Today it’s too early to compose it all (see, I wrote “write” it all, then I realized I used the word “write” in the first paragraph so I decided to try to come up with another word to use here or should I say “employ” here because I already utilized the word “use” in this very sentence, but I digress), because I don’t really know yet what I’m going to include in this article and I’m marking time until I think of something, like a drummer or a singer doing an intro to a song and you wonder when the band is going to kick in or the singer take the microphone off the stand and go for that “wow” note (you can tell I’ve been watching American Idol. I’m trying not to be too pitchy…) but I digress.
So I’m having some fun writing this and I hope you will enjoy it and email me to tell me if you did or not and why and give me some kind of feedback so that I don’t feel like I’m hollering into an empty barrel which gives one nothing in return but a sad echo of one’s own voice, something that I don’t have much of these days which they tell me is going to get better but it’s been a long time and it’s very frustrating and if you’ve never met me in person you wouldn’t know what I’m talking about but surgery last summer has taken away most of my regular voice, but I digress.
OK, so let me tell you about what I’m going to tell you about in this piece of writing today (but not really today, as you would have known had you been paying attention in the first two paragraphs).
- I’m going to point you at some valuable photographic learning resources by reiterating how much NAPP can do for you, yet again;
- I’m going to show you some pictures I shot this week (well it might not be ‘this’ week depending on how long it takes me to finish creating this commentary which depends on two things: whether I have time to devote to writing and of course to photographing things, and how fluidly my creative juices are flowing, whether it’s like the rushing waters of a cataract in the springtime or more akin to the treacle of maple syrup out of a jar which comes to mind because of the time of year and the fact that the sap is running in the maple trees and the elms and walnuts and oaks too but nobody makes ‘oak syrup’, you have to wonder why but I digr… you know);
- I’ll talk about my new book — I received my proof copy a couple of days ago.
Why am I so high on NAPP?
Well first let me go on record by saying that NAPP (which stands for the National Association of Photoshop Professionals which can be found at this website which interestingly enough is NOT www.napp.com which takes you to somebody completely different’s website which must be why), does not pay me anything to mention them in this Blog. It would be nice if they did, like, I don’t know, a free pass to next year's Photoshop World Conference and Expo which is going on even as I write this, down in Orlando, Florida while I sit up here in Haliburton looking out at the ice slowly melting off the lake and the brown ugliness of muddy pathways although the birds are coming back and there are the first green shoots poking their little heads out of the ground showing the promise of the spring and summer to come which is of course followed by the spectacularly indulgent colours of autumn, but I d…
I stumbled upon NAPP when I decided to take a one day training course on Photoshop when the travelling seminar team came to Toronto and joining NAPP was a natural thing to do because it gave you a discount on the course and because you could add “National Associations of Photoshop Professionals” to your credentials and the word “Professional” has certain positive connotations. I got 4 things out of that seminar:
- Some great creative ideas and a look inside some techniques that the ‘professionals’ are using
- A great book on using and learning Photoshop which I bought that day called “The Adobe Photoshop CS3 (now available for CS4 and soon, CS5) book for Digital Photographers” which sits on my coffee table and which I pick up and leaf through for ideas from time to time even though I’ve read it cover to cover more than once
- A subscription to Photoshop User magazine which I read religiously whenever it comes in and from which I always get at least one useful tip or technique every issue, and
- Validation that perhaps I’m not entirely a rank amateur when it comes to using Photoshop although I am humbled daily by the work I see others doing.
So what prompted the scribing of this discourse (coming up with all these synonyms and alternative phrases is fun! I think I’ll do it more. I have to be careful, though because it’s a lot like using 87 different transitions in a ProShow slide show just because they are there, or 7 different fonts on a page just because you can but…)?
