Saturday, July 27, 2013

Lazy but Talented...

Shooting people on the street

I've had a lot of positive feedback on my Old Montreal shots, particularly the old guy walking. John called it "The Traveller" and I love that name. Thanks!

As a very shy person, I have a very hard time going up to someone and asking them if I can take their picture. I don't know how people do that, and I wish I could. Some people even go the extra step and say, "please sign this model release"! I can't even begin to think how to do that.

I get that the Traveller was in a public place and therefore I have the right to photograph him, and probably to use his picture for non-commercial purposes. And there's no question that I can say what I think about him as long as it isn't outright slander (a street performer in Ottawa has taken offence that while I thought he was an adequate saxophonist and I even thought he should be in a more prestigious place, like New Orleans; but I said he wasn't "outstanding". Every week or so he writes a rambling ranting, sometimes profane comment on my blog, so I've had to block him).

Paradoxically, the few times I have asked, the people have said "yes". I don't know why I don't do it more often. How do others deal with this?
As an aside, I once took some pictures of kids eating HUGE ice cream cones at Kawartha Dairy. A parent came up to me and told me to ask permission first. I get that (we live in a sad society where you would have to!). A lesson before you point the lens...


Here's another image from Old Montreal last week.


On the way to Ottawa there were some abandoned Cessna 150's at a fuel stop.  


I wasn't the only one photographing them. Ahh, Lightroom's local adjustment brush... 

Got my Filter Adapter!

Very, very slick. This is a product I recommend. It works just as advertised: attach the adapter to your lens, screw each of your commonly used filters into a holder, then when you want to mount a filter, it simply magnetically clamps to the lens.

The magnet is pretty strong: I don't see the filter falling off, although I wouldn't rely on it riding a motorcycle at speed or banging through the brush on my ATV. To remove it, just lift it off at an angle (magnets work like that...). I tried both the 10x ND filter and the circular polarizer on my 17-35mm wide angle and they work perfectly. Note that Xume points out there might be vignetting on ultra wide angles, after all, you're adding an extra ring on the front of the lens, and they're right. Here's a test shot with the polarizer on board, at 17mm


The vignetting disappears at about 20mm. 

I bought the starter kit for $53, for my 77mm diameter lens(es). It comes with one lens adapter and two filter holders. Down the road, I might buy another kit so I can use other filters and put an adapter on each lens (and my lens caps: you can't click a lens cap into the adapter, you have to use a filter holder. That said, I don't use caps when the camera's in the bag, I have a cleaning cloth up against the front of each lens).

Shipping to Canada was only $4, it arrived in about 3 days. There's a little video on their site, click the link!

www.xumeadapters.com

D600 dust 

I have my D600 back and yes, there are some dust spots again. Only 2 or 3 that I can see, a manageable number for now, and they only really show up at small apertures or when I do an HDR (the merge process seems to enhance them). Les Palenik has reported that he's seen some too.

But as Les points out, "...amazing IQ. Sometimes, I can crop a 24MP image into 4-6 different pictures. Or if I don't get it sharp in camera, then I downrezz it to 6-12MP which makes it sharp enough."

I think it comes down to that. The image quality is so high you see EVERYTHING. Anyway, I'm convinced the D600 is the right camera for me.

I should point out that Les is a prolific micro-stock shooter and the stock sites are very discriminating about image quality. In fact I didn't qualify when I tried a couple of years ago (I'm going to try again). So he knows what he's talking about.

D5100 for sale

 Unfortunately, I can't afford the luxury of having two cameras at this time. I bought the D5100 factory refurbished from Nikon to use while my D600 was in the shop. It has a spiffy fold-out LCD that I'm going to miss, the reach of an APS-C sensor (16.2Mp), it's light, it's fast, it has some neat built-in effects. It handles high ISO situations really well, too. Check this out:


My grandson, Ryan, with low available light. 1/125 at f/8, ISO 6400. I adjusted the exposure a bit in LR, tweaked the eyes and a bit of skin softening, got rid of some visible background in the right corner and cropped it slightly. NO NOISE REDUCTION (well I always add a touch of sharpening and NR on import for all shots, but just a touch)
Here's the deal: $425 (OBO) gets you the body and all the stuff that came with it from Nikon, including warranty. The camera sells new for $565 tax in.  If you want, I have a small MF lens, and I'll discount a DSLR course if you want to learn how to use it. Contact me. Hurry, I think this is going to go fast.

