm very impressed. It does a lot of the things you can do in Lightroom or in Adobe Camera Raw, but much faster and with considerable precision. I did this picture in about 5 minutes, and that included the time to clone out the leather straps on the bird's ankles in Photoshop:

In fairness, the focus/blur was in the original shot. What I did was increase the clarity and sharpness of the face without negatively affecting the rest of the image. I also spent another 5 or 10 minutes enhancing the catchlight in the owl's eye. By the way, this is a "Barn Owl". 

Topaz Clarity lets you adjust clarity and sharpness (LR and ACR users know what I'm talking about) in a bunch of neat ways without having to exit Photoshop (well technically you do when you run the plug-in but it's just one click) and you can paint masks at the same time with effective controls and brushes. You can also do HSL adjustment (Hue-Saturation-Lightness) and make a separate set of masks at the same time. Very neat. I'll report more later, after I participate in the Webinar tomorrow and spend some more time with the program.

I'm told the final version will be available next week, for under $50. Watch this space for a link where to get it.

Birds of Prey
The venue was the Canadian Raptor Conservancy in Vittoria, Ontario, just west of Port Dover. They bring out several birds to be photographed on a perch or in flight. It's a great experience and I understand that Les Palenik is arranging another session later this month. Contact him if you want to attend. Les posted some images from various attendees on his blog, here.

I want to say right off the top, that anyone who can reliably shoot birds in flight in focus and good timing, have my undying respect. It is difficult! I got some pictures but threw away hundreds of frames that were out of focus, had motion in them, or were composed horribly. Les told me 1/800 second was too SLOW a shutter speed and I didn't believe him. I will for next time, and there will be a next time! So here are some images for your enjoyment.

This is Don, his son Ben is in the background. I met Ben up in Wawa a couple of years ago at the Gales of November workshop and it was great seeing him again. Topaz Adjust is responsible for the toning of this image.  

The owl in the picture above was perched, of course, but we did get to shoot him in flight.

No, this isn't him! It's a "Great Horned Owl" and the wings were blurred because the shutter speed was too slow. So I helped it along by using the Radial Blur filter in Photoshop.  

We got to shoot the Great Horned Owl's younger twin siblings while perched. They're pretty photogenic!

These birds are only 7 weeks old and can't fly yet. The sun peeked out of the clouds momentarily and backlit them! I must have taken 50 pictures of them on this perch and it was hard to choose which one(s) I liked best! 

Here's another shot, playing with the radial blur filter again.  

George was there too, a friend from Humber College. That's Don and Ben in the background again. We were shooting one of the most exciting birds at the CRC, the Bald Eagle, in flight. Ben's camera (I think it's a Canon 1D Mk III? I'm not that familiar with Canon stuff) sounded like a machine gun in comparison with my D600 and George's D800! 

This was pretty well the ONLY good image of the eagle in flight that I got. I need more practice. I had to Photoshop out the restraints and tether ropes around his ankles.  

Here's a posed shot of the bald eagle (I think his name was "Uncle Sammy"), sharpened using Topaz Clarity.

After the morning session at the CRC, we headed over to Port Dover for lunch. The specialty of the house is either the locally caught perch or pickerel and it is a treat. As we came out of the restaurant, the rain that threatened all morning finally started. George and I went down to the pier and I tried to get a long exposure of the lake but failed because despite George's efforts, the raindrops on the lens messed up the shot. Just before we left, I pulled out my point-and-shoot and grabbed one shot:

The Port Dover pier and lighthouse. The rain was just coming in. Processed with the oil paint filter in Photoshop.  

Until next time!

— 30 —

Workin' my buns off!

I wish that were literally true... my buns could use a little working off. OK, more than a "little". I thought I'd start with a short 'show update'.

The Haliburton Home & Cottage Show
It takes place on May 31-June 1-June 2 in the Arena in Haliburton. There are supposed to be about 150 exhibitors, ranging from log house contractors to furniture suppliers to dock and watercraft providers, clothing, gifts, sports and activities and yes, photography! I don't have an exhibitor's list, but I think that Linda Cresswell and I are going to be the only photography exhibitors there. We're working together in Booth #204 and we hope we're going to see you there!

