Workin' my buns off!

I wish that were literally true... my buns could use a little working off. OK, more than a "little". I thought I'd start with a short 'show update'.

The Haliburton Home & Cottage Show
It takes place on May 31-June 1-June 2 in the Arena in Haliburton. There are supposed to be about 150 exhibitors, ranging from log house contractors to furniture suppliers to dock and watercraft providers, clothing, gifts, sports and activities and yes, photography! I don't have an exhibitor's list, but I think that Linda Cresswell and I are going to be the only photography exhibitors there. We're working together in Booth #204 and we hope we're going to see you there!

We'll be doing two things: selling prints (and cards), and talking about and booking students for my one- or two-day workshops on learning to take better pictures.

The process of getting ready for the show is quite involved. For Linda less so than me, because she's done them before and already has a body of work printed and ready to go; but I have to spend a lot of time on that aspect!

I've decided NOT to compromise on any of my larger prints. I will be displaying and selling high quality exhibition grade limited edition art prints. I'll have two finishes, Lustre, printed on Epson Premium Lustre Photo Paper 260 gsm, and matte, done on Epson Cold Press Natural 340 gsm. They will be printed by guru Jim Camelford on his Epson Stylus Pro 7900. Not only are the papers and inks archival quality (image lifetimes advertised exceed the human lifespan!) but the gamut and precision of this printer and its media will ensure outstanding image quality.

As I write this, about 1/3 of the prints have been done. In the next few days, I'll be preparing the next batch for printing and that's quite a chore, to do it right! I'll write the process up on my tech blog in a week or so, after I shake the bugs out.

My go-to size for images is a sheet size of 24x18. Images will typically be 19" wide by 13" high, centred on those sheets. Each print will be supplied in a crystal clear bag with a stiffening card, so that the customer can easily mount it in a standard frame. I'll have about a dozen framed prints on hand as well. Here's an example of how the images will appear:

"Reeds" has had an oil paint layer applied to add texture and smooth out the silhouettes. The keyline around it is designed so that if someone wants to frame the print, they don't need a mat. It is printed on the matte watercolor paper and will be on sale at the show for $150. Readers of my blog can buy it for $99! Send me an email...

So aside from the booth design and construction, preparing prints and getting them made, writing descriptions for each print for the accompanying card, creating a database and followup file for my mailing list, making marketing materials and forms, rewriting my basic DSLR course so P&S shooters will benefit, updating both my photography.to and SmugMug websites, I have nothing to do...

...tomorrow I'm off to the Birds of Prey workshop on Lake Erie, so hopefully I'll have some new and exciting images available for the show too!

Pictures from the past

I came across this image while looking for something in my archives. OK, actually, I was looking for this very image, to post on the newly created site for the MRHS Class of 1963 reunion coming up in September, 50 years. Gawd, I'm old... this image hangs on my wall near my computer and it brings back great memories of that trip and other ones, and motorcycling in general.

This is me, riding my ST-1100 back in 2005 at the Tail of the Dragon in Deal's Gap, North Carolina (or Tennessee, depending where I was on Rte. 129 at the time). 

By the way, this set of pictures was taken by a company known as "Killboy" who used to set up in the Gap and diligently photographed and posted pictures of every one of the thousands of bikes that rode through on a weekend. I bought these images from them so I can publish them here. I miss riding, but it was time to move on.

Here's another older image of me, taken by Iris during our motorcycle trip down the Blue Ridge Parkway in 2007:

At the top of Grandfather Mountain, near Boone, NC. When I look at pictures like this, I realize I really should lose that weight I've put on since those days! 

Some Wallpaper for you

Here's a new FREE wallpaper shot for you. It works well as a background image on your computer.

Wild Water. There are two versions of this image, one for regular monitors at http://photography.to/wallpaper/wildwater4x3.jpg and the other for widescreen monitors at http://photography.to/wallpaper/wildwater16x9.jpg. The watermark is not on either file. Help yourself to them; just go to those links, right-click and copy them to your computer. They are for your own personal use only, not for reproduction or resale. "Creative Commons" copyright protection. If you do download it, please drop me a note: it's interesting to know how many people are using it!