Lazy but Talented

My sister bought me a t-shirt a while ago, it says "Lazy but Talented". I wear it all the time and she knows me. There's a message here... wait for it!

My grandkids were up for a few days this week and Ryan, the 13-year old who is now taller than me, had my D5100 for a bit, while I shot with the D600. We stopped at the Stanhope Airport and there was a helicopter parked there. I took a few shots, but Ryan, who is NOT as lazy as I am, climbed up on top of a storage tank (wonder what's in it!) for a different perspective. On his own, I might add... no prompting from me.


Single frame Nik HDR EFEX toning, in case you were wondering! 

His picture was better than any of mine. The message I alluded to is, "don't be lazy. Find that unusual perspective. Make the effort".


Ryan's picture. Again toned and tweaked in LR. 1/200 at f/9, ISO 500. He was in Aperture Priority, by the way, not Automatic. Take a course! 

While we're on the subject of the D5100 (I'm starting to have second thoughts about selling it!)


This Ruffed Grouse was on the road to the Haliburton School of the Arts (the Haliburton pioneer museum is worth a visit). I grabbed the D5100 and shot out the car window. He did a little dance and fanned his tail for us! 


I mustn't forget my granddaughter Kelly. She's the "Fish Whisperer". She does everything wrong by the book, but she's the only one who catches fish! Deliberate silhouette and I was looking for the rimlighting on her hair when I shot it. This was actually shot with my point-and-shoot, so it's not the camera...


This was really tough!

I've shot waterskiing/wakeboarding from Janie's boat before. It's a real challenge! You're bouncing around, it's hard to keep the camera steady, and tougher still to keep the subject in the frame, never mind in the middle where you can autofocus! In hindsight, I should have pre-focused at his distance (the rope isn't going to change length!) and I should have put the "Active" VR on, something I forgot completely about until this very moment. Next time.

Waterskiers have their eyes closed a lot. With water streaming in their faces at 30 or 40 kph, I'm not surprised! They also get weird expressions when they're exerting physical effort or focusing on what they're doing:


David (Janie's son) is concentrating on a wakeboard trick. You probably can't see the facial expression unless you blow the picture up (click on it). 


You can see it in this one, though! Sorry, David. 



Sometimes things don't go entirely as planned... 

So here's the shot David's probably going to put on his FaceBook page...



I'm going to hop on the ATV and head over to the white water to see what's going on. TTFN...

— 30 —

Thursday, July 18, 2013

Get your A$$ out of bed

...but before we get to that, some other stuff...

Still some openings
I'm doing an introductory lesson this Saturday morning and could use more students! If you're in the Highlands, you're reading this and you want to get started learning to take better pictures, please click here.
Also on the PhotoWalk on Sunday morningRead the previous blog: I'm shooting Furnace Falls at Dawn, then the Irondale Church, then maybe a visit to Kinmount on the way home. See how it's done and get some pictures of some really interesting venues! Click here!
I've also been asked to do a DSLR course in the GTA (in Vaughan). They want a mid-week session, which is OK with me except I would have to stay overnight in Toronto, so it only makes sense if I have more students. Some time in August. Send me an email if you're interested.

Someone else asked me to do a twilight shoot in Toronto (city lights, just at dusk, HDR, cityscape...). Again I'd like to do it if I can get some more interest from my adoring public. Send me an email

Been Looking for this for YEARS!
Screwing filters onto my lenses is a real pain in the butt. Especially the circular polarizer, because when you try to take it off, it's stuck. The outer ring of the filter turns (as it's designed to do) but the body is seemingly permanently screwed on the lens. I started carrying surgical gloves around to try to get the thing off.

