Showing posts with label shelby cobra. Show all posts
Showing posts with label shelby cobra. Show all posts

Thursday, January 10, 2019

Wow. You must have a really great camera!

Happy 2019 to all my readers, their family and friends. 


If you want prosperity and success, I wish you that.
If you want recognition and a Nobel Prize or a Pulitzer, that too.
But mostly I wish you health and happiness and love, because if you have those, nothing else matters.




You must have a really great camera

As some of you might know, I'm a moderator on the really fine and popular Facebook group, "Photoshop and Photography". The group has just passed 400,000 members and it takes the efforts of a crew of moderators and administrators to keep it a friendly and helpful place. There are some people who come out of the woodwork (especially on holidays: the admins call it "the squirrel cage" at those times), but for the most part, it's a positive learning experience. It is Social Media so there are some nutbars out there, you need to ignore them sometimes.



Search for "Photoshop and Photography" in Facebook and join. You'll meet some interesting people and see some awesome work; and generally someone in the group will have an answer to whatever question you may have.

But I'm writing this because one common question bugs me. "What kind of camera did you use for this shot? What lens?"

OK, sometimes the question might have meaning. Like, "how did you achieve such a shallow depth of field", or "when I shoot at such a high ISO I get much worse noise..." so they want to know if it's equipment based. But usually it has to do with the old saw, "that's a really great photo, you must have a wonderful camera!". "That's a really delicious dinner. You must have fantastic pots and pans!"

I know artists who could create meaningful paintings using dollar store paints, a stick they picked up off the ground and an old piece of wood. Or sketch with an old #2 pencil they scavenged from the back of a drawer, and a piece of typewriter paper. Just sayin'.

One comment I read there this week pointed out that all those photos that inspire you as a photographer — the ones with that incredible "wow" factor, the ones that make you wish you had taken them — were made with equipment FAR INFERIOR to whatever you're using today. The resolution on your iPhone is better than any digital camera from the last decade, maybe up to 2013 or 2014. It's not about the equipment.

You've heard it before: it's about what's in that space a couple of inches behind the viewfinder. It's about you and your vision. And you can work on that by taking more and more pictures, and looking at other people's work, and not giving up because you get better and better every day. Want proof? Go look at pictures you made 5 years ago. Are they as good as what you're doing today?


One thing that's hard to get past as a moderator (or as a teacher or a judge): approving (or critiquing or scoring) images that are REALLY bad. Obviously taken by a real novice, sometimes presented with pride, "my first attempt in Photoshop". But then you realize that we've all started somewhere! I'm reminded of when I proudly showed Rosa (a former girlfriend who was an artist) my first sketch, and she deflated me by saying, "yeah, like a kindergarten kid's first finger painting."




What inspires me?

 I'm not going to write the long answer to that one, but I'd like to point you in one particular direction.

Turn on your TV. Watch any movie or show, or especially, any commercial. I get that it isn't still photography, but hit Pause. Marvel at the fact that there's NEVER a poorly exposed or badly focused shot, or badly lit scene. Look at the composition. It's all perfect.

Pick up a magazine. Look at the ads. Ditto. Any one of those pictures would get a 10 out of 10 in your club competitions. Analyse them and ask yourself "why" or "how"?

The people who make these pictures are professionals. REAL professionals. Yes they have huge equipment budgets and assistants and studios and... but give one of them an iPhone and I'll bet they'll create fantastic images with it. Learn from these people. Learn by studying their work.







Bruce Peters.
R.I.P. 

The world lost a really good guy a few days ago. Regrettably, I didn't know Bruce really that well. Bruce was a member of the Mississauga club, he was up here on a workshop and we stayed in touch. He came back and we spent some time shooting together up here a while ago, he ended up staying here for a few days and I don't think a smile ever left his, or my face. He had recently lost his wife and he threw himself into his travel and his photography as a raison d'ĂȘtre.

I think he split his time between Mississauga and his property in Penetanguishene (or Port Severn?). He joined us up at the Gales of November workshop in 2017 and ended up willingly chauffeuring Karen Young and her broken leg around. He participated enthusiastically in all our activities.