If the icons on your screen have white labels on them, they will be hard to read on this background. Here's how to change the font colour to black (Windows 7. You're on your own with other O/S's!): go to Control Panel → Personalization → Window Color → Advanced Appearance Settings. Change the "Desktop Color 1" to white if you want black type, to black if you want white type. They do make it tough, don't they?

By the way, this image, "Wild Water", is also available as a fine art print on matte watercolour paper, like the "Reeds" image at the top of this post. $150 at the show, $99 here.

A few more pictures

Here are a couple more shots that I took on the way home last weekend, just for your enjoyment!

Every time I drive past the Wessel farm on Highway 35 south of Minden, I look for these horses. I'm always in a hurry, somehow, but I stopped on Saturday. I'm guessing these are young horses, mom & dad are behind the fence in the background. 

I'd love to get them running towards me, wind in their manes, instead of standing there curiously wondering what I'm doing! Next time, maybe. 

This is the dam at Lock 44 on the Trent-Severn Canal, just West of Bolsover, on Canal Road. I used the 10x ND filter, so I could take a 30 second exposure, then I added some Topaz Adjust to bring out the water detail. 

And finally, light painting with a flashlight during a 1-minute shot on a starry night up at 12 Mile Lake. the wide angle lens, wide open at f/2.8 allowed this to happen. Looking at it at 72dpi on the computer is less than ideal, though! Click on the picture to blow it up.

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Some more images

First of all, you can see most, if not all of my images by going to my photo gallery. Click here, or at right. But since there seems to be an increase in the activity level -- more people reading this blog -- I thought I'd add some images for y'all to look at (too many Southern friends. I'm starting to talk like y'all).

Also I've been getting comments (mostly good, keep it up!) by direct email and in some newsgroups, but did you know you can also comment here? So other people can see them?

Try this image on for size:



My friend Kevin sent me a link, or I found one on his photo site, to some similar shots, and they stuck in my mind. So I wanted to see how I could do. I deliberately went out one afternoon up in Minden, to try to shoot this kind of picture. I found a slough (that's pronounced "sluff" and it means a swamp or a shallow lake. See? And you thought you were too old to learn anything!), I put on my chest waders and ventured out to where I saw some weeds. With every step, my feet sank about 6" into the muck and I was afraid I wouldn't be able to pull them out. There I was, carrying a camera which I REALLY didn't want to drop in the water. It didn't work out. I didn't get the shot I wanted. I took a few lily pad pictures which were "OK" but not great.

Anyway, the following week, we were on the workshop with Rob Stimpson and we went to a spot called "Wren Lake". Rob wanted us over on the south east side but as I was walking there, I spotted these weeds and with his permission, hung back long enough to get this shot.

There is some PhotoShop in it: I cleaned the water a bit (not much), then I used the threshold tool to create a silhouette. Next, using a couple of adjustment layers, including hue/saturation and a graduated screen mask, I added the colour back in the way I wanted it.

What do you think? Does this look like a saleable image?

The following day, Rob got us up before dawn and we watched the sun rise across the lake behind the Frost Centre just south of Dorset. He took a canoe out and told us to yell at him to position himself where we wanted him. OK, so I did! My favourite shot is the background for the header in this Blog, and here's another one:



Yes, the light did look exactly like that (although I may have pushed the saturation up a tad). The sun didn't look good, though. As Rob pointed out, digital still has a ways to go before equalling film for smooth rendition of wide dynamic ranges, so I had to play with some adjustment layers and Gaussian blurs to make it look better.

OK, one more image for today:



I wanted to frame Sally with the trees, but since it was backlit, I had to overexpose to get the detail in the tree bark and a reasonable exposure of Sally as well. So all I did was to create an adjustment layer which I masked, then reduced the exposure on the Sally part. The sky was blown out, so I decided to play with rendering clouds, but I didn't like it until I transformed the sky selection by growing it and laying it softly over the trees to make it look like a low cloud or fog. I was told it didn't look realistic because of the sun on Sally, but hey, there could have been a hole in the clouds, no?

PS: if you blow this up (by clicking on it), check out the detail in the tree bark on the left. I LOVE the new D300!

I'll show you some more images tomorrow. Waterfalls. I LOVE shooting waterfalls!