Same thing is true of my Neutral Density filter, although that comes off easier. But the problem is, I can't see through it when it's installed, so composition and focusing is a time-consuming operation. Set up...put the filter on...shoot a test shot...decide to recompose...take off the filter... recompose...put the filter back on... and so on.

Well these guys came up with a system where you put an adapter on the lens that has a super duper magnet in it. You put your filter in the mating adapter, snap it on and off. Bingo! There's a little video on their site, click the link!

www.xumeadapters.com

Disclaimer: I haven't got mine yet so I haven't tested it. It popped up a couple of days ago and I haven't even had time to get my order in. Looks amazing, though and the starter set is only $50 or so.

Highlands Living
People ask me all the time how I live up in the Highlands full time. "Don't you feel isolated? Especially in the winter?" The truth is, that's a downside to living here. I don't get enough company. But the winter is wonderful, probably my favourite time!

The good far outweighs the bad. I stayed with a friend in downtown Toronto last week and I was in Montreal last weekend and I wouldn't live in the city for all the money in the world (OK, wait a minute... that's an expression, not a statement of fact!...). So many people. So many cars. It took me longer to drive on Tuesday morning from Toronto to Mississauga and back to the 401/Allen than it would have to drive all the way home. And back. You can keep it.

But again, there's good and bad on both sides. For instance, I touched bases with a whole bunch of people I don't see very often (in one case, it's been almost half a century! Gary actually introduced me to photography that many years ago. He's a fine photographer himself, I hope we'll get to shoot together soon).

Also cities are full of photo ops. You'll see in a minute.

But it's been 33°C (over 90, you Yanks!) and I have something you don't: a lake. I was in the water 3 times yesterday and I'll be in there this afternoon after I finish this blog post! Last week, my friend Ilana visited me for a couple of days, 'way too short a visit, I hope she comes back soon! We did get some waterfront time in...


I took this with the D5100. I wasn't that impressed with the original shot, the lighting was rough in the middle of the day, but Lightroom and Nik Color Efex Pro (Polaroid Transfer filter) saved the day. Very little retouching is needed when you have such a beautiful model!

I posted this for a couple of reasons. There's something to be said for photographing people instead of rocks and trees and it's high on my list to learn to do better. By the way, to quote Dr. Sheldon Cooper, "she's a friend, she's a girl, but she's not my girlfriend". Oh, to be younger...

That's my lead-in to the first picture below:

Old Montreal
Some background, then I'll tie this back into the title of this post.

I was in Montreal on family business and we took an afternoon drive through Old Montreal (don't get me started on the traffic...). I immediately said, "I have to come back here tomorrow morning at dawn". So I did... well sort of! I woke up at 4:30, said, "I can sleep another half-hour or so", then promptly fell asleep until 6am. By the time I got downtown, it was 6:30. The sun was long since up, but I'm going to count that as a dawn shoot.

I have NEVER gotten up for a dawn shoot and been disappointed. NEVER. You'd think I would have learned that by now. I'm going to get my a$$ out of bed early much more often. This was no exception. The only things moving in Old Montreal were the street cleaning crews, a few vagrants, and the cute blond girl in the little red City of Montreal Parking Enforcement car who seemed to follow me around and take out her ticket book every time I pulled over to take some pictures! When I shot the picture below, she was just pulling up behind my car.



I processed this picture 6 different ways and loved them all. This is selective colour using Silver Efex Pro, a little toning in HDR Efex Pro and a Glamor Glow added in Color Efex Pro. A testament to the Nik Plugins!

I'm not sure if this fellow was a vagrant or just a visitor. He had a bedroll on his back, walked with a laboured limp, and I saw him several times as he walked along the full length of St. Paul St. He didn't know I was taking his picture, I used the "I'm chimping, not taking pictures" trick I read about recently. Shutter speed was only 1/40 sec, OK for camera shake with the 35mm lens on the full frame, but not quite enough to freeze his head movement. Nik saved the day.