Last Christmas I bought myself some new books from NAPP. Two great ones and two not-so-great. You win some and you lose some. To get the less-than-satisfactory ones out of the way, I bought a book on Digital Painting by Bert Montroy which proved to be WAY too technical and niggly for me but would be a great resource for someone more detailed than I, and I bought a subscription to Layers Magazine because they hype it a lot and it turns out that mostly it’s about all the other programs that Adobe makes like Illustrator and InDesign and DreamWeaver and… stuff I don’t use.
The great ones? Thought you’d never ask. “The Adobe Photoshop Lightroom 2 book for Digital Photographers” which did for me the same thing that the CS3 book did for Photoshop and which sits on the coffee table as well and gets leafed through during commercials and when the Raptors are having a bad night (when they are good, they are very very good. When they are bad, they are horrid). And a series of three books called “The Scott Kelby Digital Photography Library Bundle”. I let the latter sit for a while but started reading it yesterday. Suffice it to say that I am inspired to go out and try all the down-to-earth stuff he talks about and I know that I’m about to become a better photographer because of them.
If you’re new at photography, or just got back into digital, or have a thirst for knowledge, or have low self-esteem and think you really don’t know what you’re doing and wish you could shoot better pictures: pick up “The Scott Kelby Digital Photography Library Bundle”. It’s $45 at Kelby Training and worth 5x the price. You can read more about it and order it here.
You can join NAPP by using this link. I lied when I said they don’t pay me anything: no actually I didn’t, but they will give me stuff like a new Nikon D3X or a free upgrade to CS5 (ok, there I go lying again! However if they feel like it, I’d be happy to provide my shipping address…) or extending my Photoshop User subscription by a few months, if you use that link so they know you came to them from me.
OK, I told you about NAPP (again) as I said I would, now let’s take a break and look at a few pictures because if you’re like me and you have the attention span of a rabbit in mating season, I lost you 10 paragraphs ago and you’ve scrolled down in the hope of seeing some interesting images.
I shot the flag again. Remember that ripped Canadian flag overlooking the impromptu ice fishing village on 12 Mile Lake? I shot it again against a blue sky, then did some stuff with the clarity slider and saturation to make it jump out of the page. I dunno. No real use for the picture, but I kind of like it.
I woke up to a fresh dusting of snow, perhaps winter’s last gasp (although as I write this, we went through a night of -15ºC temperatures and it’s -4 right now and someone is coming to see and hopefully buy my motorcycle so that I can get the BMW F650GS that I’ve been looking for so that I can explore some of the dirt and gravel roads around here without worrying about dropping the bike and not being able to pick it up because my knees are really getting to be a problem but I digress…). Anyway, I caught a couple of images that I like by virtue of the extremely sharp and contrasty detail of the skiff of snow on the trees. I made them monochrome, one would almost think they were infrared pictures if one didn’t know better. If you click on the picture it’ll blow up so you can see the detail better.
Later the same day, I was out for a walk (lugging my 70-200 lens; I alternate which lens I bring rather than carrying the whole bag with me) and the moon caught my eye, sort of nestled in some branches. Actually, there were some red-winged blackbirds perched on the treetops and I was trying to get one of them in flight in front of the moon but failed miserably because I wasn’t ready when they took off. Shot the moon anyway, but I realized that even though the branches were a hundred meters away, that wasn’t infinity, and the branches and the moon were not both in focus at the same time, even though I shot at f/11. So I took 2 pictures and overlaid them. OK, I blew up the moon a bit as well. Amazing how much detail comes out when the moon isn’t in a black sky. Click on it to blow it up and see. I wonder why?
Everyone tends to overexpose moon shots. I’ll go out on a clear night maybe this week, and try again at night, but I’ll shoot the same exposure: 1/200 second at f/11, ISO 400. Let’s see what I get.
OK, I did go out again, and that’s what I got. And the exposure was equivalent: f/8 at 1/200 sec, ISO 200, 70-200mm lens with the 2x teleconverter mounted.. I didn’t exactly shoot this at night, it was still light out. What’s interesting about this picture is the fact that I followed the tips that Scott Kelby gave in the book I mentioned above to make sharp pictures,
It works! If you do as many of these things as possible or you're conscious of what affects sharpness, I guarantee you, you'll get sharper pictures!