He was probably one of the kindest, most generous people I've met and in talking with others of our mutual friends, that sentiment was echoed by all of us. That said, he was sometimes bull-headed and opinionated but that was Bruce. Everyone agrees on that one too, Hilarie said "the club will be very quiet without him".

Please excuse the really bad picture (I'm not good at people pictures, as everyone knows!)





Thinking about Newfoundland again

I floated a thought about going to the Territories this summer, but I think that's not going to happen. However you know how much I love Newfoundland... so here's what I'm thinking.




Mid June through end of July?
Keys:


  • I've never been to the Northern Peninsula nor to Labrador. That's where the icebergs are.
  • I love the Twillingate area. Maybe more time on Fogo Island this time.
  • Bonavista/Elliston. Whales and puffins. Maybe meet up with a friend from overseas
  • St. John's, gateway to the Avalon peninsula, urban and other photooops, meet friends.
As on previous visits, stay in rental cottages for the most part.

So: anyone want to spend some time on the Rock? I can think of one or two already. I know enough now to do some informal guiding... and I have contact with people who are even more experienced at it. Contact me.

PS: in 5 visits to Newfoundland over the years, I've seen exactly two moose. Don't count on it! LOL




An Oldie but a Goodie



This image of mine came up in an online discussion a few days ago so I thought I'd post it here again. A lot of work went into this image: would you believe I shot it in bright mid-day sunshine? Somehow I managed to make it look like what I had visualized.




Parting Shot

Here's a composite image I worked on yesterday. It's from my Newfoundland trip last summer (mostly!). If I had to pick my favourite image from 2018, this would be right up there.




The star trails are about 140 images stacked in StarStaX. I wanted to remove some detail and make it look hand painted, so I used Topaz Impression. I THINK it was based on the Georgia O'Keeffe preset, applied more than once. The lighthouse is the one at Cape Spear, shot at dawn and extracted from the background. Again I used Topaz to enhance the light and smooth things... might have even been based on the same preset. There's some canvas background texture in there I'll have to remove when it gets printed. If you've been following me, you'd recognize that the girl was created on my Wacom Tablet from scratch, based on an image I shot at Peggy's Cove in 2017 and it was used in another image with a brilliant sunset (and a painting!), with the same title. 

— 30 —

Saturday, October 19, 2013

Nikon Issues

I'm camera-less.

As many people know, Nikon has had some issues with the D600, revolving around dust (or actually lubricant) that gets thrown on the sensor. They won't admit it, but that's why they came out with the D610. My camera has been back three times. I sent it in again this week with a recurring case of the dust measles.

I'm going through withdrawal, but it's easier the third time around. Besides, I have so many images in my computer that I haven't worked on yet, who has time to go out and shoot? Actually, I was thinking about honing my skills by using nothing but my iPhone or my P&S for a while. Guess I have no choice!


 


See? The little Nikon S6000 point-and-shoot does a pretty good job. I turned the clarity down on the first shot in Lightroom, used the radial filter on the third one, did nothing to the middle shot. My house is basically ready for winter. That firewood has now been stacked, gazebo roof stored, maybe I will have to cut the grass one more time. Two more things to do, but I won't for a couple more weeks: put the snow tires on the Subaru and the snow plow on the ATV. 

but Nikon is doing the right thing

They're replacing it.  Too bad they can't do it directly, they have to support their dealer network and not sell directly to consumers.

There is now a cheque in the mail to me from Nikon for my full purchase price. I'll go out and buy a D610 next week. However in my discussions with Nikon, I told them that I would rather have a D800 or D800e and I would accept an exchange for a factory refurbished one. The bad news is, they don't have any on hand. The good news is, I have a written open agreement that when and if they do get one, they'll take the D610 in an even swap.

So I'm a happy guy, anxiously watching for the mailman...



It's a bad time to be without a camera. Here's an oil-painted image out of the point-and-shoot when I rode up into the woods today.

Another one. I love the contrast between the yellow maple leaves and the bare aspens and birches. 

I also did an iPhone video while riding one-handed through the trails. Too big a file to keep, unfortunately.

Did you  upgrade to Photoshop CC and do you run a Windows 64-bit system?