For your enjoyment, here are a few more "Old Montreal early in the morning before anyone else was up" pictures.


This isn't actually Old Montreal. It's Ste. Catherine Street, closed for a festival. My camera was doing some funny things: not sure why. 2- or 3-stops overexposed, nothing set wrong that I could find. Lucky shot. By the way, first shots with my newly returned D600.

This IS Old Montreal.

Same spot, colour version.

Always turn around and look behind you

 
It was worth getting my a$$ out of bed...

— 30 —

Tuesday, July 09, 2013

To talk of many things.

...of shoes – and ships – and sealing wax..

That's what came to mind when I first started to pen this article. But really not so much, so I'll save that first line for another blog title down the road.

Nikon Stuff

As I write this, I have received "the phone call" to tell me that my repaired D600 is ready for pickup. I'll drop by Nikon in a couple of days to pick it up. According to the tech, they serviced the whole mirror assembly box, cleaned the sensor, and did a firmware update (I thought I already did that...). I asked if he thought that would solve the dust/lube problem and he said he thinks so. Time will tell...

I've been using the D5100. A bit of a false start: they shipped me a dud (wouldn't boot up). But they replaced it instantly when I came by on July 2. Unfortunately, I missed having a camera at Alison's July 1st party, but in a way that's OK, because I got to participate instead of observing.

I met a fellow at the party who was very much into Samsung cameras. His website indicates that he's a wedding photographer, although I got the impression in conversation that he actually worked at Samsung. Anyway, he had a Samsung Galaxy NX mirrorless camera that really looks spiffy, and a Samsung Smart camera with built-in Wifi. Both had huge 5" touchscreens on the back, huge zoom lenses... bears some further investigation!

The D5100 is a fun camera to use. I played with a bunch of settings; here are some pictures that I took with it.



You know I can't leave well enough alone, right? Yes, I did some Photoshop stuff... I stopped at this field of wildflowers (some would consider them 'weeds'!) and it was sort of boring, but some filters and effects punched it up a bit! 


I stayed there and looked around for other shots. I used the swiveling LCD display and LiveView to capture this one from knee height. That might be a godsend for my knee problems... however a problem that I have is "glasses on to see the scene, glasses off to see the LCD". Time for a visit to the ophthalmologist! 


Another shot from the same spot. These were all shot with the 17-35mm lens, by the way. I switched to the 70-200 later, but liked these better! You can do macro without a macro lens, but that's really on my list...


A couple of days later, I shot some stuff around the house. This is edited, of course but the acuity is a testament to the care I took with the lighting, using a reflector disk to block the direct sunlight. The sharpness is more a function of the lens than the camera body, of course. 


Spot metering and exposure compensation works well, although I feel it has a slight tendency to overexpose. Pretty good detail, enhanced with Topaz Clarity. 


The D5100 has some "Effects" modes. Here is one of them, called "sketch". This is exactly as it came out of the camera (except I cropped it). Hmmm... 


The next day, in Minden, I came across this restored 1925 Model A Ford. I thought it deserved a "vintage" treatment so I did an HDR and used Nik Color Efex Pro to make the image like this. 

So much for first impressions of the D5100. It's a worthwhile second body, and gives me the added advantage that it has an APS-C sensor so my telephoto lenses can reach out and touch further.

Field Trip to Irondale

I'm tentatively planning a field trip to the Kinmount/Irondale area for Sunday, July 21st. Here's the story:

I had occasion to visit the Irondale Church yesterday and was struck by the quaint and very photogenic interior. I've made tentative arrangements to shoot it on July 21st (date to be confirmed).


This is the Irondale Church, presently being restored. It sits at the back of a farm property, somewhat isolated, it has an air of quiet solitude to it. The building dates back to 1887, and the original bubble glass is still intact in the windows!


Another view of the exterior of the church, rendered as an HDR.  