We'll be doing two things: selling prints (and cards), and talking about and booking students for my one- or two-day workshops on learning to take better pictures.

The process of getting ready for the show is quite involved. For Linda less so than me, because she's done them before and already has a body of work printed and ready to go; but I have to spend a lot of time on that aspect!

I've decided NOT to compromise on any of my larger prints. I will be displaying and selling high quality exhibition grade limited edition art prints. I'll have two finishes, Lustre, printed on Epson Premium Lustre Photo Paper 260 gsm, and matte, done on Epson Cold Press Natural 340 gsm. They will be printed by guru Jim Camelford on his Epson Stylus Pro 7900. Not only are the papers and inks archival quality (image lifetimes advertised exceed the human lifespan!) but the gamut and precision of this printer and its media will ensure outstanding image quality.

As I write this, about 1/3 of the prints have been done. In the next few days, I'll be preparing the next batch for printing and that's quite a chore, to do it right! I'll write the process up on my tech blog in a week or so, after I shake the bugs out.

My go-to size for images is a sheet size of 24x18. Images will typically be 19" wide by 13" high, centred on those sheets. Each print will be supplied in a crystal clear bag with a stiffening card, so that the customer can easily mount it in a standard frame. I'll have about a dozen framed prints on hand as well. Here's an example of how the images will appear:

"Reeds" has had an oil paint layer applied to add texture and smooth out the silhouettes. The keyline around it is designed so that if someone wants to frame the print, they don't need a mat. It is printed on the matte watercolor paper and will be on sale at the show for $150. Readers of my blog can buy it for $99! Send me an email...

So aside from the booth design and construction, preparing prints and getting them made, writing descriptions for each print for the accompanying card, creating a database and followup file for my mailing list, making marketing materials and forms, rewriting my basic DSLR course so P&S shooters will benefit, updating both my photography.to and SmugMug websites, I have nothing to do...

...tomorrow I'm off to the Birds of Prey workshop on Lake Erie, so hopefully I'll have some new and exciting images available for the show too!

Pictures from the past

I came across this image while looking for something in my archives. OK, actually, I was looking for this very image, to post on the newly created site for the MRHS Class of 1963 reunion coming up in September, 50 years. Gawd, I'm old... this image hangs on my wall near my computer and it brings back great memories of that trip and other ones, and motorcycling in general.

This is me, riding my ST-1100 back in 2005 at the Tail of the Dragon in Deal's Gap, North Carolina (or Tennessee, depending where I was on Rte. 129 at the time). 

By the way, this set of pictures was taken by a company known as "Killboy" who used to set up in the Gap and diligently photographed and posted pictures of every one of the thousands of bikes that rode through on a weekend. I bought these images from them so I can publish them here. I miss riding, but it was time to move on.

Here's another older image of me, taken by Iris during our motorcycle trip down the Blue Ridge Parkway in 2007:

At the top of Grandfather Mountain, near Boone, NC. When I look at pictures like this, I realize I really should lose that weight I've put on since those days! 

Some Wallpaper for you

Here's a new FREE wallpaper shot for you. It works well as a background image on your computer.

Wild Water. There are two versions of this image, one for regular monitors at http://photography.to/wallpaper/wildwater4x3.jpg and the other for widescreen monitors at http://photography.to/wallpaper/wildwater16x9.jpg. The watermark is not on either file. Help yourself to them; just go to those links, right-click and copy them to your computer. They are for your own personal use only, not for reproduction or resale. "Creative Commons" copyright protection. If you do download it, please drop me a note: it's interesting to know how many people are using it!

If the icons on your screen have white labels on them, they will be hard to read on this background. Here's how to change the font colour to black (Windows 7. You're on your own with other O/S's!): go to Control Panel → Personalization → Window Color → Advanced Appearance Settings. Change the "Desktop Color 1" to white if you want black type, to black if you want white type. They do make it tough, don't they?