By default, the link that gets installed into LR5 when you install CC goes to the 32-bit version of Photoshop CC. That can only access a limited amount of memory and will crash on you with big files. You need to go in and point that to the 64-bit version.

Also by default, Photoshop CC installs a shortcut icon on your desktop that in my case (and in others on TIF, apparently) links to the 32-bit version. Toss it in the trash can, go to the c:/Program Files/Adobe folder and find "Adobe Photoshop CC (64 Bit)" and drag a shortcut to the Photoshop.exe file in THAT folder to your desktop and you're good to go. By the way, in the same folder you'll find a subfolder, "Plug-ins". Drag copies of your Topaz, Nik (Google) and other plugins from your previous version (assuming it was also 64 Bit) into it and they'll appear in your filters menu in CC.

PS: I was the one who caught that. Hold your applause... nah go ahead. Make my day.

Mechanic in a Can

One of the advantages of writing a blog, especially one that contains "the sporadic musings..." in the subtitle, is that you can write about anything that strikes your fancy. It doesn't have to be photography related but it has to be interesting, or at least of benefit to the readers. This is a case like that.

Many years ago, word of a product was passed around the Vulcan Riders and Owners Club. It was touted to be the solution to all problems mechanical. Unfortunately, it was only available at select locations in the US and the occasional visitor to Canada was kind enough to bring a few cans up with him (the main player in this ongoing play was – is – a Canadian ex-pat nicknamed "Kudzu" (all VROC members have nicknames. It's a biker thing. Mine is "Guns"*) from North Carolina who regularly visits family up here.


* It was supposed to be "Gunslinger", a play on my name and what I used to do before I turned back to photography, but there was another guy with that nickname. Although he died a couple of years ago, I've not changed mine in his memory.

The product in question goes by the unlikely name, "SeaFoam". They make more than one product, it's the 'motor treatment'. I'm here to tell you that if you own ANY machines with internal combustion engines, especially small ones, get some SeaFoam and put the recommended amount in the gas from time to time. I've used it in all my motorcycles over the years, but had forgotten about it until a couple of months ago when I couldn't get my ATV to start. Now you turn the key, it starts instantly. First bang. Every time. The same thing is true of a snowblower that hadn't been started in 2 years (for sale: I have the ATV and don't need it any more), a lawn mower, ANYTHING.

This stuff cleans out the carbs or injectors, it'll double your gas mileage, you can stop on a dime and get 9¢ change, it takes moisture right out of the gas (so you can use it when you're storing your bike over the winter) and I'm told it tastes like fine single malt scotch and will make your digestive system completely regular. OK, that last one was a joke. Don't drink it.

I thought it was a big secret: but the word's getting out. I mentioned it to the mechanic who's looking after my ATV and he says, "Yeah. It's magic. A mechanic in a can". And guess what? It's available at Canadian Tire now. Pass the word, but on the QT. You wouldn't want everyone to find out about it!



Here's a shot of my ATV from last week. Remember I wrote about increasing the colour temperature to 10,000°K? Oh yeah, that was in my newspaper column! If you do, it really changes the look of forest shots! OK, technically that's not what I did here, in camera, I did it in post-processing. 

Speaking of my newspaper columns... I've written 18 articles now. They're all up on the http://www.photography.to site (click on the "Tips" button). Taken together, they'll make a dandy eBook, so that's my next project. It's tough coming up with a new topic every week: years of writing this blog have helped. The other thing I'm going to work on is another printed coffee-table book, so watch for it! I'm going to try to do it in Lightroom 5.

This week's Feature Photo

When this immaculate 1965 Shelby Cobra showed up at the Inn across the road, I knew I had to photograph it. And I also knew what shot I wanted to achieve.



The trick was to get rid of everything except the rim-lighting and the orange signals. It started with a shot that was 5 (yes, five) stops underexposed. And then a lot of careful Lightroom and Photoshop work. I think it would look fantastic as a poster or a large scale print. Click to blow it up to full screen. Interested? Let's Talk

I'm going to try to do a featured image whenever I post to the blog. I've sort of been doing that, but not specifically. Let's see!