Here's the plan: do a dawn MiniTour to Furnace Falls, about 10 minutes outside of Irondale. Head over to the church for around 10am to start shooting interiors and stay 2 or 3 hours to shoot additional shots. If you want to accompany me on the minitour, please sign up at www.photography.to/minitour.htm. The only restriction might be shooting the interior while services are under way from 10-11 am so we don't disturb the congregation.

Furnace Falls looks like this:


A 1/4-second exposure. I asked the young fellow to hold still so I could maintain focus. Enhanced with Topaz Adjust 5.  This is at 120mm focal length, cropped sensor but you can get quite close.

I'll be scouting it further before then; I think this camera position is facing East so it should be a good dawn location, weather permitting. If the weather's good, you can even swim like this lad is, which should make some interesting shots if we have some willing participants! Bring water shoes so you don't slip.

Kinmount Fish and Chips

On the way back, the skies opened up as I entered Kinmount, and there was quite a downpour. Still, the Fish and Chips shop did a booming business despite the rain!


Must be a really good place! People stood in line in the rain! Then I figured out why... 


Pretty girl, working the front counter. Could be why people stood in line! 

There's quite a bit of other stuff to shoot in Kinmount; a sawmill and a railway museum, some activity on the ATV trail... this could be a good day of shooting — join me!

— 30 —

Friday, June 28, 2013

Lemonade from Lemons

You know the old saw about making lemonade when you're dealt lemons? Another way of saying "the glass is half full, not half empty" or just "make the best of it". My D600 is on its way back to Nikon for service again.

The Nikon D600 has dust issues

For anyone who's in the industry, that's not news. I sent mine in to Nikon last February and thought they solved it; they actually changed the shutter mechanism which, I learned, was responsible for throwing oil on the lo-pass filter (that piece of glass in front of the sensor itself). It didn't work, Nikon:


This is a crop of the upper left corner of this image. It's about 2300x1500 px. This image was shot with the 17-35mm lens at f/22, and what you're looking at is a merge in HDR Efex of three bracketed shots. I enhanced it so you could see the spots better. You might ask, "Why did you let it go this far?". 

You can't see this stuff when you shoot at f/8. Well, when you look really closely, you can, but it's not obtrusive. Almost all of my shooting is done at f/8 where I can, because that's the sweet spot on most of my lenses. But this time, I wanted the depth of field.

Here's another couple of images I shot at the same location and you'll understand why. These were in fact at f/8 but I had to fight to get focus on the barn.





Both of these images are HDR merges. They will be available as large scale fine art prints. email me if you're interested. You can check out the gallery, they should be up there by the time you read this. 

Anyway, back to the "lemonade" thing. I recognize that Nikon has had some issues with this camera but I trust that they will make it right. Canon people, stop rubbing your hands together in glee, I can hear you! So the good part is, I'll get my camera back (or a replacement) soon, and it'll be great. But I'm without a camera body and that's not acceptable, so I ordered a D5100 refurb from Nikon and as I write this, I'm waiting for the Purolator man to deliver it to me!

I had occasion to handle the D5100 that belonged to a student last week. It's a nice machine, and it has two features that the D600 doesn't have that I'm looking forward to: it has an articulated LCD that flips out from the side so making those ankle-height shots will be easier (my knees are bad); and it's got an APS-C cropped sensor so when I really need to reach out and touch a distant subject, my 400mm lens will look like a 600mm on a full-frame. Everyone tells me the image quality is great, and, well, the price was right. If push comes to shove, I could resell it for what I paid but I think I'll keep it as a backup. I've been needing one anyway, I'm sorry I sold the D300 (but not sorry I got the 17-35 in exchange, Pete!).

So the glass is half-full. I'm coming out ahead.

PS: according to what I've read and heard, Nikon has solved the issue. Apparently only a percentage of early production cameras had this problem, and they've fixed it at the factory on anything made after April.

Speaking of Students...

I need some. Please go to www.photography.to and have a look at the workshops tab. My advertising hasn't kicked in yet and I need some work. I have some 3-hour and some 2-day sessions available, and a flexible calendar. Please pass this on to anyone you know who would benefit from a workshop. I'll come to you if it makes sense.