By the way, this image, "Wild Water", is also available as a fine art print on matte watercolour paper, like the "Reeds" image at the top of this post. $150 at the show, $99 here.

A few more pictures

Here are a couple more shots that I took on the way home last weekend, just for your enjoyment!

Every time I drive past the Wessel farm on Highway 35 south of Minden, I look for these horses. I'm always in a hurry, somehow, but I stopped on Saturday. I'm guessing these are young horses, mom & dad are behind the fence in the background. 

I'd love to get them running towards me, wind in their manes, instead of standing there curiously wondering what I'm doing! Next time, maybe. 

This is the dam at Lock 44 on the Trent-Severn Canal, just West of Bolsover, on Canal Road. I used the 10x ND filter, so I could take a 30 second exposure, then I added some Topaz Adjust to bring out the water detail. 

And finally, light painting with a flashlight during a 1-minute shot on a starry night up at 12 Mile Lake. the wide angle lens, wide open at f/2.8 allowed this to happen. Looking at it at 72dpi on the computer is less than ideal, though! Click on the picture to blow it up.

— 30 —

Raptors Workshop (no, not the basketball team)

Register for a really neat photo op!

A friend of mine, Les Palenik, is facilitating a "Birds of Prey" workshop at the Canadian Raptor Conservancy in Vittoria, west of Port Dover, Ontario. You get to shoot eagles, hawks, owls both on perches and in flight, and he promises owl chicks as well (owlets?).

The date is May 12th and the price is very reasonable, but I'll let Les tell you more about it: here's the link.

There are still some spaces available on this workshop, but I'll bet it will fill up fast, so wander over to his site and get signed up. I will be there, for sure! The birds in flight part excites me the most. When I asked him, Les said a 200mm lens should do, but I'm bringing the 400 as well!.

It's only a couple of hours out of Toronto, but I know that several of my readers live or cottage in the area, so this is a great opportunity!

Lightroom 5 Beta

Kelby did a quick review of the new features of LR5 on YouTube.

Here's the link.

I wonder how long it will be before his new book on LR5 will be out (if I sound cynical here, well I am...).

A few other thoughts...

• I've read on TIF and one other place (G+?) that the LR5 Beta is crashing Windows...

• The main editing features are one-button straightening (perspective cropping), and the new spot-removal and adjustment brush options. These are functions that you can do in Photoshop CS6 (well maybe not one-button...). I get that these are time-savers for those who edit lots of images and don't want to go out to Photoshop all the time. That's not a concern for me since I only edit a few pictures at a time (typically spending 30-60 minutes on each one) and there's always other stuff I want to do in Photoshop, but I see how others might find this useful.

• They did add a radial version of the graduated filter and allowed you to select it multiple times and stack them. And since you can adjust all kinds of things (exposure, contrast, highlights, blacks, clarity, sharpening, saturation, and so on), you can essentially add all kinds of lighting effects in multiple areas, much like control points in the Nik products. That one looks quite cool.

The one feature I've been looking for has not been added. Sometimes I think I'm in a text field, like keywords or caption, etc, or I think I'm typing on the other computer (I switch my keyboard between machines), but I'm really in Lightroom, and I start typing. Type almost any innocuous word and you're invoking commands. That's because Lightroom uses a lot of single-key shortcuts. For instance "B" adds a photo to the quick collection. "E" changes to loupe view. "R" turns on crop mode. "H" hides stuff. "P" picks a photo. All the number keys add ratings to a photo. And so on, for almost all the letters and numbers. The feature I would value would be a key or button that I would call, "oops". "Take me back to where I was before I started typing". I don't know how I would write that but then I'm not a highly paid software engineer either.

I'm not going to install this beta. Adopting Lightroom 4 early caused me a lot of grief: as I said elsewhere, they didn't solve the latency issue until 4.3, which made LR painful to use for quite some time. So I think I'll wait.