1. Put the camera on a tripod. Even if you think you're shooting at a high enough shutter speed, put your camera on a tripod.
2. Shoot at a higher shutter speed. You may have to adjust the ISO or the lens opening to make that happen.
3. Turn off the VR. If you have a lens with Vibration Reduction or Image Stabilization, turn it off. There's a little motor in there trying to compensate for any vibration and when there is none (like on a tripod), it creates some just for the Hell of it.
4. turn off autofocus. Another little motor doing stuff.
5. shoot with a cable release. You can't help but shake the camera when you press the shutter release. The modern DSLRs have electronic releases that are better than the old mechanical ones.
6. Or you can use the self-timer. Set it for a minimum of 5 seconds to give vibration time to die down before the shutter releases.
7. If you can, put the mirror up before the shot. Again, it reduces things moving around when the picture is taken. Read your owner's manual if you're not sure how to do that.
8. Shoot at the lens's sweet spot. Usually it's about 2 or 3 stops down from wide open -- for an f/2.8 lens, that wound be at f/5.6 or f/8; for an f/5.6 lens, somewhere around f/11 or f/16.
Here's another image I did today by following some of these rules. I couldn't use the timer, of course, or lock the mirror up because I had to manually focus. I had the camera on the tripod, shot 1/160 sec at f/9, ISO 800 with the 400mm lens (2oo+telextender), a little off the sweet spot but the best compromise I could find. I used the cable release and fired a burst of 3 or 4 shots (I think the mirror stays up between shots in a burst). There's a little noise in the image because of the high ISO, but it only appears at big magnifications.
My book needs a little work.Male White-breasted Nuthatch (Sitta carolinensis) at the feeder
Not too much, though. The biggest thing is the missing copyright information, which was probably my mistake but who knows? Second is the cover. I made an image wrap cover instead of a jacket. I used a black background which I’m guessing leached through the two pictures on the cover because they are WAY too dark. Before I adjust them, I’ll ask Blurb what to do. Also, the cover appears “smudgy”. Almost as if it had been handled a lot, but it hasn’t. Inside, there are a couple of pictures that need touching up – one where the signature is cropped partly off, one that needs to be lightened a bit. And there is at least one page I don’t like, so I might change a couple of images.
All in all, though, it’s quite satisfactory. It’s a pretty good representation of where I’m at today and how I got here.
Oh. I remember mentioning that I didn’t fit the images exactly to the ‘containers’ on the pages. I made sure I had enough resolution and that I wasn’t doing extreme reductions. I have to look through it again, but I didn’t find a single artifact (pixellated digital stuff that shouldn’t be there). If you’re doing a Blurb book, you don’t have to be so niggly but YMMV (which stands for “your mileage may vary” which means that if you do what I said and it doesn’t turn out, it’s YOUR fault, not MY fault!).
BTW, I did sell my motorcycle. I have to bring it into Toronto next weekend to get it safetied and new tires for the new owner, but it’s gone, it’s a deal. I’m going to miss the beast. Here are a few shots.
In Newfoundland. At Cape Spear (the easternmost point in North America) and somewhere on Fogo Island which the Flat Earth Society recognizes as one of the four corners of the Earth.
Up in the Haliburton Highlands. The spring shot is opposite my dock on 12 Mile Lake, the fall shot along Highway 35 just South of here.
These photos were taken by "Killboy" at Deal's Gap on the North Carolina/Tennessee border. This portion of Route 129 is known as "The Tail of the Dragon". There are 318 turns in 11 miles and it's mecca for motorcyclists in North America. As I write this, it's closed down by a rockslide that will take several months to clear. In case you were wondering, that's me. On my now sold ST-1100.
Catch you all next time! I'll be talking about what I do to get inspired.