Speaking of advertising...

Last week I told you I'm a published columnist! I didn't believe it until I actually saw it in print:


Here it is! It's available on line as well, check it out here. I'm on page 2. 

They originally told me they would print the column every two weeks, but they've now changed it to every week! My faithful readers can preview the next column here!

Tuesday was a great photography day!

I had to be in Toronto on Tuesday, and headed for home late afternoon. When I was in Uxbridge for Ryan's graduation last week, I drove by a spot I marked in my mind to return to. That day was just a bright sunny one and the sky was featureless. I should have stopped but I didn't. So I had the opportunity on Tuesday and headed over that way.

When I arrived, it wasn't great, weather wise, but I stuck it out. There was a storm coming from behind me but the sky over the scene I wanted to shoot wasn't great. I spent half an hour shooting various shots, and then the skies opened up and the rain came down in buckets! I got in the car and headed for home. Not 10 minutes later, I drove out of the storm to see this:


I did boost the colours a bit, but it was spectacular. In fact there was a double rainbow, but the other one was too light to look good on film (OK, on 'digital film'!). I used Topaz Clarity on this one, by the way. I'm using it on a lot of pictures now and I really like it! 

Then I turned to my left and saw this scene:


I decided to make a painting out of this one. It took a lot of work to get it right, but I think it was worth it. Again, it will be available as large scale fine art prints. email me if you're interested. You can check out the gallery, it should be up there by the time you read this. 

Not yet done for the day. Now the sky was interesting, so I turned around and went back to the original spot, it was about 10 km back (the above picture was just South of Sunderland on Highway 12; the original scene was just before the turnoff to 12 on Highway 47 in Greenbank). So the top pictures in this blog were taken after I went back. Those were the remnants of the storm that had passed through.

STILL not done. I spent about an hour there, then headed home again. About 5km up the road from the rainbow spot, was this scene.


This is the scene that caught my eye from the road. It's an HDR, of course. As an aside, when I open Nik HDR Efex Pro, I'm drawn to one preset about 90% of the time: the "Dark" one. Here too: I clicked on it, increased the exposure about 10% and saved it. The only other things I did were to remove a red-and-white OFSC sign in front of the bridge and tone down the greens a bit. Fine art print. Gallery. Check it out.


This is marked as part of the "Ontario Federation of Snowmobile Clubs" (OFSC) trail system. Walking over to get this shot, I disturbed a very large dog at the farm to my right, but the farmer came out to corral him (thank you, farmer!). 

OK, back in the car. Another 90 minutes drive to get home. I needed a pit stop at the Tim Horton's in Beaverton and by now it was getting dark.

Earlier this week I was working on an older image that I took in Norland. I wanted to make it a dusk shot, so I created the lighting effects entirely in Photoshop. It wasn't really late in the day when I shot it:


+Ben Willmore shoots a lot of these, usually abandoned old gas stations. That's what got me thinking about it.  

Back to the drive home and the Tim Horton's:


It really was getting dark, and the lights inside the shop looked so warm and inviting. I did have to enhance it, boost the contrast and detail (Topaz Adjust and Clarity). I had another shot that showed some traffic at the pickup window, but I liked this one better.  

So. One drive home, more than half-a-dozen distinct keepers, at least 4 for the gallery and large scale printing. All with a camera infected with dust-spot-measles. It was definitely a good day.

— 30 —

Saturday, June 22, 2013

News, news and more news!

There's a lot of stuff going on in the FACzen photography world. I'm making good progress in certain areas, still spinning the wheels in others but we'll get there! In the meantime, here's the news of the day!

New PHOTOGRAPHY.TO website launched

Maybe that's not entirely accurate. Let's just say, "updated". Most of the links to the active stuff have been changed or updated, and I've added new pages for new projects. Check it out!

Maintaining a website is an ongoing task. It never ends, there's always something to fix, to add, to change. I'm no expert (I don't think I'd even call myself an "intermediate") so I probably do things the hard way, but my goal is to make it easy to navigate and attractive to my web visitors.
■ The greeting page has been changed to make it easier to navigate. If you know what you're looking for, there are big buttons to guide you. Or you can browse more easily.