I also wonder what the upgrade policy is going to be. Adobé's strategy seems to have been to cut the price of LR in half, attract tons more customers, then pull the rug out a year earlier than usual with a new version. Guessing they'll want $79 to upgrade, that means all those new customers they sucked in will end up paying them the original $150 for the privilege.

Just musing...

Haliburton Home & Cottage Show
Our space is confirmed. Booth #204 in the Curling Club (hope we can find a way to block that ugly green arc-lamp lighting!). Linda Cresswell and I will be sharing this space and selling prints ranging from card size up to a 40x60 canvas Linda has planned (not too many of those, Linda: we only have 10' x 10' to display in!). I'll also be talking about and taking bookings for my DSLR courses and there will be at least one give-away to visitors.

The show is on the weekend of May 31 - June 2, in the beautiful village of Haliburton.

Even if you don't have a home or cottage in the Highlands, it's worth coming up for a visit. Lots to see and do, and Haliburton is home to many artisans and artists (the Fleming College campus of the Haliburton School of the Arts is here). More information to come...

Panning moving water

The other day, Linda and I were talking on the phone and she came across this outstanding artist, +Ursula I Abresch. A picture's worth 1000 words, but I don't post other people's work on my blog without permission, so here's a link to her 500px gallery site.

To see the images that I consider the most stunning, scroll down to the bottom third of that page. It's really worth the visit.

While we were talking, Linda was exploring her sites and content (I can't multitask, she can!). She came across a bit about how she creates these images, which involves shooting reflections in pans of water. But along the way, she read something about "panning moving water" and my ears perked up.

Yesterday, I was driving by the whitewater (no eagles again yesterday) and stopped to try some stuff. You can get some very interesting effects by panning:

This wasn't what I had in mind originally, but I found it to be a really interesting abstract. 1/15 second at f/22, ISO 50, F=200mm. I added some effects in Photoshop, mainly using the cutout filter to smooth things.  

While I was there, I thought, "what about zooming?" I did a few slow shutter speed zooms and got several interesting abstracts, including this one:

You need to move back about 2 meters from your monitor to look at this one. It's more effective when you view it as a gestalt. Again, I did nothing to this shot other than to crop it vertically. It was 1/10 second at f/22, ISO 50. I zoomed the lens from about 100mm to 200mm while the shutter was open. I like this image so much I'm going to print it, probably as a 12x18 watercolour. I wish I had shot this last week, I would have entered it in the RHCC creatives competition! 

Oil Paint filter again!

There's something magical about the oil paint filter in Photoshop CS6.

Black Ash leaf still hanging in early spring.

A little background here. Out for a walk the other day, with the D600 and the 70-200 f/2.8 around my neck. Nothing much to shoot, maybe I got one other shot of a snow drift that looked like shooting the Rocky Mountains out of an airplane window. I saw this leaf fluttering in the wind, opened up to f/2.8 and shot it with a dark-ish background. I was taken by the texture brought out by the afternoon light. Problem is, it was surrounded by its brothers at different distances, so it was hard to isolate. Also the tip of the leaf wasn't pristine. So I cropped it really tight, in fact the final image is only 1000 px wide, so I can't do much with it.

I spent half an hour playing with sharpening and Topaz, then abandoned most of it because I had lost the subtle texture in favour of oversharpening. Yes, the Nikon 200mm and D600 combo is sharp and renders colours really well, but it was the texture that drew me to this one. Then I thought I'd try the oil paint filter...

Now I don't like what it does to continuous toned backgrounds and I'm not taken by the "shine", although you need a little. So I reduced the shine to a very low number and then masked it out on everything but the leaf and the sharp buds and twigs.

When I looked at the jpeg on a white screen, I didn't like it, so I went back and created a mat using a colour I sampled from the image.

I don't know what draws me to this filter effect. Rosa hates it on principle, says I'm trying to fake a painting. Yeah, so???

PS: wish I had the tip of the leaf...

That's all for now. Go look at Les's workshop if you haven't already. Should be interesting! And don't forget to subscribe to my mailing list. I'm going to be giving away free stuff to subscribers, and you want to be there!

— 30 —

Winter's last gasp

Before I get into the winter story, there are a few other topics to cover.

Printing Media
Last week, I took some time to review my thinking on various print options. I wrote it up over on my other blog, FACzen Tech tips. I said at the time that it was an open-ended article because I was continuing to research the subject and in fact had ordered some sample prints. Well they arrived.

I have three prints here to review: an acrylic mount, a print on matte museum-grade watercolour paper, and a lustre-finish image lovingly output on an Epson 7900. Since it's a technical topic, head on over to the tech blog to read about it. Bottom line? Three outstanding prints.

When you get lemons, make lemonade.
Those of you who read my ramblings on other social media (Google+, TIF and FaceBook) may have read hints I've dropped about an interesting development coming up. Unfortunately, it did not materialize.

I was in discussions with a local weekly newspaper about authoring a column on basic photography. The working title was "Through the Lens" and it was intended to comprise basic tips for new and inexperienced photographers. It's not happening at this time. But I had written several columns in advance and didn't want them to go to waste.

So I'm rewriting them as short eBooks and planning to give them away for free to anyone who subscribes to my mailing list. I've completed the first one and I plan to release it this week, with a new one every week. If you're not on my mailing list, look over here →→ and subscribe. I'll give you more details next week.

"Why," you may ask, "are you giving them away for free?" Two reasons: my goal is to expand my social network, and giving stuff away for free is a good way to do that; and I want to encourage people to consider attending my basic DSLR workshops.

The Haliburton Home and Cottage Show
Mark your calendars: May 31, June 1 and June 2 are the dates for the Haliburton Home and Cottage Show. I will be exhibiting there, along with Linda Cresswell. We both have prints for sale, from card-sized up to huge: Linda told me about a 40x60 print she wants to produce and sell, and I have some large ones as well (not that big!). We're trying to figure out how to display our work in that 10x10 area we've committed to, if anyone has an appropriate set of walls or a grid structure we can borrow, please get in touch!

Winter's last gasp
Every year, winter delivers a final blow in April. No one seems to expect it but year after year, there's a storm that reminds us we shouldn't have taken off those snow tires or put away those boots. 2013 was no different.

On April 11th, in its usual alarmist fashion, the City of Toronto issued a winter storm warning. They told people to stay home, watch out for driving and walking hazards, because a coating of ice was about to descend upon us. And as usual, it didn't happen. Sure, there was a storm. Heavy winds and rain... but the ice didn't materialize. That is, except for the Barrie area, about 60 km to the North. I drove home on Friday, the 12th through there. There was a band of freezing rain and further North, an accumulation of slushy snow, amounting to about 5cm or 2 inches. The big question is, was that the end of it or is there yet another storm to come?

I stopped for a few photos on the way home. Here's a little visual essay.

Just North of Toronto, on Bathurst Street in the King City area, there's a stretch of beautiful land. I'm sure it will be filled with wall-to-wall houses in the near future, but it's really picturesque now. I stopped at this spot on a misty, rainy day and took a few shots. The colours of this tree are exactly as they appear here. 

Here's another shot from the same area. Again, the colours and details are there, but this time I did a little work in Photoshop to prepare the image. Not much, actually... 

As I mentioned, there was an area of freezing rain just around and North of Barrie. I stopped for some pictures. This was shot with the venerable 200mm f/2.8 lens, wide open.  

Another view, in the same spot. I should have stopped the lens down to get more of the foreground in focus, but I do like the effect anyway.

Same place, just to the right, was this tree, all coated with ice. When I looked at this picture I realize that I missed something: it would have been a better composition with more of the farmer's furrows visible on the left. Can't go back...

This is the same tree, but a different tree-t-ment (sorry!). In fact this is a 3-shot pano, merged in Photoshop, and then I created the light effect from scratch. I had to add a shadow in the foreground as well. The sombre tones and border effect make this into a moody piece. The file size is huge and it will print really well as a 30" or 36" print. I'm thinking Watercolour Paper... 