■ The "Workshops" button will now take you to a list of different workshops. You can access the calendar from there, and you can sign up online for any session we have scheduled (and some we don't!).

■ There's now a direct link to my Smugmug gallery, where you can browse through all of my art prints and choose which one(s) you'd like to see gracing your walls. New images are also in a featured gallery. Although I haven't enabled a pure e-commerce site, you can easily get in touch to order or discuss anything you're interested in.

■ I need to work on the eBooks section. My goal is to make most of these publications free and available to subscribers to my Newsletter. And of course, there are new eBooks in the works.
■ Speaking of the Newsletter, I'm working on revising the format so that it becomes a simple weekly HTML email with highlights from this blog and other news, plus special offers for my loyal readers. My goal is to add a "0" to the number of subscribers before the end of the year. If I do get there, I'm actually going to have to start paying MailChimp for their services instead of using their free account!
■ Tips. Let's make "Tips" the heading for the next announcement, shall we? 
By the way, if you think the buttons up there are neat, here's the link to the tutorial I posted last year on how to make them in Photoshop in case you missed it. After you set it up, it takes 2 minutes to make a new button!

In fact, here's a timesaver: here's the actual PSD file I created to make my buttons. Feel free to download it and to share it, but if you do, I'd ask you to subscribe to my newsletter and ask anyone you passed it on to, to do the same. Fair?

I'm about to become a published columnist!

I've been published before, but the local newspaper has agreed to publish my "Behind the Shutter" photography tips articles as a bi-weekly column! The first one will appear in Haliburton County Living on June 27th (I hope I'm not jumping the gun with this announcement, but I'm excited and wanted to tell everyone about it!). You can access a virtual copy of this publication here.

A copy of this publication is distributed to every household in the Highlands, so it's the widest circulation paper up here! If you live in the Highlands and you're reading this, watch your mailbox!

Along with each article, I'm creating a "Tips" web page. It will contain additional information, example pictures, eventually a comments dialogue (as soon as I figure out how!) and of course links back to my other projects and programs.

You can access the Tips pages from the main photography.to website. I could put the link here, but in fairness, I won't since you might be reading this before the initial publication date. Eventually, I plan to create ePub versions of these columns and combine them into an ongoing series of eBooks.

If that isn't enough news...

Ten of my images are on display (and for sale) at the Rail's End Gallery & Arts Centre in Haliburton. A couple more are going in next week, requested by the curator. The only bad part is that my framing isn't good enough, so they're in a rack in clear bags.

The Rail's End is responsible for the annual arts festival in Haliburton. Unfortunately, it was too late to participate this year (fourth weekend in July, FWIW), but my application will go in for next summer. This is a juried show but I'm hopeful I can get in. I have to work on my framing.

Spreading the Word

You will find advertisements for my workshops every week in the Haliburton Highlander. In addition, a bare-bones schedule of DSLR workshop dates is in the Haliburton County Summer/Fall Guide 2013 (I had to give them the dates long before I got things finalized!).

Courses & Workshops

I've finished the curricula (or curriculums. Or agendas. Whatever word you prefer) for three new courses. My program now contains the following, in addition to custom courses for more advanced photographers.
■ Basic Skills, a 3-hour workshop for new shooters regardless of what kind of digital camera they have,
■ Introduction to Photoediting, which is another 3-hour session designed to introduce people to programs like Lightroom™ or Photoshop™,
■ DSLR workshop, for new and not-so-new owners of DSLR cameras. This venerable 2-day session will take the newer photographer to the next level, and
■ Mini-tours where I take participants to exceptional venues, such as dawn, dusk and whitewater sites and give them tips on how to achieve better images in the field.
What's next? Full weekend or even longer field trips. High on my priority list of things to develop and I'm really hopeful of having something for the peak Fall Colours season up here this autumn.