In his lecture, "Crush the Composition", Scott Kelby reminds us to look around in other directions when you stop to shoot. This has proven helpful to me more than once and in fact I incorporate the concept into my workshops as well. This Maple Syrup facility was directly behind me, across the highway. Although the trees were coated lightly with ice, I couldn't capture that in this image. But there was a lot of work to make this one happen!

First of all, it's a 3-shot HDR. First I processed it in HDR Efex Pro 2, and before exiting, I added some control points to bring out the texture in the roof, and the tone in the wood pile. Next I took it into Photoshop CS6 and used perspective cropping to make the foreground railing and the building parallel. By the way, I was shooting across a busy divided highway. At one point I took my life in my hands and ran to the median (where the railing is), but I like this shot better.

Next I selected the foreground and added a motion blur to the roadway, and masked the posts back in. Finally, I added a light layer of Topaz Adjust to enhance the smoke and the wood pile. To me, this is a very Canadian springtime scene. Too bad about the car and truck, but you get what you get! Again, this will print up really well, probably on watercolour paper.

I saw this sign about 20 km down the road. A final taste of winter! 

And then I turned around and saw this scene off to my right! I just enhanced it a bit by running it through Nik HDR Efex Pro 2 as a single image. Full frame, full resolution image from the D600, again with the 70-200mm lens.  

When I arrived home a couple of hours later, this pair of Mallards was standing on the ice not far from shore. There was a bit of open water to the right. When the hen started to preen, I knew I had to shoot it! I can imagine all kinds of cool captions for this shot, like "Let's go, dear. We'll be late for the party!". Another very printable image.

Remember, if you want a limited edition art print of any picture in the blog, drop me a note, and let's talk! Preliminary prices are in effect.

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Sometimes you're in a different place

Life's all about change, right? Some things have changed for me, in my approach to my photography. Maybe it's just temporary, but when I pick up my camera, I have something different in mind. Let's see if I can explain what and why.

I'm planning to take a booth at the Haliburton Home and Cottage Show, to sell pictures. The show is at the end of May, I'll send my commitment in this week. A lot of planning goes into this effort, from the design and construction of the booth, to the choice of images for sale, framing, how to display non-framed pieces, what sizes and media, what price points, finding a device to accept credit and debit cards, lights, and so on. I'm working on all of those things.

The choice of pictures to sell is a major component, also size and quality. I've pretty well decided that most of them will be in the 12x18 size range, and most of those will be printed on lustre paper and priced quite reasonably under 50¢/square inch (so a 12x18 would be nominally $100, unframed). This is, after all, a cottage show. However I plan to have a couple of more expensive pieces there, such as this one:

This is a triptych which I plan to print on canvas and do gallery wraps. The vertical size will be around 18" and the price will be set around $450. The image, by the way, was shot in the fall of 2008 with the D300. It's an HDR and I used the oil paint filter in CS6 to complete it.  

Another image that I plan to display for sale is this one:

I want to print this one on watercolour paper, mat and frame it normally. $350 framed, $250 unframed, 12"x18". I shot this image yesterday (Sunday) with the D600, it's also an HDR. It's the Trent-Severn waterway, with Balsam Lake in the background. 

So here's my dilemma. I'm searching for images in my archives that are suitable for printing. I've come up with about 100 candidates, but some of them don't make it for various reasons: usually because I've cropped them too tightly and there aren't enough pixels left to do a large scale print. Here's an example of that:

I love the oil paint filter in CS6. Some people don't: what do they know?? LOL. It's only about 1600 px wide, so I MIGHT be able to get an 18" print out of it, but only because it's painted and small detail is irrelevant. 

I really like this image. I can picture it as a large scale print, say 24" x 36" flush mounted, or at the very least 18x24 in a mat. But it's never going to happen, unless there's some magic way to go from 1600 pixels to at least 5400 pixels without losing essential detail or introducing artifacts. So as I said, perhaps I can get it to a 12x18 but even then I wonder.

I haven't thought about printing before, really. Among other things I did in the past couple of weeks was to visit a professional print shop, where they specialize in archival and exhibition quality prints. I spent an hour picking the production manager's brain and sitting with some of my own images on their large screen. The conclusion was, if an image isn't originally 4000 pixels on the long side, don't bother. Yes, there are exceptions: the filtered oil painted image above might work because all the detail has been smeared out (his words) but certainly not as a large scale picture.

Incidentally, there's a fantastic print mounting method out there called "acrylic face mount". It's by far the best presentation I've ever seen for saturated, detailed images, they literally "glow". It ain't cheap: I was quoted almost $1 per square inch, just for printing and mounting. But it's beautiful. Google it...

So I've started thinking about composing my image in the camera so I don't need to crop. I'm paying much more attention to detail, to lighting, to textures and nuances of shading (love the snow in the above image, by the way). I've started making images with printing in mind. And that's a whole other mindset. This is stuff that other people have been saying to me for years, but I just haven't listened.

The good news is, I now have a 24 megapixel full sized sensored camera. I can still crop, but only "some". If I want images to look at onscreen, it's still OK to crop up to 100% size: but don't be tempted to print them.

I was out pretty well the whole day on Sunday and while I clicked the shutter about 150 times, many of them were 3-shot bracketed bursts, some were variations of the same image, trying to get it right (about 50 exposures of the Trent-Severn, above for example). And I was in 4 different venues.

By the way, if you want to buy prints, drop me a note and let's talk! If there's a picture you've seen here on the blog that you'd like to see hanging in your house, let me know and I'll figure out if it's do-able, size wise, then let you know how much it will cost. For now, until the business is established, prices will be not much more than the cost of printing and shipping. So a 12 x 18 could end up in your hands for under $40, for example.Send me an email

That said...

I haven't taken a lot of images in the last month, and certainly not snapshots. Well there are some exceptions, after all that's what a point-and-shoot camera is for! Here's one:

Four generations of women, and my brother-in-law. My mother, my sister, my daughter and my granddaughter. North-facing window light.  What's technically wrong with this shot? Well to start with, my daughter is in my sister's shadow. I should have had everyone swing around a bit to their left so the light would be more even. There are lots of other things that make this a less-than-professional portrait but (1) it's a snapshot! and (2) as I've said often in my workshops, "you can't take a bad picture of your family". Because there are memories, not just pixels, embedded in the image.

So what else is going on?

2013 Workshop Schedule

The Spring 2013 workshop schedule is up at www.photography.to. Check it out. I reworked the landing page to clean it up as well. The workshops are designed for beginner and intermediate DSLR users, they're 2 days long and run up here in the Highlands, although I'll come to Toronto to run sessions on demand.

If you're an advanced photographer, I have two things to offer you: one would be to give someone you know (perhaps your SO or child) a step up, when they're ready to inherit that DSLR of yours (an excuse to get that new Nikon or Canon body you've been wanting?)  The other would be an opportunity to get out of the city and spend some time shooting up here in the Highlands. Talk to me.

Some new and exciting news!

But I can't tell you about it yet. Watch this space...

There be eagles there...

A couple of weeks ago, someone told me there were bald eagles on Horseshoe Lake Road, coincidentally, right at one of my very favourite dawn shooting spots. So I wandered over there one afternoon and got lucky:

These were shot with the 400mm lens on the D600, then cropped drastically because they're about 400m away! I spent 2 hours there on Sunday, didn't see hide nor hair of them. I'll be baaaack... 

Lastly, I was testing the light pucks I told you about a while ago, in the light tent. Not a wonderful solution but it works. Here's a test shot of a wedge of Mandarin Orange on my frosted background.

I got all extreme on this shot, playing in the NIK plugin set. Just for fun! 

See? Not everything is print- and exhibition-ready.

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