So I've been a busy boy. There's more stuff in the works, but I can't announce it yet, so watch for it!

Creative Cloud

Not for me at this time. As usual, Adobé has come up with some neat new stuff, but not enough to be a game changer for me. Ditto Lightroom 5. I think I'm going to pass and wait and see.

A big issue for me is the concept of ongoing rental. If they would come up with some sort of acceptable solution that would allow you to keep the last version you paid for in perpetuity if you decided to stop, then maybe. But I can't see being hung out to dry if you can't afford to keep paying them sometime in the future.

It's been out for two days and I heard it's already been cracked. I'd rather use CS6 that I bought and paid for than pirate CC.

The bad part is, all the technical blogs I read talk about nothing other than the new fancy features in CC or LR5. No great new tutorials on CS6 or LR4. That said, Glyn Dewis just did one on the liquify filter (here's the link to the YouTube) and although it was about CC, most of it works in CS6.



*update: it looks as though Adobé may have been listening. The rumour mill says that they've covered most of what I mentioned. I read in a prodesigntools.com article:

In an accompanying article, they also said,

“In the event that Adobe decides to discontinue any of the products in Creative Cloud, we will make the most recent version of the product available for download free of charge to active Creative Cloud members for a period of no less than 90 days. Such downloads will not require a subscription and will be licensed on an as-is, no warranty basis …”

What's missing is "what happens if *I* decide to discontinue my membership in CC...". Can I buy a download of the as-is version of the software. If they do that, I'm in.


Speaking of Software...

I don't post a lot of these, but this is a goodie. Here's a deal for you. I use different plugins in Photoshop, but the one I go to when I want to tweak an image or spice it up is Topaz. Mostly I use Topaz Adjust, but lately I've started using Clarity as well and I love them both.

Topaz Labs has just announced a huge promotion, starting June 24 through July 7. The complete Topaz Bundle is being reduced from $299 to $199 — that's $100 off — and worth every penny.


Click this image to go to the Topaz site. To get the discount, your promo code is 'july4' (without the quote marks). Disclosure: they pay me a little affiliate fee if you click the link and end up buying the software.
Topaz Clarity is not in the bundle, it's $49.95 and I'd be buying it at that price if I didn't already have it. In the bundle, you get Topaz Adjust, DeNoise, B&W Effects, ReMask, Lens Effects, Detail, Simplify, Clean, InFocus, DeJPEG and Fusion Express. That last one lets you access all of the Topaz Plug-ins directly in Aperture, Lightroom and iPhoto. There's a 30 day free trial, so go for it. Give it a shot and see if you like it as much as I do.

Time for some pictures

You know I don't do a blog post without current pictures. So here goes.


My grandson, Ryan Davenport. His graduation was Thursday night. You know I don't go anywhere without a camera... 

When I originally wrote this, I said...

Believe it or not, this was the very first frame, the very first picture of the night. I took a shot just to test the lighting. 100% natural light from a window. Minimal Photoshop, just to retouch the skin a little. 120mm focal length at f/8, ISO 1000, exposure compensation -2ev. This is precisely the shot I had in mind, I planned it while I was driving there. It's very satisfying when the first shutter release worked.
All true, except I now changed the picture. In the first one he was serious, here I got a good natural smile. This is actually 6 frames later, same values except 82mm instead of 120mm, so it's cropped a bit.

The reason I'm posting this is, well, look at the fantastic grandson I have! OK, well actually, I wanted to point out that I used Topaz Clarity on this image, after the basic retouching. It made some very subtle but changes to the image. Not being a portrait photographer, I'm not sure what's good and bad, but I really like this image.

I was going to add some kayakers, but I figured you've suffered enough. Maybe next time. Instead, I'll show you last night's dinner




Both are HDR's, but processed differently. The infrared element and rotisserie on my new BBQ do a fine job on chicken! I threw the asparagus and peppers right on the grill after the chicken was done, a little olive oil and teriyaki seasoning, 3 or 4 minutes, that's it. Great dinner!

So I guess that'll do for today! A lot going on.

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